室内设计外文

室内设计外文

附件2：外文原文Naturalsimplicity-oninteriordesignAnalysisAbstract:Thenatural,simpleinteriordesignshowisawayoflife,itallowsusclosertonature,moreemphasisonfunctionality,moreconcernedaboutlifeitself.createapoeticspace.Keywords:minimalism;space;grade;interiordesign;feelingHOWDOYOUCHOOSEANinteriordesignstylethatsuitsyouandyourhome?Youcandrawinspirationfromnumerousstylesbuttrytokeeptoasimilarthemesoyourinterioriscoordinated.ModernretrointeriordesignincopratesbrightcoloursandboldpatternsThebestplacetostartisbylookingatstylesthatappealtoyou,whichsuityourbudgetandlifestyle.Youwillsoonworkoutwhatyoulikeandwhatyoudon’t.Afterlookingthroughafewoftheseyouwillbegintounderstandthedesignprocess,alongwiththewidevarietyofmaterialsandstylesavailable.Don’tbeafraidtoexperimentwithdifferentcoloursandmaterials;anddecoratetheroominastylethatsuitsitspurpose.There’snothingbetterthanaroomfloodedwithsunlightsotakefulladvantageofallthenaturallightineachroom.Interiordesignstyleandgenre,anindoorenvironmentinthespiritoftheartmodelingandfunctionalareas.Interiordesignstyleandgenreandconstructionisoftenthefurnitureaswellasincloseconnectionwiththestyleandgenre;sometimestothecorrespondingperiodofthepainting,plasticarts,andevenliterature,music,etc.incloseconnectionwiththestyleandgenre;sometimestothecorrespondingperiodofthepainting,plasticarts,andevenliterary,musicalstyleandgenre,suchastheiroriginandmutualinfluence.Forexample,inarchitectureandinteriordesignofthe"post-modernism"andthemeaningoftheword,and"campstyle"isthedistinctivecharacteristicsofaplasticartsschools.Canbeseenthattheconstructionadditiontointeriordesignandmaterialartmaterials,engineeringandtechnologybeyondthecharacteristicsofclosecontact,andalsoliterature,musicandpainting,sculptureandothercategoriesofcommunicationbetweenthearts.Theformationofinteriordesignstyles,differentideasandcharacteristicsofthetimes,bycreativeideasandperformance,andgraduallydevelopedintoarepresentativeformofinteriordesign.Theformofatypicalstyle,usuallyinthehumanitiesandlocalfactorsandiscloselyrelatedtonaturalconditionsandtheneedforcreativityindesignandmodelingcharacteristics.Theformationofexternalandinternalstylefactors.Althoughtheperformanceintheformofstyle,butthestyleofart,culture,socialdevelopment,suchasprofoundconnotation;fromthisdeepermeaning,thestyledoesnotstoporequivalentform.Astyleorgenre,onceformed,itcanturnapositiveoranegativeimpactonculture,artsandmanysocialfactorscannotbelimitedtoasaformofperformanceandvisualexperience.Thestyleofinteriordesignfeaturesintheembodimentofartandcreativepersonalityatthesametime,relativelyspeaking,tothatstyleacrossalongertime,willincludewidegeographical.Interiordesignstylecanbedividedinto:Traditionalstyle,modernstyle,post-modernstyle,naturalstyle,aswellashybridstyle.Architecturalstylederivedfromavarietyofinteriordesignstyle,accordingtodesignersandownersofthedifferentaestheticandloving,andturnedintoavarietyofbody.Here,tobriefMembersonthepresent10kindsofthemorecommonstyleofinteriordesign.ClassicalStyle(luxuriousrich)Theriseintheageofjustdecoration,decorationofmostofthepursuitofprosperityismoreluxuriousstyle.Especiallyintheearly20thcentury,interiordecorationtoshowofftheirnstatusisoftenaspecialform.Ownerswillbeaskedtodesignavarietyofembeddedsymbolicluxurydecoration,suchaspaintingtheglassceiling,fireplaces,decorativepanels,decorativewoodandsoon,butbasicallysimilartotheBaroquestylecombinedwiththematerialthereThemaindecorativeway.Simplestyle(arbitrary)The20thcentury,insomeareasaHomeheat.Duetotechnicalandmaterialconstraints,thetimehasnotyetthetruesenseoftheHomeDesignerforguidance,socasualisthebestportrayalofthattime.Ownershavebegunthepursuitofacleanandbrightindooreffect.Today,thisstyleisstillthemostfirst-timehomebuyersarethefirstchoiceforthedecoration.Exquisitestyle(noblesolemn)Afternearly10yearsofexploration,withtheimprovementoflivingstandardsofresidents,openingtotheoutsideworldincreased,peoplebegantoyearnforandthepursuitofhigh-qualitylife.Fromaboutthemid-20thcentury,thereisthedecorationofthedecorativeuseofsophisticatedmaterialsandfurniture,especiallyatthistime,thedesignerofthedomesticintotheranksofHomeDesign,whichhasbroughtanewconceptofdecoration.Naturalstyle(art)Thebeginningofthe20thcenturydecorativeboomhasbroughtmanypeopletotheconceptofdecoration.Alargenumberofemergingmarket,Taiwan,HongKongjournalofdecorativeeye-openerforpeople,beforewedaretoimaginesuchasmallgarden,culture,decorativestonewallsanddecorativestonesuchastacticshaveappearedintherealityofthedesign.Inparticular,weusedtoseeredelmcausedbylarge-scaleuseof"nationalrenovationayellow"afterthephenomenonofthedecoration,closetonaturehasbecomeapeopleoneoftheobjectivespursued.Naturalstyleofadvocacy,"returntonature,"highlyaestheticnature,combinedwiththenaturalorderintoday'shigh-tech,high-pacedsociallife,sothatpeoplecanachievethebalanceofphysicalandpsychological,soindooruseofwood,fabric,stoneandothernaturalmaterialsshowsthatthematerialtexture,freshandelegant.Inaddition,becauseoftheirsimilaraimsandpractices,whichmaybeclassifiedasanaturalstyleofgarden-stylecategory.Pastoralstylesoughtinindoorenvironmentperformanceofleisurely,comfortable,naturallifeofthecountryside,andisoftentheuseofnaturalwood,stone,rattan,bambooandothermaterialssimpletexture.Coincidentallyinthegreenroomsettings,creatinganatural,simple,elegantatmosphere.Lightstyle(boldDafang)Themid-20thcentury,homedesignideashavebeenalotofliberation,peoplebegantopursueawiderangeofdesign,includingmodernism,postmodernism,suchasthedesignofaseriesofmorecomprehensivesystemformedintheinteriordesign.Turningtothedecorationofpeople,these"isms"frequentlyappearinthemouth.Thisstylebasicallycherrywoodfinishesasamajor.Softstyle(smoothindependent)Inthelastcentury,thebeginningofthiscentury,akindofsmoothpursuitintheclublikealittleluxurydesignallkindsofrealestatepropertiesinthemodelroomandtheofficeappeared,andthenappearinalargenumberofhomedecorationingeneral.Thisstyleofartisarelativelysimplecomparedtoemphasizethecontentandyetdecorativeforms,andgraduallyformedablackwalnutwooddecorativepanelsforthemainstyle.Amongthem,thesimplicityandminimalismthebeginningofthesurface.Style(quietgentle)Thisisnotinthelastcentury,thebeginningofthiscenturyasadesignstyle,itisbasicallyawallpaperbasedonthesurfaceasthemaindecorationmaterial,combinedwiththewoodworkingpracticesMixingthisstyleemphasizedtheharmonyofproportionandcolor.Peoplewillbethelastpartofawallandtheceilingthesamecolor,andthewallwiththeusenofalighttextureofthewallpaper.Thewholestyleofitiselegantandquiet,withnotraceoftheimpetuous.Citystyle(independentpersonality)The21stcentury,thehousingreform,andmanyyoungfirst-timehomebuyerswhoappeartohavethisstyleimpetus.Youngpeoplehavejustboughtahouse,manyofthemcosI'malwaysskint,butthistimetherealestateandareessentiallyroughHousing(anon-basicstyleofdecoration),andtheseyoungpeopleareforcedtocarryouttherenovationoftherevolution.Limitedbyitsfinancialresources,peoplearestartingtocomethroughavarietyofformshasbeenstressedthat"decoration"ofperception,inwhichlarge-scaleuseofbrightcolorsisatypicalexample.Itwillbeathomeinthelarge-scaleuseofavarietyofcolors,sometimeseveninthesamespace,theuseofthreeormorethanthreecolors.Freshstyle(freehandpastel)Thisisasimpleandderivedundertheinfluencewitha"pettybourgeoisie"flavoroftheinteriordesignstyle.Particularlyasmanyoftheemergenceofsinglepeople,thepettybourgeoisieinthestyleofagreatdealofvarietyinthedecorationoftheapartment.Asmanytimes,theydonot,suchastheresidentsliketheelderlyandthechildrenofmembers,sodonotconsiderthedecorationofmanyofthefunctionsoftheproblem.Theyareoftenstressedanddullofanarbitrary.White纱帘buoyantwithasoftfabricofthesofa,andthenstackedwithavarietyofcolorsofthepillowpiletoformafullatmosphereoftheinteriorspacelazily.Chinesestyle(retro)Withtheemergenceoflargenumberofmodernistdoctrine,theriseofthedomesticandaretrostyle,itistherevivalofChinese-styledecoration.Chinesepainting,calligraphyandtheMingandQingfurnitureconstitutethemostimportantelementsofChinesedesign.However,theseexpensiveretrofurniturehasbecomeamajorobstacletothelovers.HybridstyleInrecentyears,thearchitecturaldesignandinteriordesigningeneralhasdiversified,inclusiveofthesituation.Indoorlayoutalsotendstohaveamodernandpractical,butalsolearnthecharacteristicsoftraditional,inthedecorationandfurnishingsintheancientandmodernChinaandtheWestmeltingintoone,suchastraditionalscreens,andtablesetting,withmodernstyledecorationofthewalls,windowsanddoors,anewtypeofsofa;Europeanclassicalglasslampsandwalldecoration,withthetraditionalorientalfurnitureandfurnishingsinEgypt,andsoshort.Althoughthehybriddesignstyleeclectic,usingavarietyofstyle,butthedesignisstillOriginality,in-depthscrutinyshape,color,materialandsotheoverallcompositionandvisualeffects.Moderninteriordesignasanewsubject,althoughitisonlyamatterofthepastfewyears,butpeopleareconsciousoftheirownlivesandproductionactivitiesarrangedindoorlayout,orevenaesthetic,givingtheindoorenvironmenttotheimperativeoftheatmosphere,haslongbeentheperiodfromthebeginningofhumancivilizationhasexisted.ONEThedevelopmentofthedomesticinteriordesignXi'anBanpoVillageprimitivesquare,roundlivingspace,hastakenintoaccountbyusingtheneedtomakeaseparateroomsothatthelocationoftheentranceandheatedkangreasonablearrangement.Squarelivingspacenearthedooroftheheatedkangarrangementsshallowinletslot,circularlivingspaceonbothsidesoftheentrance,alsosettoguidetheairflowshortwall.Backintheroomwheretheprimitiveclansociety,hasmadetheformationofartificialcalcareoussmoothsurface,theroomNeolithicsites,thefinecouldstillbemodified,hardredburnlandisbeautiful,evenprimitivecavecave,thewallisalsodecoratedwithzoomorphicandhuntinggraphics.Thatis,evenintheinitialstagesofhumanconstructionactivities,npeoplehavebegunto"useandclimate,""substanceandspirit"ofbothfunctionsatthesametimeattention.Shangpalace,fromtheexcavatedruinsshowthatbuildingspaceorderly,strictrulesare,GongZhuroomdecoratedwithcolorfulwoodcarvingsWhitehead,pillarofthecoppercoilequippedwithYunleipicture.UpduringtheQinandWesternHanWeiYangPalaceMetrical,althoughthepalacebuildingshavedisappeared,buttherecordofliterature,fromtheeavestilesunearthed,utensilsandotherkindofproduction,andthestonefromthetombofexquisitelatticewindows,railingsdecorativepatternsview,nodoubt,wasfineandtheinteriorisquitebeautiful.SpringandAutumnPeriodthinkerLaozi"themoral"that:"chiselhousehold-youthinkthatroom,whenitsnot,thereisroomonly.Sothereisofthatbenefit,notforthatuse."Vividexpositionofthe"yes"and"no"Enclosureandthedialecticalrelationshipbetweenspace,butalsopromptedtheinteriorspaceoftheenclosure,organization,anduseisthecoreissueofinteriordesign.Thesametime,Ithoughtthesimpledialecticofview,"a"and"no",butalsointerdependentandindivisibletotreatment.Interiordesignandarchitecturaldecorationcloselylinkedsinceancienttimestheuseofarchitecturalpatterns,arealsoshowsthatpeoplelivingenvironment,thedemandformentalfunction.Inancientliterature,"KaoGongJi","AzusaBiographies,""createaFrench"andthemeterintothe"Gardening",thecontentsareinvolvedininteriordesign.CelebritywengLiYuQingonthetraditionalideaofinteriordesignconception,totheinteriordecorationoftheessentialsandpractices,thereisaveryprofoundinsight.Inthemonograph,"aspokesmanroomdevicetoplayDivision"ofthebedroomchapterofLiYudiscourse:"caproompriortoyourfineinexpensiveKorea,yournewDaya,notyourtinynaive","Latticetoclearthroughthefirst,andrailingswithexquisiteasmain,howevereuphemisticallyisthesecondmeaning,itsfirstseriouscases,onlythewordofCaine,Caineandthenworkonthehumble",andtheideaofinteriordesignanddecorationareuniqueconceptionandinsights.VariousresidentialareasinChinasuchasBeijing'scourtyardinSichuanmountainhomes,Yunnan,"anIndian",DaidryLannastylehouse,andShanghaialleysandarchitecture,reflectthelocalcultureofarchitectureintheshapeandinteriorspaceorganizationintheconstructionDesignandmanufactureofdecorativeandmanyotherareas,haveveryvaluableforustolearntheresults.TWOThedevelopmentofforeigninteriordesignBCruinsofancientEgyptaristocraticmansion,theplasterwallpaintedwithverticalstripesofcolor,fabricflooriscoveredwithstraw,withallkindsoffurnitureandhouseholditems.EgyptiangodAmonKarnakchou,chou-chou,formersculptureandthedecorativepatternswithinthecolumnsareverybeautiful,God-chouhugestonepillarspillarsChambergroupandverydepressinghallspace,isconsistentwiththeancientEgyptiangodsZhourequiredstrictindooratmosphereofmystery,isGod'sspiritualuniversefunctionsrequired.AncientGreeceandRomeinarchitectureandinteriordecorationhasbeendevelopedtoaveryhighlevel。PatiLongAcropolisAncientGreeceGod,thecolonnadeZhou,indoorandoutdoorspacetoplaytheroleofthetransition,carefullyweighingscale,proportionandpropertiesofrationaluseofstone,formingabeam,column,compositionofsystemsandFanghaveapersonalityalltypecolumn.Romacitysites,fromthenoblemansioninteriorwallmurals,floormarbleflooring,andfurniture,lightingandotherproductionprocesssophistication,thetheninteriorisquitemature.IndoorGaokuangRomanGodoftheuniverse,withthepublicmeetingfeaturesvaultedspace,iscurrentlyinthecourtofpublicbuildingssetwithinthefirstprototype.EuropesincetheMiddleAgesandtheRenaissance,Gothic,classical,BaroqueandnRococostylesforalltypesofbuildinganditsinteriorarebecomingmoreandmoreperfect,morematureartstyle,decorationstyleandthebeautifulancienttechniquestillisWhenwritingthesourceforreference.Createdin1919inGermanyBauhausschool,abandonoldways,advocatingattentiontofunction,andpromotemoderntechnologyandnewmaterialsusedinarchitecturalandinteriordesign,madewiththeindustrialsocietytoadapttonewideas.Gropius,founderofBauhausschoolwasputforth:"Wearelivinginaperiodofgreatchange.Theoldsocietyundertheimpactofthemachinebroken,thenewcommunityisformed.Inourdesignwork,theimportantthingisconstantlyevolving,changingwiththechangeoflifeexpression......."20'sdesignedbyGropiusandMiesBauhausschool.VanDe.BarcelonaDesignGalleryLoareatypicalexampleofthesenewconcepts.THREECurrentinteriordesignandarchitecturalissuesshouldbenotedModerninteriordesign,althoughtheearly50'stoptenconstructionprojectssuchasthecapitalofBeijingGreatHallofthebuilding,isalreadyunderway,buttheinteriordesignanddecorationindustry,theriseanddevelopmentoflarge-scale,orsomethingoverthepastdecade.Sincereformandopeningup,fromthetourismconstruction,commercialconstructionstartupbusiness,financeandconstructioninvolvingthousandsoffamilieslivingintheinteriordesignandarchitecturalaspectsoftheboomingdevelopment.After1990yearsago,havesetupaChinaBuildingDecorationAssociationandtheChinaInstituteofInteriorArchitects,inmanyartcollegesandinstitutionsinscienceandengineeringhaveestablishedtheinteriordesignprofession;fromtheearly80sbegantodeveloptotheendof1995,registered6.5thousandenterpriseshavedecoratedhomefortheworkersfrommorethan400millionpeople;decoratingbusinessin1995,hasmorethan80billiondollarannualoutputvalue;forstrengtheningstandardizedmanagementofconstructionanddecorationfields,inAugust1995theMinistryofConstructionpromulgatedthe"architecturaldecorationregulations";expect,"NinthFive-Year"period,China'sinteriordesignandarchitecturaldecorationprogramwillbeboththebreadthanddepthoffurtherdevelopment.China'scurrentinteriordesignandarchitecturalfeatures,therearesomenotableproblems,weneedtotakeseriously.Mainly:1,theenvironmentandbuildingtheoverallfunctionofconsciousnessisweakThedesignoftheinteriorfeaturesinternalandexternalenvironment,theuseofthebuildingwherethefunction,typecharactertoconsidernoteasytointeriordesigninisolation,closedtreat.2,large,productiveconstructionofinteriordesignhasbeenignoredCurrentdesignersandconstructionpersonnelinthetourismhotel,shopping,finediningandsomoreemphasisoninteriordesign,involvingmostoftherelativelylargenumberofpeopleusebuildingssuchasschools,kindergartens,clinics,communityservicefacilitiessuchasinteriordesignemphasisonresearchisnotenoughforworkersinthedormitory,alargenumberofresidentialbuildingsandvariousproductiveinteriordesignhasalsobeenignored.3,onthetechnical,economic,regulatory,legalandotherissuesisnotenoughattentionModerninteriordesignandstructure,construction,equipmentandmaterials,constructiontechniques,combinedwithtechnicalfactorssuchasveryclose,increasinglyhigherlevelsoftechnology,thedesignershouldhavethenecessaryarchitectureinadditiontocultivation,butalsomustseriouslystudyandunderstandthetechnologyofmodernarchitectureanddecorationTechnologyandotherrelevantcontent;thesametime,shouldbestrengthenedintheinteriordesignandarchitecturalperfectionandimplementationofrelevantlawsandregulations,suchasprojectmanagementmethod,ContractLaw,BiddingLaw,andfire,sanitationandepidemicprevention,environmentalprotection,projectmanagement,designandotherfixedtargetslawsandregulationspertainingtotheimplementationof.4,shouldenhancetheinnovativeinteriordesign。nInteriordesigncourseathomeandabroadcanlearnfromtraditionalandcontemporarydesignresultshavebeen,butshouldnotsimply"copy",ordisregardoftheenvironmentandbuildingtypecharacter"Apply",combiningmoderninteriordesignshouldpromotetheinnovativespiritofthetimes.Endofthiscentury,isaneconomic,information,technology,cultureandotheraspectsoftheperiodofrapiddevelopment,people'smateriallifeandspirituallifeofsocietyhavemadenewdemands,correspondingtotheproductionitselfandpeoplelivingactivities,theenvironmentquality,itmustbeputforwardhigherrequirements,howcanwecreateasafe,healthy,suitable,beautiful,abletomeetthecomplexrequirementsofthemoderninterior,withtheculturalconnotationsoftheindoorenvironment,whichrequiresustolearnfrompracticetotheoryseriously,studyingandexploretheemergingdisciplineoflawandmanyoftheproblems.Atpresent,China'spolitical,economic,socialandculturaldevelopmentinastrongposition,accelerationofurbanization,theconstructionbusiness,urbanconstructionarefacingunprecedentedgoodopportunity,butalsomadeencouragingprogress.However,theconstructionofthedevelopmentisstillinadequate,thedesigncallsforlotsofcities;CityConstructionofconfusion,lackofpracticaltheoryconstructionpracticeguidance;urbanplanningpersonnelandotheraspectsofacademicpreparationinthelackofreformofarchitecturaleducationtobe......theseproblemsarenotpeopleofQiworry,therearemanyreasons,inapositivesolutiontotheproblem,thedevelopmentofthetheoryofarchitectureisnotonlyurgentforit.Ithinkthebasicideafromtheincreaseofregionalculture,fromtheagemodeltoexploreChina'sdevelopmentroadconstruction。FOUR。Increasefromthebasicconceptofregionalculture,fromtheagemodeltoexploreChina'sdevelopmentroadconstruction.1,thebasicidea。ReturntoBasicPrinciples。Architecturaltheoryvoluminous,dazzling,likeuncertainty.Departmentsinterestedinhostinginternationalarchitecturaldesignorurbanplanningcompetition,foreignoutstandingarchitecturalcreationofourprogramcaninspireandpromote,butnotsolvetheissueofthedirectionofChinesearchitecture.Althoughthehistoryofsuccessfulexamplesofinternationalcompetitionisnotuncommon,butnumerousexamplesoffailure,nottomentionthesuccessandimplementationofcompetition,toacertainextent,alsodependsonaclearmissionstatementguidingideology,thelevelofthespecificselectionofpeopleandpropertyownersdecision-making,makearrangementsforimpropertohaveanegativeimpact.Thefaceofchaos,asinthe1999UIA"BeijingCharter,"whichstressedthedevelopmentofarchitecturetoreturntobasicprinciples,weneedsimpletheory.Earlyadvocatesofbuildingpolicy:practical,economic,aesthetic,thisisstillthebasicpointofbuildingdevelopment.Practicalconstructionofthebasicfunctionistoshapethepresentandfutureforthepeopletogoodlivingenvironment.Economicconstructionalwaysspendalotofresourcesandmaterialwealth,isnowgreatlyincreasedstrength,butthesocialpursuitofluxuryhasbecomeatrend,extravaganceamazing,called"ills."In1992,onenvironmentanddevelopment,"RioDeclaration"sustainabledevelopmentstrategyofmacroeconomicdevelopmentisaninevitablechoice,theChineseGovernmentmadeacommitmenttotheInternationalUIAHaoZhaoconserveresourcesasmuchaspossibleandoptimizingresourceallocation,whichisthedevelopmentofguidelinesforbuildingabasic.Architecturaldesignisinappropriatetobringasinglebuildingorgroupsofbuildingshousingthewaste,citydevelopmentstrategiesandplanningerrorsisdifficulttoestimatethelosscaused,orevendifficulttochange.Therefore,weshouldbemoreurbanandruraleconomicdevelopmentconcerns,theideaofevaluationcriteria,thenestablishmentofeconomicevaluationofbuildingsystems,attentiontofeasibilitystudies.Noveltyisbeautiful,butcannotbeseparatedandtheenvironment,cannotabandontheprincipleofintegrity.Besidesbuildingreflectsthelevelofnationalandregionaldocuments,thehistoricalrecordofthetimes.Withthedevelopment,thebasicprinciplesofbuildinghasadifferent,wider,morecomplexnewcontent.Suchassecurityissues,andnownotonlycannotignorethesafetyofbuildingsandcities,andfromthelayoutcanbepreventedonamorefundamentalaspecttobeconsidered.GraspthebasicconceptsAllconstructionworkerstothebasictheoryintotheideaofgoing.People-oriented,combinedwithnatural,sustainabledevelopment,areallsummedupbythelate20thcentury,valuableexperienceandstrategic,youcannotemptytalk.Deep,grandtheoriesneedintoeffectsoastogodeepintoeveryaspect.Unfortunately,therealityofthemanyproblemsandoftendonotaddupslogans,suchasurbanroadconstruction,whatisstilltocar-basedpeople-oriented?Dubbedthe"ecologicalarchitecture"designlikealot,buttherealamountofresourcesandenergysaving?KeepabreastofthemacroandmicroArchitecture,ScienceofHumanSettlementsDevelopmenttokeepabreastofthemacroandmicro.Themacrolevel,includingtheworld,continental,regional,holisticthinking,globalization,globaleconomicactivity,formationoftheglobalurbansystem,topromotefurtherprosperityofarchitecture,andpromotetheprocessofurbanizationintheworld;themicrolevel,suchasbuildingphysicsenvironmentalresearch,todevelopindepth.InthefightagainstterrorismandevilwhiletheWestinsightthat,forsomethingsthatshouldhavebeenusedtorethink.Suchashigh-riseskyscrapersreasonable?CityCBDplanningwhetherby"theWallStreetmodel,"sodense?Howtheworkofthecity'ssafetyintoahugeurbancomplexsystems?DowehavetorepeatthelastcenturyinallaspectsofthepathofWesterndevelopment?Inparticular,drawwhatlessons?Andsoon.Theseaspectsofourfuturedevelopmentmodelofthedevelopmentshouldbeinspired.2,LocalCultureGlobalcultureandlocalcultureInessence,thegeneralarchitectureofageneralrule,theconstructionofglobalizationhasitsreasonablemeaning.Ontheotherhand,havedifferentgeographicalcharacteristicsofthebuilding,hasitsspeciallaws,anarchitecturalhistoryofthedevelopmentofregionalculturehasalwaysbeencombined.ThebroadareathatEuropeandAmerica,thereareconsiderabledifferences;eveninEurope,WesternEuropeandEasternEuropewillalsobedifferent;WesternEurope,Germany,France,Britain,ItalyandtheNetherlandshasitsownuniquefeatures.Differentcountries,eveninthesamecountries,citiesalsohavelocalcharacteristics,suchastheUnitedStates,Boston,Washington,franciscostyledifferent.India,Malaysiaandotherdevelopingcountriesalsobegantofindtheirownway,outstandingarchitecturalworksalsowithastrongregionalprints.HistoricaldevelopmentofgeographyinChinahasneverhadculturaldecomposition.StatementsPengyuanShiwillbedividedintogeographicalandculturaloasiscity,portcity,BasinCity,PlainCity,etc.,andinsightfulanalysisofChina'surbanizationhistoricalandculturalbackground,outof12urbangroups,theyandtheChineseyuanhasaprofoundancientculturehistoricalorigin.Modernarchitecturealsofeaturesoutstandingworksusinglocalexamples,moremasterpiecesfromthe50'sfromtheshowafteranother.Therefore,wehaveabroadergeographicalperspective,all-rounddevelopmentofregionalpolitical,economic,socialandculturalatthesametime,thedevelopmentofbuildingregionalculture,andpromotetheprosperityofarchitecturalcreation,andnotflowinthepursuitofnnewconstructionsurface.StrongcultureandtheweakFromhistorytosee,afairlylongperiodoftime,basedonWesterncultureasthecenter,firstinEurope,laterexpandingtotheUnitedStates,buildingthesame.Chinahasarichhistory,architecturalheritage,butnearly100years,scienceandtechnologylagsbehindtechnologicaldevelopment,architectureisnoexception,ininternationalcompetitionisstillinaweakposition.Therefore,welearnlessonsintheprocessofglobalizationofadvancedscienceandtechnology,creatingaglobalculture,whileexcellent,shouldhaveasenseofculturalawareness,culturalself-esteemattitude,thespiritofculturalself-reliance;facethechallengeofastrongculture,weshouldlikeLikeconservationofbiologicaldiversity,culturaldiversity,thenecessaryprotection,excavation,extraction,inheritandcarryforward.Criticallycarryonexcellentregionalculture,astheconstructionofanewdevelopmentinthe21stcentury,thegeographicalstartingpointStudyarchitecture,planninganduniversalityandparticularity,theuniversaltruthandthecharacteristicsofurbanandregionalarchitecturecombinesnotonlyhelptomorefullygrasptheartofspeciallaws,re-create.Aslongasunbiased,adheretobasicprinciples,theglobalimpactofregionalcultureinharmonywiththerelationship,itcanbecomea21stcenturybuildingtodevelopnewgeographicalfeatures,meetthe21stcenturyrenaissanceofChinesecultureinthehumanities.Intheurbanstructure,buildings,landscapingandcreationofsuchareasshouldbebasedaroundthefeatures,theassignedfeature.Sincethefoundingofdifferentareas,suchastheSouth,Southern,etc.havebeencreatedoutofalocalstylebuilding,thisisproof.Meanwhile,strengthentheresearchoftraditionalChinesearchitecture.OurancestorsLiang,LiuDuizhenteacherisapioneerinbuildingresearch,weshouldlearn,digesttheircontribution,butbynomeanslimitedtothatChineseconstructionon,andwealsowillstudythetheory,discardandre-creationprocess,integrateintoday'sdesigncreation.Weshouldnotonly"used",itshouldbeonoursoiltocreateanew"sendout"fortheworldcontributetotheprosperityofarchitecturalculture.3,TimemodeUrbanizationisthemainthemeofthetimesInthenewcentury,theurbanizationlevelof18.96%in1990increasedto36.1%in2000,itwasestimatedthatby2010and21bymid-centurytoreach45%to65%.Foreignexpertspredictedthattheinitialimpactsofthe21stcenturythebiggestworldevents,inadditiontotheU.S.high-tech,isthatChina'surbanization.Arcconstructionsiteratherthanfromthecityofaboutitisdifficulttofullytakeintoaccounttheconclusionsoftheconstructionindustryweshouldbeclearthaturbanizationisthebasisforbuildingdevelopment.Effectivepatternsofdevelopment,lesschasingtrendystylesBuildingfunction,formandcontactsthesurroundingenvironmentistheconstructionofthebasicelements,iscreatedbasedonvariousperiodsincludingthecurrentarchitecturalstyles,avarietyofdoctrinearealsoworthyofthestudies.Fornowadaysflooding,tobegettingworse,cannotbutspeakitout.Lookingintothenewera,informationscienceandprogress,thecomingofpost-industrialsociety,bringingallkindsofdevelopmentopportunities,thedevelopmentofecology,environmentalstudiesbroughtprogress;thesametimewealsoseetheearthresourcesarelimited,uncontrolledconsumptionofconstructionuseofenergyandmaterialwealthisworryingly,socialdevelopmentandregionaldisparitiesbetweenrichandpoorisexpanding,theseareconstructionrelated.Ourcurrentlarge-scalebuildingisnotonlybuildinghouses,butalsoinbuildingthecity,butmorefundamentallyisinshapingthefuturesociety!theconstructionofcurrentandfuturelivingenvironment.nThingsareawholeshouldbeanalyzedasawhole.Weshouldtostudyvariousaspectsofthemodelforfuturedevelopment.Forpartsofthestructureandformofurbanplanningandarchitecturalcreation,shouldsizeupthesituation,localconditions,thedevelopmentofcreation,shouldnotbeclich,butnotasstylishfeel,theblindpursuitofstyle.Inspirationfromtheengineeringre-Intheengineeringfield,thelatterbasedontheindustrialrevolutiontheriseofemergingtechnologies,thereisthesuggestiontore-engineering,andinthefieldofarchitecturewithallthechangestheneweraisalsonecessarytointroducetheconceptofrestructuring.Thecurrenttaskistofindaneworder.Theculture,theyhavetoadmit,multiculturalunderstanding,butalsoseeallthenumerousanddiversebroughtdisordered;onarchitectureandurbanstructureandform,thesingle-blockbuildingsfromthelimitedformofwell-designedexpansiontothecreationofbuildingsandurbandesignandplanningstructureofthinkingandskills;onsociety,tobetrulyimplementedintheplanningofconstructiononpeople-orientedtothecommunityasaunit,tocreateharmonyinthebuiltenvironmentinthematerialconditions.Inshort,avarietyofmodelsfromthepursuitof"harmoniousbutdifferent","seekorderinchaos."Inshort,wehavethescientificspiritandhumanisticspirit,reasonandromance,artificialcombinationofarchitectureandnaturalbuilding.Notonlytoconstructionitself,butalsotoshapethespacebetweenthebuildings,weadvocateacompactcity,openlandscape.Therefore,weshouldlearnfromachievementsof20thcenturymodernarchitecture,identifyitsshortcomingsandconsciouslyintegratedtofindthepreviousburstoutofthestillfragmentedbythewisdomofthespark,asthestartingpointofthe21stcenturyandthenewtime.Ancienttimes,ChinesewoodenframeworkarchitectureofancientIndia,theOrient,Europe,buildingcavesinancientGreece,ancientRomeandsoondecorativestonebuildingcloselyintegratedwiththecomponents,withthemainbuilding,however.dissolvedintoEuropeintheearlyseventeenthcenturyBaroquetimesandthemid-eighteenthcenturytheRococoera,beganwiththeinteriordecorationofthemainbuildingseparatedfromthemainbuildingexternalandinternalfitting-outperiodintheuseofthemismatch,thusleadingtothemainbuildingandinteriordecorationoftheseparation,intheconstructionoftheFrenchcourtarchitectureandaristocraticmansion,thenewoccupation"decorativeartisan"wasborn,thebuilding'sinternalfrequencycontinuousmodification,fixedthemainbuilding,thereplacementbuilding,"clothing"thetimehascome.Baroque-stylearchitectureoftheinteriordesign,oneanti-Renaissancesolemn,subtle,balanced,tendtoexaggerate.luxury,inchurchesandpalacesinthearchitecture,sculpture,paintingintoawhole,thepursuitofmomentumwiththeupsanddowns,butanattempttocausetheillusion.Rococointeriorarchitectureisthepalaceofnobilityinordertobeintimateandcomfortable,elegantinteriorandthepursuitofamoreintimateinteriordecorativeeffect.withthin,lightweight,beautifulandcomplexdecorative;hi-shaped,withC-shapedorS-shapedcurveofthevortexandsoftpastelcolorswithflowersandbirds,manyshellsasatheme,andthecourtordertomeettherequirementsoftheexotic,muchusedininteriordecoration.Chinese-styleBaroqueandRococo-stylehand-madedecorationreachedperfection,referredtoas"interiordecoration".modernrepresentativesofthegreatdevelopmentoftheindustrialrevolution,therehasbeenanewtypeofconcretebuilding,itsinteriordecorationnotonlyfromthemainbuildingfromtheMedium,anddevelopedintothemainbuildingandnotattachedtothesolepartoftherelativeseparation.SportscampsolvedsimplydecorativebuildingcomponentswithacombinationofthemaincontradictionsinmodernistdesignbecomeapioneerintheBauhausschoolofthought.decisiontoemphasizethefunctionalform,considerthespaceofthebuildingaretheprotagonist,advocatediscardingfalsesurfacedecoration,allaroundthearchitecturenreasonablespacerequirementsServices.excludedecoration,emphasisontheuseoffunctionsandsimplifiedshapes.Advocatethedesignofthenaturalstyleofnaturalspace,aestheticpromotedtheideathat"naturalbeauty"totheperformanceofrelaxed,comfortable,naturalpastorallife,andisoftentheuseofnaturalwood,stone,rattan,bambooandothermaterialsrustictexture.cleverininteriorsettingsgreening,createanatural,simple,freshandelegantatmosphere.onlyupholdsnature,combinedwiththenaturalorderintoday'shigh-tech,high-pacedsociallife,sothatpeoplecanachievephysicalandpsychologicalbalance.Simpledoesnotmeaneasy,itisanattitudetowardslife.whenweareinmodernlife,tobeartoomuchpressure,webegantolookforthefeelingoffreedom,gracefulpostureandextraordinarytaste.weneedtotendtoapeacefulstateofmindimpetuous,Sowecallforsimplicity.fromthebuildingspacetothegenerallivingspace,fromdesignerstotheordinarycitizenvocationalnaturallysimplestyle-interiordesignhasbecomeverypopulardirection.ThespiritofsimplicityismainlyderivedfromtheorigintotheearlytwentiethcenturyWesternModernism.BritainandFranceJOHNPawsontwoClaudioSilversteininteriordesignersinthemid80stoleadthetrendofminimalismdesign.EuropeandtheUnitedStatesatthetimeofeconomicdownturn,theArtGallerybossesbegantodisplayworksofartspacetofindawayout,somereportedcostsfactoryfloorlayouteasytobecomeartexhibitionhall,thepurposeoffundingisbasedonatleastmakethebestdisplayspace,whiletheresultsofdoingsoistosimplifythespace,notdecorationsuperfluousthings,infact,thisalsoreflectstheemergenceofanewaestheticdesign.fromhomeintothedesignofartgalleries,theexhibitionspacewithworksofartshowingthecharacteristicsofthesametypeofaestheticsimplicity.artatthistimeitstartedwiththeinteriorcoincidewiththedesignandgraduallybegantosliptothepresentminimalismbecamethestyleofinteriordesignandpursuecareers.Returntonatureofminimalismarehuman-specificlabor.itspurposeistoconciseformofexpressiontomeetthepeople'sspaceenvironment,thekindofinstinctive,emotionalandrationalneeds.Inasense,theprevalenceofminimalismaretheinevitabletrendofhumandevelopment.Natural,simpleinteriordesigntocreateapoeticspace.Weknowthatthe"poem"TheArtofthecharacteristicsistouseverysimplevocabulary,accordingtocertainrulesofcomposition,forma"poem"ofsuchalanguage,itsbetweenthelinescontainsagreatdealofspace,astaticimplicitinthedesignspace.people'sideologicalfeelings,life,longingforinjectionintotheenvironmentthroughthe"mood"toreproducethethree-dimensionalspace,inreality,itmeansitshabitat,thenforgottenbyhisbody,whichisaspiritualexperiencebeyondthephysicalexperience,"mood"ofcreation,itisbycreatinganatmospheretoachieveacertainspiritualsignificanceembodiedthe"affinity".Infact,theinteriordesignisminimalismsucha"poetic"tocreateaspacewithminimalistobjects.havetoimaginetheuseofdisplayspace,thisspaceisactuallyavice-space,hasgeneratedvariouscombinationsoffurniture,deputyspace,itoftengivesavisual"empty"feeling,while"empty"likepoetrygeneratedbythe"mood",agreatmobilizationofthepersoninwhichemotions,abilitytoinspirepeopleassociation.Simpleinteriordesignaesthetictoemphasizetheform.IfSay,thegeneraldesignoftheinteriorfurniture,suchassofas,tablesandotheritemsreferredtoasthemainobject,thenminimalisminteriordesignisthereisnosuchdistinction.Minimalismininteriordesignconsideranypartofspacewillsharethesameimportantrole,includingthewalls,ground,andsoontopofalltheobjectsinspace.coordinationportfoliohasastrongaestheticform,whichismainlyembodiedinpointLine,surface,thethreeelementsoftheperformancespace.Chinaforthousandsofculture,howmuchprecipitationHengBankworks,especiallytheHanChinesearebuildingamorebeautifulsetofAuraessenceto"simple,solid,precise,elegant"astheprinciplesuniquetoOrientalaestheticideas,independentandvigoroustemperament,concisevaguedistantcharmofsimplicity,theworldshouldring.ithasalsonaffectedtheinternationalbuildingdesignconcepts,butalsoaffecttheinteriordesignaesthetic.Designisabletoexpressthelanguageaslittleaspossibleasmuchinformationaspossible,dependsonitsdesignwillbemanymanifestationsofthecombinedelementsofscience,inwhichthechoiceanduseofcolorplaysaverycrucialrole.WeknowcolorsaredifferentwavelengthsLightreflectionandabsorptionoftheresultofthespreadoflightfasterthanthespreadofgraphiclanguagefaster,whichmakesitthefirsttimepeoplefeel,sothefirstsenseofspaceisthecolor,anddifferentcolorscancausedifferentandfeelingsofpsychologicalreflect.Natural,simpleinteriordesign,blackandwhiteandcolormaterialsarerepresentativeofitscolor,isoftenusedincolor,thesecolorswerenotinclinedtothinkmostarethecolorsofthevisualinterferenceofthesmallestperson｡Interiordesignatthesametimealsoemphasizedtheuseoflight,oftenthroughaccesstonaturallightsource,suchasskylights,whichcreateapastelcolorspaceofonewholeplaysaveryimportantrole,butalsoembodiestheminimalismadvocatedbythesimplebutnotsimpleStyle.Theperformanceofeverymeanstoliveforthepurposeof,foreachpartialemphasizeditsfunctionalityandcomfort｡Infact,suchafullexpressionoffunctionaldesignembodiesthebasicaestheticprinciple,isalsoveryeasytounderstand,anydesignServiceisbasedonman-madeobject,personintheconsumerdesign,arethemostimportantconsumerofitspracticalfunction｡so,whenweseeaseeminglyhardseat,donotimmediatelyjudgeitisboundtobringyouthefeelingofcold,gogetthemoment,perhapsitisthatitbacksthearcRoadinadvertentlybringyoudownjusttoexperiencethebenefitsofcomfort.Itshouldbesaidthatnatural,simpleinteriordesignshowisawayoflife,itallowsusclosertonature,moreemphasisonfunctionality,moreconcernedaboutlifeitself.Conciseunderstandingofthepersontoperson,becauseofpeople'sage,knowledge,qualityoflife,differentbackgrounds,andthetastewillbedifferentrequirements.socialdevelopment,theprogressofthetimes,newthinking,newstructure,theemergenceofnewmaterialswillhavetoadapttothisnewconceptofdecoration,newforms,newspace.decorativesimplicityofthismodernformofexpressionhasdepthaffectthebuildingproducts,industrialproducts,inmanyfieldssuchasLivingProducts.severalpipe,atimber,areactorclothcanmakedifferentformsofmodernfurniture.ithasquietlyletpeople'swayoflifeandideashavebeenaqualitativechange.thinkconcisedesignstyleisboundtooutshineothers,tobecomepeople'slives,thepursuitof21stcenturyfashion.Aconciseformofexpressiontomeetthepeople'sspaceenvironment,thekindofinstinctive,emotionalandrationalneeds,thisisalsotheinternationalcommunitytoday.populardesignstyleandmodernfast-paced,high-frequency,fullload,hasnopeopletoReusable｡pointincreaseintheacceptanceofpeopleinthisincreasinglybusylife,adesiretobeabletocompletelyrelax,simpleandpurespirittoregulatetheconversionofspace,whichisdominatedinthecomplementarysense,arisingfromtryingtoshakeoffcumbersome,complicated,easyandnaturaltopursuethepsychological.hostelsinIndonesiaBaliSeriesdesign,inspiredbyBali'sfolkstyle,butinspacearchitectureanddynamiclinearrangementsaredesignedtoextendthespiritofsimplicity｡performanceintheMaterialstheemergenceofthelocalnaturaloriginaltimber,strawandstone｡designersofthesenaturalelementsoffolkwithaccurateandconcisedetailtodealwithinordertostrengthenthethemewillalsobepartofdecorativesimplistic,presentedbythespacecanbesaidmodernBalinesestyle.Takingapanoramicviewoftheworld'sarchitecturaldesign,whethertheyareGermanMaster•MiesvanderRohe,ortheUnitedStates•RichardMeyer,TadaoAndoofJapan,Chinese-AmericanIMPei,theyarethemostpureform,withaveryordinarymaterials,useofthemostconciseway,showinggreatdepthofmeaningandnoblequalities｡spaceapieceoftheirworkisfullofspiritualityhasinfinitevitality,andtheirdesignideaintoday'seraofshock｡alsoledthedevelopmenttrendofthetimnTalkingaboutthesymbolsintheenvironmentoftheuseofArtandDesignAbstract:Theinheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Thisarticlehopesforthedesignofsymbolsusedtoexploretheculture,aboutthemysteriesofinheritanceandinnovationofthetraceofsentiment.Keywords:deformationgrammarseparatistsymbolsconstituteInheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Infact,fromthelinguisticpointofview,thiscontradictionisthelanguageofstabilityandvariationbetweenthecontradiction.Asadesignerintheformofdesignsuccessesandfailuresofthesuccessorfailuredependsonthemaster,"theterm"therichandtheuseof"grammar"ofproficiency.Designerstomaketheirworksbyotherscantrulyunderstand,wemustchoosetheappropriate"word"andmustcomplywiththe"grammar."Thisdoesnotmeanthatdesignerscanonlyfollowthebeatentrack,nopersonalcontribution.Designersskillfullyusethenewindividualsymbols,oraconsciouschangeininter-symbolcombinationofanumberofconventionalrelations,createnewworksofmoving,whichisdesigninnovation.Compositionhasa"specific"componentapproach,thatseemstobeveryplaininthecompositionofthesuddenappearanceofa"heterogeneous"elements,makingtheprogramitselfisveryplaintoachieveunexpectedresults,withasenseofinnovationofnewsymbolslikethis"heterogeneous."Inpeople'saccustomedtothingsdifficulttoarouseenoughattentionandinterestincase,somecommonsymbolsdeformation,splitting,orthepreparationofthecodetochangetheorder,youcanplayacompelling,thought-provoking,thestrengtheningofenvironmentalmessaginglanguagerole.UnitedStatesrenownedarchitectCharlesMooredesignedthecityofOrleans,"ItalianPiazza"isboldindesignelementstakenfromavarietyofclassicalsymbols,andsymbolicmeanstoreproducethem.TheentiresquaretoacircularplaneBaroqueforthecompositiontothegradualproliferationofblack-and-whiteconcentriccirclesandtothesurroundingpavementsurfacetoextendoutuntilthethreesidesofthestreetentrance.ClassicalRomancolumn,afteraface-lifttothefaceofnewshows,suchastheCorinthiancolumnisusedinstainlesssteelcolumn,canopieswallcarvedwiththeLatinof"thisfountainforthepublictoallthepeoplewhoofferthegifts"ofthemessage;DoriccolumnontheFlowingDowngurgle,roundcoupononthemolarsmilingportrait,waterisconstantlyspitfromhismouth...hereisnotonlyfullofbrightrichatmosphereofamoderncommercial,butalsoastrongattachmenttolocalfeelings.MapsandItalianApenninePeninsula,SicilyandSardinia'splan;ancientRome,thefive-column,thedeformationMotifcombinationsandtheArcdeTriomphe;circularporticoWaiKwongHop.Infact,youareimmediatelyawarethatitisamockeryofclassicalMarxism.Thisisajoyous,almostclassicaltraditionarehystericalembracepleased.Today,avarietyofsidebox-stylebuildingwasconsideredaloofinthehistoricandlocalaboveonlyhasthetechnologyandasmallnumberoffunctionalsemanticsemantics,thereisnoroomforthinkingaftertaste,theenvironmenthasledtoapathyandboringcriticism.Thisuseofinformationtheorytoexplaintheprinciplethateffectiveenvironmentalinformationcontainedinthesymbolsystemtoo.Inviewofthis,post-modernarchitectsVenturiloudlycalledfor:"buildingarichcontent,whilebuildingtoincludeotheraspectsofthemulti-dimensionalart,evenincludingthelanguage,sothatitisnolongerameretoolforthespace."Itadvocatesenvironmentalcomplexityandcontradictorynatureofmodernismpromotedbysubstitutesimplicity;tosemanticambiguityandtensioninplaceofstraightforward;tothemultiplicityofsemanticoppositiontooneortheotherofopportunism;nshouldbemixedataglanceratherthanunity.Sterndesignedthe"best"productshowroomareatypicalexample,itadoptedlegislationfacesmanyofthetraditionalsymbolsandconstituteaform,liketheancientGreekpantheonofelevation,thussuggestinghewastryingtoconveythemepurposive:thatis,thebuildingasa"templeofconsumerism,"thecommercializationofsocietyreflectthevaluesofpeopleandcommercialactivitiesofdailylifetoday,theimportanceof.Butthewaymetaphorsarecomplex,multiple,withoutseriousthought,itisdifficulttounderstandimmediatelyapparentfromitsrealsignificance.Thisdesignworks,forexample,notonlythedepthoftheboxthinkingismorethansimplythepursuitlikeasailingboatorabirdofpreysuchasthesymbolismofamoreintriguing,morephilosophical.Theenvironmentasasymbolicphenomenon,inordertoaddressthelong-standingproblemforthedesignersoftheinheritanceandinnovationoftheparadoxicalproblemofprovidingaeffectiveway.Designlanguageasthelanguageofsymbols,arerootedinpastexperiencewiththerapiddevelopmentofthesocietyislinkedtothenewfeatures,newmaterials,newtechnologyandcallsonnewideas.Ontheonehand,asifitweresogenerallanguagelanguagechangesslowly,ontheotherhand,withtherapiddevelopmentofsociety.Howtomaketheenvironmentnotonlyofhistoricalcontinuity,butalsotoadapttothenewrequirementsofthetimes?Withtheadvanceofscienceandtechnologyprogressandfrequentculturalexchanges,"vocabulary"and"grammar"inthedevelopingtrendofconvergence,butanationbecauseofnaturalconditions,economicandtechnological,socio-culturalpracticesofthedifferentenvironmentAssociationhasanumberofuniquesymbolsandarrangement.Spokenlikethedialect,likethedesignerscleverlyinjectthiskindof"accent"canenhancetheenvironmentforasenseofhistoryandlocalflavor,andenhancetheinfluenceoflanguageenvironment.ModernJapaneseArchitectureMasterKenzoTangedesignedKagawahallisa"newformofthetraditionalsemantic"model.Althoughthebuildingareusedbyordinaryreinforcedconcreteframestructure,buttheexternalformoftreatmentistheuseofLuMingChuanhead,beamtoptraditionalsymbols,verticalhorizontalpartitionisanaturalassociationtotheJapanesemaintowerofthelayersofeaves.Layouthasabsorbedtheadvantagesofthesquaretowerofthetrafficandpublicfacilitiesontheplanarcore(similartothetowerKagutaventricle),sothattheysharethesmallestGetallfloorsoftheshortestroutetraffic.Soastoshowastructurewithmodernformsoftechnologytoreflectthestyleoftraditionallocalmethods.UnitedStatesartistSusanLangeoncesaid,"isalwaysasymboltosimplifytheformoftheperformanceofitsmeaning,thatisexactlywhatwecangraspthereasonsforit.Regardlessofaworkofart(orevenallofthearts)ishowthecomplexityof,profoundandrich,itiseasythanreallife.Therefore,thearttheoryisundoubtedlytheestablishmentofaneffectiveheartsandmindsinavividrealityoftheconceptofsuchagreatcauseofthepreambleismore."symbolicactivitieshavebeenincludedintheactivitiesofsomeabstractnolongerremainintheindividualabovethe.Visualsymbolsareanartsymbols,butalsotheperformanceofsexualsymbols.Relativereasoningintermsofsexualsymbols,visualsymbolsdonothavetheirownsystem,andanyvisualsymbolshaveacertaindegreeofculturalcontent,andonlyreflectedinacertaindegreeofemotionalstructure,aroundaparticularthemeoforganiccombination.EducatedYouthHotel,MaoJiaRestaurantcommercialbuildingandsoon,italsoadoptedthehats,cornonthecob,roughwoodentablesandchairs,wellsandsoon,andevenmoreinordertocreateanatmosphereofclothingaretobeattendants,aswellasthemenuwerealsocleverlyintegratedintotheAmongthem,thesedifferentgeographicalsignificanceinruralareastypicallyrichinvisualsymbolstocreateanenvironmenthereislikeanoldalbum,recordingadifferentperson'sexperience,makingthedesignbecomemorecordial,butalsoworthpondering.Visualsymbols,notonlyinsymbolicnformtocreatethevisualassociationand,moreimportantly,itcanevokethoughtsassociation,whichhaveempathy,toachieveemotionalresonance,thusbuildingmoremeaningful.Therapiddevelopmentofurbanconstructionhasbroughtrapidchanges,butatthesametimewealsolostmanywillneverbeabletorecoverthings-historicalcontext.Thehistoryoftheformationofthestreets,alleys,arches,religiousshrinesandsoonurbanformasacompleteexpressionofarchitectureandurbanimageofthesymbolsystem,beingintofilms,ShingStreet,intoaSquaretoberemoved,threatstotheurbanformofthecompatibilityandcontinuity.Respectforhistoricaltraditiondoesnotmean,rigidlytraditional.Instead,consciouslykeepthesetraditions,willmakethecitymorelocalflavor.Infact,"establishinganew"donothaveto"old",thekeyliesinhowtoapproachtraditionalandfashiontocreateanewsymbiosisofoldandnewurbanform(symbols)."NewWorld"projectislocatedinShanghai,XingyeRoadHuangpiRoad,amajorsiteoftheChineseCommunistsofthesurroundingarea."Venue"oppositethesouthblock,designforthemodernarchitectureisnothigh,whichisdottedwithsomereservationsthetraditionalarchitecture,andthe"venue"inharmony.And"venue"wherethenorthblock,theneighborhoodretainedalargepattern,carefullypreservedandrepairedthebuildingexteriorfacadeShikumen,detailandneighborhood-scalespace,thebuildingwasmadelargerinternaltransformationinordertoadapttooffice,commercial,accommodation,cateringandentertainmentandothermodernlife.Havebeenbuiltfromthecurrentpartofview,receivedmuchpraise,hasagreaterimpact.Itissaidthatsalesandcost-effectivenessalsoverygood.Infact,inShanghai,theeasternandwesterncultureshockmetropolis,thetraditionalneighborhoodlifestyleneverdieoff,"NewWorld"justgiveitareasonablechangeandcontinuity,areleftforustothinkmoreandenlightenment.FamousphilosopherErnstCassirerpersonthinksymbolsareanimals.Allhumanspiritualandculturalactivitiesaretheproductofsymbols.Theessenceofthatpersoninthathecanusetocreateculturalsymbols.Therefore,allculturalforms,isbothasymboloftherealityofEventsisalsothepersonofthenatureoftheobject.Theso-calledmasterculture,inthesymboliclevelatleast,tobeskilledtooperateconstitutetheculturalsymbolsandculturalsystemratherthanthesymbolitself,thenewexperiencesandinsightswovenintosymbolsgo,infact,symbolsthemselvesarealsochanging,andtheculturalheritageandtheinnovationofthemysteriesofitexistinthisvariationofthe.ConfuciusandSocratesarestillhumanbeingsareeternalbeacon,andthesymbolsofmodernsubjectsinthisstudycallforusfromthebacktoSocrates.Willbesimpleandcomplexsemantics,traditionalandfashionablephrasestructure,andappliedtothedesignofmodernart,therebycreatingapersonalized,HumanCulture'snewdesignsymbolsFiberartandinteriordesignAbstract:Fiberartisafunctionalfiberartandaestheticvalueinoneartform.Fiberartisfullofnaturalflavortothematerialtextureandflavorofthesimplehand-woventomeettheemotionalneedsofawiderangeofpeople,itandothertypesofinteriordecorationascomparedtoanirreplaceableadvantages.Fiberarthasbeentoinfiltratethebuildingandenvironmentalmattersinallaspectsofdesign,itismainlytheuseofvariousmaterialsandtechniquestoexpresstheconceptofmoderndesignandmodernlife.FiberArtcollectionofclassicalandmodern,romanticandcalm,industrialcivilizationandtraditionsinonehand,areanancientandyoungarts.Itisnaturalanimalandplantfiberorsyntheticfibermaterials,withknitting,ringbinding,winding,Stitchandotherproductionmeans,thecreationofplanar,three-dimensionalimageofaformofart.Fiberarts,includingtraditionalflat-stylefabric,modernpopularthree-dimensionalfabrics,dailyartsandcrafts,aswellasspaceinmodernarchitecturewiththeexpressionofavarietyoffibermaterialsnmodelinglanguageworks.1.fibertextureartinteriorenvironmentaldesignontheimpactofmaterialselection.Theperformanceoffiberartaretextureandtexturetocreateitems,which,whetherinvisualortactile,thebothhaveanunparalleledvisualappeal.Fiberartofmaterialselectionisveryextensive,almostalltypesoftextilefibersmaybeapplicable.Theuseofdifferentmaterialsthroughdifferentprocessingortheuseofdifferentstructurescanproducedifferenttextures.Texturebytheobjectsareuniquecolor,luster,shape,texture,cold,thick,softandhardandtransparencyandsoonconstitutealargenumberofattributes.Constitutetheattributesofdiverse,complexportfolio,willalsochangetextureinfinite.Atthesametime,texturesarealsobelongtothecommonperceptionofvisualandtactilequalitiesofmaterials,exteriormaterialsandtexturescomplementeachother,allkindsofmaterialsareexposedthroughthetexturetoitstruefeaturesandthroughthetexturetoexpressthecharacteristicsofmaterials.Fiberinterioraccessoriesthroughtactilesensesgivendifferentpsychologicalfeelings,suchashardandsoft,thick,hotandcoldandsoon.Atthesametime,setupinthememoryofvisualperception,evokeimagesofdifferentpsychologicalperception,distinguishingtexturecharacteristics.Modernfiberartisabreakthroughandgobeyondthetraditional,mainlymanifestedasfibersuchmaterialonahigherlevelofunderstandingandapplication.Traditionalfiberart,mainlyinnaturalfibermaterials.Thesematerialsincludesilk,wool,hemp,cottonandsoon.Usedinmodernfiberartmaterials,hasbrokenthroughthetraditionalconstraints.Herethe"fiber"isnolongerjustcotton,hemp,wool,brown,rattanandothertraditionalfibermaterials,includingchemicalfiberandlatitudeofthehardandsoftwovenmaterial,aswellasallofthelinearmaterial,andevensomemetalfibershavealsobeenartistsofallages.AmericanfiberartistssuchasNancy'swork"TheGoldenWave"usedwool,viscosefiberandcopperwireasmaterial.BulgariaCaymanmillionfiberartistswork"withtheweft"aplastictubeandwoolasamaterial.ModernfiberartofpaintingfromnaturethanfromthepursuitandbegantofocusontheperformanceofmaterialsintheUnitedStatesitself,thenaturalformoffibermaterials,richtexture,justbetweenthedifferentfibersandSophie,straightandcurly,miscellaneousandpure,Mingwithdark,lightandheavycontrast,andtoappreciatethosewhobringawealthofaestheticexperience.FiberArthasalwaysbeenknownastheartisticandtexture.Whoofweavingisatraditionalfiberartsmajorprocess.However,moderntechnologyoffiberartpracticeshavenotbeenlistedoutinfull,suchasweaving,hitch,winding,Stitch,collage,aswellasdyeing,painting,spraying,printingandsoon.Manyartistswillalsoscienceandtechnologyintothefieldoffiberartcreations.AmericanartistCynthia's"Runs","Lakerain"loomsforthecreativeuseofcomputertools,theuseofthree-waywarpspacetocreateauniqueeffectinthefabrictextureandstructuretoshowtheendlessimagination,differenttypesandcoloroverlaywiththecoverline,resultinginthetraditionalprocesscannotbeachievedonmanylevelsofsubtlechanges.Therearemanyartists,makeuseoftheexistingproductstocreate,butalsotheeffectofunusuallytouching.Forexample,thepioneerofmodernfiberarts-UnitedStatesMissLeiNuoseniorartistsintheearly80soflastcenturytheUnitedNationsbuildinginNewYorkdesignedthegiantfiberworksofart"whiteflutteringfiber."Thisworkofartfromtheinteriorofthebuildingabout6msquareverticalhoistingtheroofdowncountlessarticlesandwhitefibers,thisfiberbundlewithabunchofslightlyswingingthewind,bothlightalsogenerous,wealsoimplicitlysimple,itrevealsahazyandincludesthestateoftuneoftherealmoftheUnitedStates.TheseworksandtheuseofmaterialsthroughtheexcavationoftheUnitedStatesitselfandtheintegrationwiththeenvironment,soastoachievetheunusualdecorationoftheUnitedStatescannotmatchtheartisticrealm.2.fiberartsculptureontheinterioroftheimpactofenvironmentaldesignComparedwithtraditionalfiberart,contemporaryfiberartisanimportantfeatureofitssculpture.Traditionalfiberartssuchascarpet,wall,缂丝andotherworks,themainworksarenflat.Sincethe60soflastcentury,fiberartsgraduallytosemi-relieffromtwo-dimensionaluntiltheemergenceoffullythree-dimensionalspaceoftheworkof"softsculptures"-withtheflexibilityandelasticityofthesculpture.Someartiststakeintoaccountinthedesignworksareworksofmorespacefortheoverallsituationbroughtaboutbydecorative.Polishartistswork"red"Wallyestosculpture,toworksofthelandmarkspace.Ruiforwardintothecorneraftertheirfulldeepovaltoformastrongcontrast,likeacouldnotsuppressthepassionagitatedlyeruption.1992~1993createdto"nest"asrepresentedbytheworks,shewillbeofgoodpulpPourinbamboowascarriedoutonafanhascreatedasingulareffect.Alongthislineofthought,sheworksmoreextensivespace,shecreateda"wrapped","chain"aseriesofworks,withtheexceptionofpaperpulp,bamboo,wood,butalsotheuseofflaxfiber.Inthe"column",shebegantopursueanupwardextensionoftheworkresults.Ifwesaythattheaboveworksintheoutdooraircangivethemagicquestion,freshvisualfeel,she's"knot"and"Box"seriesofworks,thencreatedaninteriorspace,mysterious,thedust-ladeneffect,theygivepeopleisthelostinadistantera,butitisalsoalingeringmiragecontemporary.aseriesofcreativebreakthedrawspeciesboundariestonewmaterialaswellastheprocessofarttointroducetheartofsculpturearea,expandedthebordersofsculpture,suchpositiveeffortstochangethesculpturefortheshelfthinking,tobreaktheclosedstate,pioneeringvisioninthebroaderfieldofsculpturespacefordevelopmenttoseektoplayapositiveroleinpromoting.3.fibercombinationofartandarchitectureFiberartasasymbolofwarm,soft,warmsymbols,combinedwiththebuildinghasbeentheembodimentofperfection.Aroundtheendofthe1970stothe1980s,themodernfiberartbegantobeappliedbyarchitectsthinkareapathy,lackofemotioninthebuilding.70's,published"BeyondCraft:ContemporaryFiberArt"and"FiberArt:mainstream"bookonthetwospecificonmodernfiberartinavarietyofbuildingspaceandpublicspacetotheimportantroleandsignificance.Withthedevelopmentofthetimes,fiberarthasinfiltratedintointeriorarchitectureandenvironmentaldesigninallitsaspects,hasenteredthemodernfamily,withotherinteriordecorativematerialsoforganiccombinationofeachother,withitsshape,textureandwithcombinationofdecorativeandenhancetheinteriordecorationoftheartisticeffect.Itismainlytheuseofvariousmaterialsandtechniquestoexpresstheconceptofmoderndesignandmodernlife,whileSophieAllmoderndecorativeshapes,colors,andtakingwiththewalls,theindoorenvironment,spatialrelations.Fiberartbeabletoaddartisticeffectsofspace,easytocreatewealthtothe"humantouch"ofthenaturalspace,andthuseasethebuildingandtheinteriorspaceofrigidsenseofspacetoplaytheroleofblur,butalsoaddedabuildingwiththeinteriorspaceofthecolor,givesaharmoniousandcomfortable,practicalexperienceperfect.Becauseofthespecialpropertiesoffibers,fiberartbringsnotonlyavisualsenseofbeauty,morewarm,friendly,comfortable,etc.enjoy.Inaddition,frommodelingtocolor,fromplanartothree-dimensional,fromthesubjecttohaveaverybroadculturalconnotationoftheperformancespace,andthusdevelopedveryrapidlyandhasnowbeenwidelyusedinbuildingtheoveralldesignanddecorationinthebedroom.Fiberartastheindoorenvironmentanimportantcomponentoftheenvironmentintheinterioroccupiesanimportantposition,alsoplayadecisiverole.Itcannotonlybeabletodecoratingthespace,richenvironment,theperformanceofculture,architectureandinteriorspaceandbeabletocolor,lighting,materialstobuildanorganicwhole,oneoftheartofbuildingspaceandintegration,thusbuildingtheinternalenvironmentreceivedawarmelegantartisticrealm,andcreateavarietyofhumanspace.4.modernfiberartandotherinteriordecorativematerialsoforganiccombinationBuildingoutdoorspaceandindoorenvironmentareequallyimportant.Inordertofullyenjoythewell-beingandprivacyneeds,thereisroomcomfortrequirementscontinuetogrow.Wallandsoftsculpturesuchasfiberartsasinteriordecorations,inEurope,Americaandndevelopedawiderangeofapplications.Peopledependingonfabricwallhangingwithpainting,piano,etc.asasymbolofwealth,itsinteriordecorationandfurnishingsontheimportantposition.Theywerewool,cotton,hemp,silkasrawmaterial,orseveralkindsofsoftmaterials,mix,totextiles,winding,hitch,Stitchandotherproductionmeans,thecreationofplanarandthree-dimensionalimageofaformofart.fortheDoubletreeSuitesHotelinSeattle,theUnitedStatesdesignedthefabricofspaceare"softsculpture"masterpiece.Theenormoussizeofthepainting,coveredtheentirebuildinginteriorspace.Enormousstretchingtodifferentdirectionswithdifferentcurvatureofthesurface,sothatpeople'sattentioninlinewiththesurfaceandtheexerciseoftheprocess,havearelaxedfeel.Renoir's"Autumnnatural"isalsosuchawork.Indomestichotels,restaurants,seniorhousinghasbeenincreasinglyusedinfabrics,tobeautifytheroom.Theuseofdecorativefabricwalls,thethicknessofthefabricitselfandvisualthicknessattachedtothewallforpeopletoaddawarmfeelingfortheaddgorgeoushomeatmosphere.Coloroftheinteriorenvironmentoftheinteriorspacesensitivity,comfort,atmosphere,efficientuseofpeople'spsychologicalandphysicalhaveagreatimpact,indoorenvironment,coloristhesoulofthedesignoftheindoorenvironment.Inafixedenvironment,thefirsttobreakintoourvisualsensesarecolor,whilethemostappealingisthecolor.Differentcolorscangiverisetodifferentpsychologicalfeelings,goodcolorenvironmentistheidealcombinationofthesefeelings.PeoplefromtheharmoniousandeyecolorintheUnitedStateshaveareverie,Transformationforthelove,gofarbeyondthelimitationsoftheinterior.Thosewhocanmovethefurniture,fabrics,suchasthemiddleareaofcolorinfactconstitutetheindoorenvironmentarethemostimportantpart,butalsotocreatevariousshadesofthemostbasicfactors.Indoorenvironmentinthemosteasytochangeasmallareaofcolor,suchaswallhanging,cushion,decorativeproducts,areoftenthemostprominentuseofstrongcolorplayedaroleinthefinishingtouch.Modernfiberarthasbeentoenterthemodernfamily,withotherinteriordecorativematerialsoforganiccombinationofeachother,withitslightcolor,shape,textureandpermutationandcombination,moredecorativeandenhancetheinteriordecorationoftheartisticeffect,andtheuseofcolorchangesinthestrengthandscopeofcontrolhasreceivedprominentandrenderinginteriorofthemaincentersandtheleveloftheproportionofspace,addspaceforartisticeffect,givesluxuriousstyle,comfortandharmonious,practicalexperienceperfect.5.ConclusionModernfiberartmaterialsarenaturalfiber,syntheticfiber,metalfiber,etc.;techniquescanbedyed,embroidery,knitting,guitar,pestering,bypass,looping,up,etc.;shapecanbeplanar,three-dimensionalspace.Itreliesondifferentpatterns,togetherwiththespaceenvironment,it'svisual,tactileperception,suchastheUnitedStatesgetmorepleasure.Anabsolutelybeautiful,hightastefiberart,beabletoestablishamorepleasantatmosphereoftheindoorenvironment.Inthemoderninteriordesignenvironment,fiberarthasamoderninteriordecorationisbecominganimportantcomponentofitsdecorationinthefamilyplayedaveryimportantrole.Oninteriordecoration一．Interiordesignelements1ElementsofthespaceAndtherationalizationofspaceforpeopletotheUnitedStatesandthefeelingisthebasicdesign.Wemusthavethecouragetoexplorethetimes,technologygivinganewimageofspace,nottorigidlyadheretothepasttoformtheimageofthespace.2ColorrequirementsInadditiontotheinteriorcolorofthevisualimpactontheenvironment,butalsoadirectimpactonpeople'semotionalandpsychological.Theuseofcolorscienceinfavorofwork,contributetohealth.ColorcanproperlydealwiththefunctionalrequirementsoftheUnitedStatescanachieveresults.Inadditiontotheinteriorcolormustbeingeneralcompliancewithnthelawofcolor,butalsowiththeeraofaestheticvariation.3LightingrequirementsEnjoythebeautyofhumannature,oftendirectlyintothesunroom,toeliminatethedarkroomandfeelingasenseofclosure,especiallythetop-rayscatteringoflightandsoft,warmindoorspaceismorenatural.Thetransformationoflightandshade,sothattheroommorecolorful,inordertogivepeopleavarietyoffeelings.4DecorativeelementsIndoorspaceasawholeanindispensablebuildingcomponents,suchascolumns,wallsandsoon,needtobecombinedwithdecorativefeatures,togetherconstitutetheperfectindoorenvironment.Makefulluseofthedifferentcharacteristicsofthetextureofthedecorativematerials,canchangeathousanddifferentstylesandtheEndoftheeffectsofindoorart,butalsoreflectstheregion'shistoricalandculturalcharacteristics.5ElementsofthedisplayIndoorfurniture,carpets,curtainsandsoon,allthenecessitiesoflife,hisstylehasoftendisplaycharacteristicsofthemostdecoratedplayarole.Bothdecorativeandpracticalco-ordinationshouldbe,andthefunctionandformofunityandchange,sothatappropriateandcomfortableinteriorspace,fullofpersonality.6Greenelements.GreenInteriorDesigninordertoimprovetheindoorenvironmenthasbecomeanimportanttool.Indoorshiftflowersplantedtrees,theuseofsmall-scaleafforestationandcommunicationbetweentheindoorandoutdoorenvironmentinordertoexpandtheindoorspaceandasenseofspaceforlandscapingaretoplayanactiverole.二Interiordesignofthebasicprinciples1InteriordesigntobeusedtomeetthefunctionalrequirementsInteriordesignistocreateagoodenvironmentforthepurposeoftheindoorspace,sothattherationalizationoftheindoorenvironment,comfortandscientific;peoplehavetoconsidertheactivitiesofthelawdealwiththerelationshipbetweenspace,spacesize,theproportionofspace;rationaldistributionoffurnitureandfurnishings,indoorpropersolutionVentilation,lightingandlighting,interiorcolorattentiontotheoveralleffect.2InteriordesigntomeetthefunctionalrequirementsofthespiritTheinteriordesignistoaffectthespiritofthepeople'sfeelings,andevenaffectthepeople'swillandaction,sotostudypeople'sunderstandingofthecharacteristicsandlaws;studyofhumanemotionsandthewill;studyoftheinteractionbetweenpeopleandtheenvironment.Designerstouseavarietyoftheoriesandmethodstotheimpactofhumanemotiontoachievethedistillationoftheeffectivenessofthedesign.Iftheindoorenvironmenttohighlightthemoodandshowsomekindofidea,thenitwillhaveastrongartisticappeal,thebetterplayinthespiritofitsfunctions.3InteriordesigntomeetthedemandsofmoderntechnologyConstructionofthespaceforinnovationandstructuraldesigninnovationsarecloselylinked,thetwoshouldbeharmonizedtoachieve,givefullconsiderationtoshapethestructureoftheimageofChinaandtheUnitedStates,theartsandtechnologytogether.Thisrequirestheinteriordesignermusthavethenecessarystructureofthetypesofknowledge,familiarwithandmasterthestructureofthesystemperformancecharacteristics.Moderninteriordesign,itisoutsidethescopeofmodernscienceandtechnology,interiordesigntobettermeettherequirementsofthespiritofthefunction,itisnecessarytomaximizetheuseofmodernscienceandtechnology,thelatestresults.4InteriordesigntotakeintoaccountlocalcharacteristicsandrequirementsofnationalstyleAstheregion'speople,geographyandclimatedifferencesbetweenvariousethnicgroupsandlifestylesofdifferentculturaltraditions,inthearchitecturalstylethereareindeednverydifferent.Chinaisamulti-ethniccountry,inallareasofnationalcharacteristics,nationalcharacter,customsandculturalfactorssuchasdifferencessothattheinteriordesignisdifferent.Designhavedifferentstylesandcharacteristics.Toreflecttheethnicandregionalcharacteristicsinordertoarousepeople'ssenseofnationalprideandself-confidence三Interiordesignelements:Interiorspaceisontheground,wall,topofthetubetogetherbyqualifyinordertodeterminetheindoorspacethesizeandshape.Forthepurposeofinteriordecorationistocreatetheapplication,theappearanceoftheindoorenvironment,indoorspaceonthegroundandthewallsaresetoffandfurniture,furnishingsbackground,andthedifferencessothatthetopsurfaceoftheindoorspacemorechanges.1surface-decoratedgroundfloor,decoratedFaceinpeople'sviewofthescopeofitisveryimportant,onthegroundfloor,andpeoplewhohavefrequentcontacts,andthelastline-of-sight,andinthedynamicchangesininteriordecorationisoneoftheimportantfactors,todesignMeetthefollowingprinciples:2attentiontothepatternofdivisionontheground,colorandtexturecharacteristics.Grounddesigncanbedividedintothreetypes:thefirstistoemphasizetheindependentintegrityofthedesignitself,suchasconferencerooms,theuseofcohesivepatterntoshowtheimportanceofthemeeting.Colorshouldbecoordinatedandconferencespace,madeaquiet,concentrateontheeffect;Thesecondistoemphasizethecontinuityofthedesignandasenseofrhythm,acertainsexualorientationandthelaw,lobbyfor,andusedtheaislespace;thirdIstheemphasisonabstractpatterns,freeandvaried,livelyandcomfortable,orusedintheirregulardistributionoffreespace.3,tomeetthegroundfloorofthestructure,constructionandphysicalproperties.Surface-decoratedgroundfloor,payattentiontowhenthestructure,onthepremisethatsecurityisguaranteed,giventheconstruction,constructionofconvenience,notjustaone-sidedpursuitofdesigneffects,suchastakingmoisture,water,heat,insulation,andotherphysicalpropertiesofneed.Intheformofawiderangeofsurface-based,morespecies,suchas:woodfloors,woodblockfloor,terrazzofloor,plasticontheground,cementandsoontheground,manydesignpatterns,richcolors,design,withtheentirelineofthespaceenvironment,Complementeachotherinordertoachievegoodresults.四thewalldecoration.Indoorvisualrange,andthewalloftheverticallineofsight,inthemostobvious,atthesametimethewallispartofregularcontacts,sothewalldecorationfortheinteriordesignisofgreatsignificance,itisnecessarytomeetthefollowingdesignprinciples:1asawhole.Fordecorativewall,shouldgivefullconsiderationtootherpartsoftheinteriorandtheunificationofthewallandtheentirespacetobecomeaunifiedwhole2physical.Intheinteriorwallspaceinthelarger,moremajorstatus,higherrequirementsforindoorspaceofnoise,heat,fireandsoontherequestbecauseofthenatureoftheuseofspacevaries,suchashotelrooms,requestHighergeneralandcanteenunits,someofthelow.3art.Intheindoorspace,thedecorativeeffectofthewall,playinguptobeautifytheindoorenvironmentplaysanimportantroleintheshapeofthewall,partitionpatterns,textureandtheindooratmosphereiscloselyrelatedto,inordertocreatespaceforartisticeffectIndoor,wallsTheirartisticsidecannotbeignored.Thewalldecorationsintheformofoptionstobeinaccordancewiththeaboveprinciples,intheformofmoreorlessasfollows:decorativeplaster,decorativeveneer,brushingdecoration,decorativesheet.Herefocusonthedecorativesheet,withtheindustry,canbenusedtodecoratethewallsofthemembranemoreandmore,suchas:plasticwallpaper,Qiangbu,glassfibercloth,leather,leather,whichischaracterizedbytheuseofmaterialsWidedegreeoffreedom,colorvariety,goodquality,constructionofconvenient,affordable,colorfuldecorativeeffect,istheinteriordesignofalargequantityofmaterialsused.五ofthedecorativeroof.Interiorroofisanimportantpartoftheindoorspaceisdecoratedintherichestchangesineye-catchinginterface,anditsstrongsenseofperspectivethroughthedifferenttreatment,withlightingdesigntoenhancetheappealofspace,sothatthetopmodelRich,beautifulnovel.1Designprinciples.(1)itisnecessarytopayattentiontotheoveralleffectoftheenvironment.Roof,walls,surface-basedcomponentofthecommonindoorspace,indoorenvironmenttocreateacommoneffectofthedesignofthethreeshouldpayattentiontotheharmonizationandunificationonthebasisofthecharacteristicsoftheirown.(2)thetopdecorationshouldbeappliedtomeettheaestheticdemands.Ingeneral,theeffectofindoorspaceshouldbebackonthenextlight,sopayattentiontodecorativetoptocompletesimple,focusedandatthesametimetoformwithalightpleasureandasenseofart.(3)thetopdecorationshouldguaranteeareasonablestructureofthetopandsafety.Cannotsimplybeignoredtopursuemodelingandsecurity.2thetopsurfaceintheformofdesign.(1)roof-formationThissimpleroofstructures,generousandsimpleappearance,tofacilitatethedecorationforclassrooms,offices,exhibitionhall,andsoon,itsartisticappealfromthetopoftheshape,texture,patternandorganiclightingconfiguration.(2)Bump-styleroofChinaandtheUnitedStatesformstheroofofthissplendid,three-dimensionalsensefordancehall,restaurant,lobby,andsoon,mustpayattentiontothelevelofprimaryandsecondarypathsandtherelationshipbetweenheightdifferenceshouldnotchangetoomuch,itisnecessarytoemphasizetheirownsenseofrhythmandthepaceofoverallspaceofart.(3)asuspendedceilingLoad-bearingstructureontherooffollowingthehoistingofavarietyoffoldingboards,orotherformsofflat-panelceiling,whichisoftenthetopinordertomeettheacoustics,lightingandsoontherequestortopursuesomeofthespecialdecorativeeffects,oftenusedforindoorrecreationcenters,cinemas,andsoon.Inrecentyears,restaurants,cafes,shopsandsoonarealsocommonlyusedinbuildingthisformofroof,tocreateaspecialsenseofbeautyanddelight.(4)theceilingwellformatLeungisthebindingform,aswellasprimaryandsecondarybeamcrossbeamtic-tac-toerelationship,withlampsandaplastercurlicuedesignsroof,generousandsimple,strongsenseofrhythm.(5)theglassceilingModernlarge-scalepublicbuildingsofthehall,suchastheOfficeofcommonlyusedinthisform,mainlytotacklethevastgreenspaceandindoorlightingneeds,sothattheindoorenvironmentismorewealthtothenaturaltasteforthebigincreaseinthevitalityofspace.Therearegenerallyintheformofdome-shaped,taperedandbrokenline.Inshort,interiordesignisahighlyintegrateddisciplinesrelatedtosociology,psychology,environmentalstudiesandothersubjects,therearealotofthingsweneedtoexploreandresearch.Thispaperdescribestheinteriordesignofthebasicprinciplesofdesignandhopetodesignandcolleaguestoexplore,nottherightplace,theurgetocriticizencorrection.InteriordesignDesignisthespiritualcivilizationandmaterialcivilization,throughthedesignofhumanhopetotransformtheworld,improvetheenvironment,improvethequalityoflifeforhumansurvival.Fromaworldofthethreemajorelementsofnature----thecommunitythethreecoordinatesystemtosetout,moderndesignhasdevelopedfromtheproductdesigntoenvironmentaldesign,from"survival"progress"environmentalawareness",astheCanadianarchitectArthur?EricSensaid:"theenvironmentalconsciousnessisakindofmodernconsciousness".TheUnitedStatesofAmericaarchitectsthink:eighty'simportantdevelopmentarenotthisdoctrineorthatmovement,buttheenvironmentaldesignandlandscapedesigngeneralacceptance.Theenvironmentartdesign,includingtheboardarchitecturaldesign,landscapedesign,GardenPlazadesign,sculptureandmuralsandotherworksofartenvironmentaldesignandinteriordesign.Interiordesignistosatisfypeoplelife,jobrequirementsandspiritofthematerialrequestedbythecontentoftheidealenvironmentdesign,andcloselyrelatedtopeople'slives,sorapidlydevelopedintoaveryprofessional,veryusefulemerginginterdisciplinaryscience.Reporterrecentlyinterviewedourcountrycontemporaryenvironmentalartdesignprofessionaldevelopmentandacademicleaders,TsinghuaUniversity,AcademyofFineArtsprofessorZhangQiman,askedhertodesignnewdevelopmenttrendanalysis.ProfessorZhangmoderninteriordesigncanbedividedintosevennewtrends.ReturntonatureWiththegrowthofenvironmentalawareness,peopleyearningfornature,andnaturalbeverage,useofnaturalmaterials,toliveinthenaturalgreenenvironment.TheNordicScandinaviadesigngenrewhichrisetogreateffect,allthecountriesintheworld,createcomfortablehouseinpastoralatmosphere,emphasizethenaturalcolorandnaturalmaterials,usingmanyfolkartstyleand.Onthebasisofdesignersin"regressionisnatural"fluctuationkongfu,createnewtextureeffects,useoftheabstractionofconcretedesignmethodstomakepeoplethinkofnature.TheoverallartisticAssocietyrichinmaterialwealth,peoplefrom"accumulation"liberation,requirementsforindoorunitybetweenvarioustargetoverallbeauty.Theinteriordesignistheoverallart,itshouldbeaspace,shape,colorandstrengthoftherelationshipbetweenthefunctionalcombinationhold,grasptherelationsbetweentheartisticconceptioncreation,theholdandtherelationshipwiththeenvironmentcoordination.Manysuccessfulinteriordesignareemphasizedtheoverallunityofartworks.AhighdegreeofmodernizationWiththedevelopmentofscienceandtechnology,intheinteriordesignintheuseofallmeansofmodernscienceandtechnology,designtoachievethebestsound,light,color,shapematchingeffect,highspeed,highefficiency,highfunction,createtheidealworthpeoplepraisethespaceenvironment.HighlynationalizationOnlyemphasizehighlymodern,althoughthepeopleimprovethequalityoflife,butfeellosttraditions,lostthepast.Therefore,developingtrendofinteriordesignisnotonlyaboutmodernization,andtradition.InJapanwevisit,sawmanynewenvironmentaldesignreflectstheJapanesedesignstaffiscommittedtothemodernizationandnationalizationofheightheightcombinationdesigntoreflect.CompletedlastyearinTokyoandSyriaParkHotelandofficebuildinginteriordesign,traditionalstylerichandnovel,equipment,material,technologymodernization,interiorspaceanddecorativedetailisfascinating,impressedandninspiredby.Japanthroughoutlargeandsmallrestaurants,cookingroomandshopdecorationforfoodaresupportingthedesign,peopleeveninasmallrestaurant,alsofeelthedesigner'selaboratearrangement.Therefore,"everywherebeautifulenvironment,everywherehasthedesign"toeachdelegationmembersleftadeepimpression.IndividualizationBigindustrialproductiontothesocietyleftfollowthesamepatternofthesameproblem.Thesamebuilding,thesameroom,thesameindoorequipment.Inordertobreakthesame,thepeople'spursuitofpersonalized.Adesignmethodisintroducedthenaturalindoor,outdoorandindoortransparentoronepiece.Anotherdesignistobreakthecementboxside,inclinedplane,slash,orcurvedecoration,inordertobreakthehorizontalandverticalbaselinevariation.Alsoyoucanusecolor,picture,pattern,usingglassmirrorreflectiontoexpandspaceandsoon,followthepatternofthewindtobreakthecoldness,throughcarefuldesign,toeachfamilyroomwithpersonalizedcharacteristics.ServiceconvenienceCitypopulationconcentration,inordertofacilitateefficient,foreigncountriesattachgreatimportancetothedevelopmentofmodernservicefacilities.InJapanthehigh-techachievementstothedevelopmentofurbanandruralautomaticservicefacilities,vendingequipmentmoreandmore,trafficsystem,computerinformation,answer,guidesystem,automaticticketsellingandchecking,automaticopening,closingandexitchannelandotherfacilities,tobringhighefficiencyandconvenience,sothatinteriordesignemphasizes"person"themain,lettheconsumersatisfaction,convenientforthepurposeof.HightechnologyhighloveimpactRecently,theinternationaladvancedtechnologynationalinteriordesigntohigh-tech,highemotionaldirection,thecombinationofthetwo,bothattachimportancetoscienceandtechnology,andemphasizesthehumantouch.Theartisticstyleofthepursuitoffrequentchanges,newmethods,newtheorytoemergeinanendlessstream,presentingariotofcolours,ceaselessexplorationinnovation.designcolorfactorcoloristheemotionalexpressionofalanguage,itisanexpressionofthehumanheartinsomeverycomplexfeelings.Colordesignisknownasthe"soul."Itistheinteriordesignofthemostvivid,themostactive,hasapivotalposition.Thesuccessofdesignisthecolorwecanmeettheaestheticdemandsoftheresidentsistoexpressindividuality.colorinteriordesignisanimportantpartoftheTheinteriorcolordesigntobeconsideredbyalotoffactorswhichincludespace,form,structure,light,materialsandcolors.However,thedesignfactorsareoftenignoredisthecolor.Thisapproachisoftenthecolorwillnotachievethebestresults.Colorchoiceshouldbeincludedintheoveralldesignofthebuilding,andnotliketodealwithafterthedeal.Thesuccessofdesignisthecolorofallcolorsandothermaterialsasacolorcombinationtodealwith.Themostsuccessfulinteriordesignandcoloroftheoveralldesignobjectives.Second,theinteriordesignofthebasicrequirementsforcolorInteriordesignincolor,therearemanyfactorsthatinfluencethedesignofcolor.Themainfactorsincludetheinherentinterior.Forexample:theuseofspacefordifferentpurposes,suchasworkshops,wards,obviouslytakingintoaccounttherequirementsofcolor,reflectthecharacterandatmosphereoftheformationvaries.Anotherexample:interiordesigncanbedifferentcolorspace,intheformoffurtherstressedorweakened.Ofcourse,isalsotheinteriordesigncolorreference,inadifferentdirectionundernaturallightcolorsaredifferent,therearedifferencesinasenseofwell-being,maybeusedtoadjustthecolor.Factorsincludethe"residents".Forexample:theuseofspace,thetypeofperson.Men,womenandchildrenofcolorrequiresalotofdifferencebetweenthecolorsshouldmeetthenpreferencesoftheresidents,anotherexample:auser'sactivitiesinspaceandtheuseofthelengthoftime.Learningclassrooms,industrialproductionworkshop,avarietyofactivitiesandwork,requireadifferentlineofsightconditions,inordertoimproveefficiency,safetyandcomfort.Finally,shouldalsobefactors,includingthespacearoundwhichtheenvironmentalfactors.Colorandtheenvironmentarecloselylinked,especiallyintheinterior,reflectivecolorcanaffecttheothercolors.Andadifferentenvironment,throughtheoutdoorlandscapecanbereflectivetotheinterior,thecolorshouldalsobemadetocoordinatewiththesurroundingenvironment.Third,thecoloroftheinteriordesign1.Colorcoordination.Indoorcolordesignisthefundamentalproblemofcolormatchingissues,VanGoghsaid:"Thereisnobadcolors,onlywithbad."Coloreffectofdifferentcolorsdependingontherelationshipbetweenthesamecolorindifferentbackgroundconditions,aTheresultscanbeverydifferent.Visualorgansinaccordancewiththenaturalphysiologicalconditions,withdifferentcolorsonrequest.Therewillbealotofvisualcolorphenomenon.Thevisioncolorsoftheorgantostimulatetheinstincttocarryouttheswapinordertomaintainvisualphysiologicalbalance,andonlywhenthecolorofthecomplementaryrelationship-building,theonlyvisionandbalancearemet.2.Indoorcolorcomposition.Colorintheinteriorcompositioncanoftenplayaspecialrole.(1)cancausepeopletohideorattention.(2)objectscanhaveaswellingsenseofcontraction.(3)colorcanbefabricatedintheformofindoorspace,tobreakthepatternoftheoriginalspace.(4)ColorIndoorenabletheobjectofvarieties,materials,texture,formeachothertoforminternalrelations.一,thecolordesignphilosophyNomatterhowyouareadie-hard,youhavetoadmitthatthecolordegreeofintimacyandlife,almosttothepointofNanSheNanLi.Astheworkeverydayinwhatcolorclothes,whatcolorthenationalflagofanationasbigasadesignapplication,fullyreflectsthecolorinourlife,forhisACTSasanimportant.Infact,inadditiontoblackandwhitefilmcharacters,noonecanliveinaworldcolorless.Colormakestheworldbecomecolorful,itcanchangeourmood,affectourviewofdoingSTH.Enterprisethereforewillingtoinvestflowergreennotesonthecolorofthedesignonbehalfoftheenterprise,designersrackedmybrainstoshowthecharacteristicsofeachcolor,sothattheybelieve,inyoumeetandcolormoment,youcanbeawareonthatortenderness,orthecolourofviolence,itispassedtoyourmessage.Colourisappliedscience,itisinthedesignofthepositionofhowimportant?InthisregardwewishtoconsultthedesignerMrCaiQiren.MrCaiQirensaid,apieceofdesignwork,usuallycontainsthreeelements:color,imagesandtext.Thesethreeelements,incolourismoreimportant.MrCAIexplanation,peopleofcolorisquitesensitive,whentheyfirstcontactwithapieceofdesignwork,thefirsttograbtheirattention,isthecolorofthework,followedbytheimage,thelastistext.Impressedothersparticularlystrongcolor,sothedesignerthroughthemosteasilycolortoexpresshisdesignidea,andasadesigner,youmustunderstandandcolorcommunication,tounderstandthem.ColorcodeColourisinvolvedalotofknowledge,containstheoptical,psychologyandaesthetics,folkloreandsoon.Psychologistshaveproposedinrecentyearsmanyrelationshipbetweencolorandhumanpsychologytheory.Theypointoutthateachcolorhasasymbolicmeaning,whenexposedtoacertaincolorvision,thebrainwillreceivesignal,issuedbythecolorofinstantproducelenovo,redsymbolizespassion,forexample,thenseeingredmoodexciting;Bluesymbolofreason,seebluewillmakepeoplecalmdown.Experienceddesigners,oftenthroughtheuseofcolor,arousedgeneralpsychologicalassociation,soastoachievetheaimofdesign.nSymbolcolorred-theblood,thesettingsun,fire,passion,dangerousorangesunset,autumnleaves,tenderfeeling,positiveyellow,gold,huangju,payattentionto,lightgreen,grass,security,peace,ideal,hopetoblue,theocean,thebluesky,quiet,melancholy,rationalpurple,noble,mysterious,elegantwhite,pure,plainandholyblack-aseriousnight,death,evil,butpsychologistshavealsonoticedthatakindofcolorisusuallynotonlycontainsasymbolicmeaning,asthered,symbolizebothpassion,butalsosymbolizesthedanger,sodifferentpeople,forthesamekindofcolorpassword,willmakeadifferentinterpretation.Inaddition,aperson'sage,sex,occupation,heliveinsocialcultureandeducationbackground,willmakepeopleproducedifferentassociationsofthesamecolor.MrCaiQiren,forexample,iftheChineseparticularlylikedtoredandyellow,andhowmanyoftheChinesenationoriginatedintheloessplateauhassomethingtodo,isitunderthedifferentculturalsystem,colorcangiveasettocontaindifferentspecificmeaningofthelanguage,theexpressionmeaningmaybecompletelydifferent.Thecolorandthetheoryofpsychologicalassociation,isaimportantdiscoveryfordesigners.Theyarechoosingusewhatkindofcolor,mustconsiderworksisthatacommunityoriented,soasnottohavetheoppositeeffect.MrCaiQiren,forexample,purpleinwesternreligionintheworld,isakindofcolorofnoble,dressedinrobesandadoptedthearchbishopofpurple;ButinMuslimcountries,purpleisthecolorofthetaboo,cannotuseatrandom.Ifthedesignerdoesnotpayattentiontocolorificunderlyinglanguage,onlyleavetheplay,thewrongmessage,thenIdon'tknowwhothehatred.Anewseasonfashioncolouriswhatcolorpopnextseason?CaiQirensaidMr.Blackwillstillcontinuetobepopular,whileanotherwillbeabrightgreenseries,bythattime,wemayseeabrightgreenbouncingaround.Popularcolourcolourpsychologyisoneoftheselectioncriteria,however,thereareotherreasonsaboutthedesigner'sdecision,oneofthemostcommonfactorsisthetrend.Whenacertainperiod,acertaincolororaseriesofcolorbecamethemainstreamofsocialpreference,designertodesignnewproducts,willinevitablymoreeasilytendtochoosethepopularcolor.But,whodecidewhichcolorisit?Colorresearch,isanemergingdisciplinefornearlyhalfacentury.MrCaiQirenpointedoutthattheworldhasacommitteeoftheinternationalfashioncolour,specializesincolortrend.Eachyear,thecommissionwillbepopularcolorforallovertheworldtostudyandanalysis,predictwhatcolorswillbecomeaninternationalfashioncolour,providedesignersreference.Butthefinaldecisionisinthemarkettheinvisiblehands.Infact,mostofthepopularcolorisduetocommercialfactors,themarket,agroupofbusinessinvestorsanddesignersworktogetherforsomecolors,createanatmosphereof"inacertaincoloristhemostpopular";Whentohomeusethesecolor,moreoveranewpopularcolorisborn.Thesituationisespeciallyobviousinthefashionmarket,fashionoftenleadthenewcolortrend,fashiondesigner,everylaunchofanewseasonofwork,bringswithitachainreactionofotherperipheralproductssuchasaccessories,watches,bags,mobilephoneandsoon,canusesimilarcolor,inordertoline,byextension,thecoloroftheotherproductsarealsoaffected.Atpresentvariousindifferentpartsofthecommunicationisfrequent,increasinglybroadcolorcoveragelevel,influenceondesignalsograduallystrengthened.Inrecentyears,forexample,currentpopularmetalcolor,allofasudden,allnewproductshavetothreepointswithmetalcolor.Dedicateddesignersinordertoimprovetheattractivenessofcommodities,tousesomecolor,amongthem,therearemanymoreoutnewmeaninginseveralfashioncolour,producemanyexcellentworks.Butitisworthpondering,issomefollowedthetrendblindly,withoutthinkingofthe"designers",theirlackoforiginality,manufacturedgoodsjustcatchupwiththetrend,creativeattitudeextremelyelaborate;Thelong,thewholesocietytocreaterequirementsmaynotconsciouslytoreducegreatly,worrying.nIdeasforbodycolorforopenanybookoncolordesign,appliedcolorhastalkedaboutsomebasicskills,suchasattentiontochangesintemperaturecontrastofcolor,colorbalancedistribution,theunityofthecolorharmony,etc.Butwhat'sinteresting,itisalmostnobookmentionedthemindandtherelationshipbetweencolordesign,perhaps,theauthorsthinkthatthemindisthedesignofthisneednotmuchmorespecialtalkshouldalsobenoticed.Buttheyprobablyforgothowbigisthemagicofcolor,whenyouarefacedwiththousandsofcolors,theexcitedforawhile,amoment,too,isenoughtomakeyoucompletelyforgetoriginallywanttoexpresswhatis,whatreallyshouldbehighlighted.Sowecan"lucky"witnessedsomecolourisveryrich,visualeffectisverygood,butIdon'tknowwhatitwastherealsellingpoint.Letusrestorebasicstep,gobacktothecreationthoughtstage.Thepremiseofthedesignofthreeelements:color,images,text,allisjustadesignappearance,actuallytherealsoulofadesignfromthedesigner'sideas.Nocolordesignidea,isanemptyshellwithabeautifulappearance,inthefirstwitnessofthemoment,orwilllivearoundtheeyes,buttheaudiencecanrememberthisdesignforalongtime,isadoubt.Onlythecreationthoughtintocolordesign,thewholedesignisthesoul,thecolordidn'tknowthatconveyedtotheaudience.MrCaiQirenquestion,whyalsoistouseapileofpigments,somedesigncanbealongtime,butonlysome"verycharming"?Hisadvicetodesignersshouldreallystartingfromthecreationthought,anddon'tspendideaallsellingskills.Somedesign,colourisappliedontheboldinnovation,itoverthrewthefundamentallawofallcolors,goodproducesonthevisionistheeffectofshock,butwestillhavetoask,thispracticeisnecessary?Designcolor,attheveryleast,toletthecolorperformancecharacteristics,suchasaposteradvertisingthesomenewfood,youshouldtrytousebrightcolor,tocausetheaudience'sappetite,butifonlytoattractattention,andadoptextremebold,againstthetraditionalcolor,purelyfortheirbold,boldpractice,concludes?Forexampleperhapsyouwillbemoreeasytounderstandtherelationshipbetweencolorandcreative:MrCaiQirenoneworks,isapieceofinvitations,postitwassimplyagreencharacter"xi".Onthesurfacethisinvitations,inadditiontothecoloronthetradition,thereisnothingspecial.Buttheoriginalandthebrideattheweddingnightisenvironmentalprotection,sogreenisofgreatsignificancetothem;Butgoodafter,whentheguestsopenpostsalook,andfoundthatanameisyellow,andthebrideattheweddingnightasurnameisblue,theyimmediatelyawareofthemeaningof"green",thegreen,becameawitnesstwopeopletoconnect,theuseofgreenonthedesignisveryclever,andmoreprofound."Boldinnovation"and"standard",sometimesquitedifficulttoact,butMrCaiQirenpointisworthpondering,hethinksthatthedesignerisnotequaltotheartist,theartistcanbecompletelyperceptual,anddesignersintheperceptual,butneedtohaveareasontochecksandbalances.Whenthethoughtsinmymindisfullofpowerfulandunconstrainedstyle,theartist,regardlessoftheseculareyesatallpouredallhiscreationthought,becausehisworkneedtoberesponsibleforhisartworld;Butthedesignercannotbeseparatedfromtheobjectiveenvironment,hewanttoconsiderwhetherthedesignisreallyfeasible,canpromotionalitems,whatimpactitwillbringtothepublic,andsoon."Innovation"and"derailed"how,thislineisthedesignertodecidebymyself.Colorflavorsincethecomputerdrawingsoftware,thecomputerhasbecomethedesigner'smostloyalpartners.Lookatthedesigner'shandsonthekeyboardtojumpquickly,computerdisplayinstantaneouschanges,thedesignofthecolorpattern,Chensightit.Thereisnodoubtthatcomputersmakedesignworkbecomesmoreconvenient,designerscansoonputmindimaginesomethingspecific,easilymakealotofeffect,thedesignercanplayspacealsoincreasesaccordingly.Inthepopularizationofthecomputerapplicationandatthesametime,however,wecan'tdenythefactthatfewerandfewerispartofhumannatureinthedesignofthecomputermoreandmore,inproportionofworkseemstolackalittlebitofemotion,lackofenthusiasm.MrCaiQirenagreewithcomputeristhegoodassistantofthedesigner,itcanrecordthedata,convenient,accurate,sowhenprintedagainnexttime,lesserror-prone.Butnhealsoadmittedthatsomedesignersoverlyrelyonthecomputer,forthecustomerdesign,wanttoalsodon'twantto,onlythecolorchangeonthecomputerafteroneanother,andfindasatisfactorybelook.Strictlyspeaking,thesearenotdesigners,theyignoredinthedesignofthemostimportantpartofthebrainthinking.Well,thecomputercanputtheimagesdoverybeautiful,butintheend,itisthematerialitselfhave,showupagain.Iftheso-calleddesigner,justchooserightatusalotofdata,andtheneastspellwestdoonething,thatwhatdesign?Theyellow,thegreen,whyonearthshouldbeplacedhere?Whatmeanis?Nooneatall.Thesecolorswon'tbreathe,normaycausetheaudienceresonance.Designerexcessivelydependonthecomputer,afterall,andtheyaretoolazytocreation.Man'sheadismuchmorevaluablethanthecomputer,thecreative,emotional,computerdatatohaveatry,creativepeople.Designerbythinking,wecancombinecolorandhismind,sothedesignofthecolormaybeakaleidoscope,glittering.MrCaiQirenthinks,thedesignoftheoutputfromthehumanbrain,ismorehumane,comparedwiththecomputerdesignofcold,haveastrongemotion,strongflavor,coloraffectstheirfeelings.However,afterall,computerisoneoftheauxiliarytoolofdesign,designersshouldtakeadvantageofvariousadvantagesofcomputers,topracticetheirdesignideas,maketheworkmoreenthusiasmandhighlightindividualstyle,notonlyinthecolourofcomputer'sdatabase.Understandcolorcolorthreeattributecolor(Hue):abbreviatedH,saidqualitiesofcolor,isthedifferencebetweenthecolorneedtoname,suchasred,orange,yellow,green,green,blue,purple,etc.Huehasnothingtodowiththestrengthofthecolorandlightandshade,justpurecolorlooksdifferent.Lightness(Value):abbreviatedV,saidthestrengthofthecolor,alsoistheshadeoflight.Differentcolor,thereflectedlightintensityvaries,thuswillproducedifferentdegreesoflightandshade.Chroma(Chroma):shortC,saidthepurityofcolor,whichisthecolorsaturation.Inparticular,isakindofcolorthatwhethercontainsthecomponentofwhiteorblack.Ifonedoesnotcontainingredientsofwhiteorblackcolor,isthat"purecolor",chromaishighest;Suchaswhiteorblack,themoreitschromawilldeclinegradually.Twoprimarycolorsweseecolorsarecomposedofthreekindsofcolororthreecolors,buttheythemselvescannotsplitoutothercolorcomposition,soknownasthethreeprimarycolors.OpticalthreeprimarycolorsareRed(Red),Green(Green),Blue(Blue).Youcanmixthesethreecolours,toproducewhite.Suchasneonlights,itisthelightitselfwithcolor,canstimulatethevisualnerveofpeopledirectlyandletapersonfeelcolor,weseeonTVscreensandcomputermonitors,arecomposedofRGB.Objectcolorofblue,respectively(Cyan,Magenta(Magentared),Yellow(Yellow).Threecolormixing,willgetblack.Objectslikeneonlights,candistributethelight,itdependsonlight,toreflectaparttostimulatevisuallight,makethepersonproducesthefeelingofcolor.CMYthreecolormixed,althoughcanbeBlack,buttheBlackisnotpureBlack,sowhenyouprintplusBlack(Black),fourcolortogether.Colordesignandprintingcolorandtherelationshipbetweentheextremeclose,unfortunatelydesignersoftenforgettheprinting.Designersandprintingmasterisacomedyduowho"sparks"scenesarecommon.Designerstoconsiderallaspectsofthefactors,thousandthanselectingafewkindsofcolor,butithappenedtodonotpressthedesiredeffect,printingmasterinthemindalsosecretlyblamedesignerunconstrainedstyle,whetherthedesignisfeasible.MrCaiQirenhasdeepexperiencetothispoint,hefeltthatadesignermustknowmoreabouttheprinting.Manydesigners,especiallythenewline,theydon'tunderstandtheprintingprocess,thentothepresswhenitappearedsomeavoidablemistakes.Usuallytheeasiestproblem,istheprintingcolorprinting,theeffectisnotasdesignerscarryinourhearts.Someofthereasonsforthiserror,andoneofthereasons,islikelytoberelatedtoprintingmaterialsandprintingmethod.Thesameinkindifferentmaterialanddifferentthicknessofnpaperprinting,thecoloreffectsmustbedifferent;Evenifthematerialisthesame,butindifferentprintingmethodtoprint,thethicknessoftheinkwillbedifferent,suchasoffsetprintingistheflexibleprintinginkthinner,impact,brightnessofcolorisalsodifferent.Anexperienceddesigner,willadvancetheuseofthecharacteristicsofsubstrates,printinginkandprintingmethodistakenintoconsideration,suchasthedesignasmuchaspossiblewiththeobjectiveconditions;Ontheotherhand,thedesignershouldbemorecommunicationwiththeprintingmaster,gettoknoweachother,asfaraspossibletoreducetheextentofthefault.MrCaiQirenbelievethattheappealofcolorisquitebig,thecolorsoftheworld,thereisnogoodornotgood-lookingcolor,onlycareabouthowdesignersuse.Withhisyearsofexperience,thedesignershouldusenewideastoshowcolourcharacteristics,designandcombinetogivetoothersispureandfreshfeeling,leadtheaudiencetoexplorethemeaningbehindthecolor.Design,ontheotherhand,ismostlyforadvertisingproductsservices,sothedesignershouldplanforthecustomer,considerwhatcanuseofresources,preparehowmuchtoinvestinthedesignofthecustomer,ofcourse,theheaviestifthecolourcanincreasetheappealofthegoods.Invisiblehandnatureshowusacolorfulworld,proteancoloursupplementfascinating;Similarly,asuccessfulcolordesign,ithasvitality,caninfecttheaudiencemood.Designerforcolourisappliedmorethoroughunderstandingandstudy,candesignabetterwork.Second,theindoorcolouraestheticInnature,thecolor,richandcolorful,allkindsofcolorarevisuallyreflectedinpeople'smind,producingavarietyofcolor.Sincetheancienttimes,peoplewillusethecolorindailylife,andenjoythejoyofthecolorchange.Peopleintheirownlivingenvironmentalsousecolortoexpresshisfeelingsofbeauty,beautyisanindispensablepartofPeople'sDailylifeandcolorbeautyalwaysdrivespeople'semotions,makethepersonproducesaestheticpleasure.1nobeautyandugliness,thecoloritself,itshallbecarriedoutbymeansofcolorbycontrast,foil,canproducegoodaestheticpleasure.Thebeautyofadesignisacombinationofthebeautyofthesenseofform,colorandmaterial.However,seetheworksofinstant,thefirstappealtotheeyeisthecombinationofthecoloreffect,alsoistheproblemofcoloreyebrow.Whileusingthesamematerialofindoor,itsshapeisthesame,butbecauseofthedifferenceofcolourtocoordinateorcolormatching,cocktailpartyformthewarmandcold,gorgeous,simple,strong,soft,brightordark,andsoonenvironment,showtheeffectofavarietyofdifferentfeelings.Atthesametime,becauseofthecolormatchingtoreconcileordisharmony,alsocangiveapersonwithapleasantorunpleasantfeelings.Infact,asinglecolor,thereisnodistinctionofbeautyandnotbeauty,generally,onlywhentwoormorecolorsindifferentcombinations,asthecolorisbeautifulandnotbeautiful,coordinationandincongruousfeeling.Asagreenandared,whowilltellthemthebeautyornotbeauty,itisonlythroughthecombinationoftheevergreenleavesalittleredform,canshowthecharmofcolor."Littlered"againstthebackgroundof"evergreen"precious,"evergreen"underthecontrastofcolor"red",andmoregreenandlovely.2,anyonecolorhasitsownfeatures,thebefondofofpeopleofcolor,isnotonlythehabitsandhobbies,whatistheproblemofscienceandartofcombining,onlyconformtotherequirementsofthepeople'spsychological,physiological,colorcangiveapersonwithbeautifulenjoyment.Ithaslongbeenrealized,indoorcolourcanaffectpeople'semotions,ice,SnowWhitecanmakethepersonfeelcold,thesun,firered,orange,makethepersonfeelswarm,blueseamakepeoplefeelrelaxed,colourfulgrass,flowerswillmakepeoplehappy,etc.,arethenaturalcolorofakindofpsychologicalreflection.Interiordesignshouldpayattentiontocoloronpeople'spsychological,physiologicalrole,attachesgreatimportancetothecolorcausedbylenovoandemotionaleffects,inordertointheindoorenvironment,createalevel,hasacharacterofcolourenvironment,beneficialtohealthofbodyandmindnandgiveapersonwithbeautifulenjoyment.Theprecipitationofhumanhistory,canmakethecolorformsomekindofpsychological,habitsandsymbol.Thecolorofenvironmentatmosphereisveryrich.Sincetheancienttimes,humanswillunderstandcolorcanaddanitemofbeauty.Withthedevelopmentofscienceandtechnology,inpractice,foundthatcolorcloserelationwithhuman.Suchasgreen,isthecolorcanmakepeoplerelaxed,calm,whenreadingtired,eyesseegreen,fatiguewillreduce,butlongingreenenvironment,italsocanmakethepersonreducesappetite.Yellowororangecanstimulateappetite,enhanceappetite,andcangiveapersonwithawarmandharmoniousfeeling.Soinsomerestaurants,metopechoosesyellow,oftenwithyellowtablesandchairs,whitetablecloth,andgorgeousflowerarrangement,canmakepeoplerelaxed.Inthelivingroommorethanonesetofyellowfurniture,makethepersonfeelshappy,peaceful,feelbetter.Thesicklybedroomchoosesyellowcanpromotehappy,happyactivities,helpthebodymetabolismofenhancementandtheabilitytoresistdisease.Yellow-greencanmakethepersonfeelscomfortable,contributetostabilityandnerve.Inwiththebluelightinthebedroomisagreenquiltcanformquietenvironmentatmosphere,helpstosleeppeacefully.Theelderlybedroomtochoosethebestcolor,canformagentleandquietenvironment.Kellyhasinhibitoryeffecttothemood,temperamenttemperament,emotioniseasytoimpulse,thebedroomitisadvisabletochoosegreenandyellow.Peoplenotonlyrequiredtosatisfyamentalstimulation,alsothepursuitoftwovisualeffectbothwarmandcoolcolors.Thisisakindofsubconsciousstrongdesiretolearn.Peoplesometimeswillbesatisfiedwiththecombinationofthecomplementarycolor,becausepeopleinstinctivelyreluctanttoonlybypurestimulation,andtoaccepttheeffectofcoldandwarmcolorisanorganicwholetorich.Thedesireiscomplementarycolorcombinationcausesofpleasure.Complementarycolorinpsychologicalandphysiologicalaspectsareconnectwitheachother,complementeachother.Betweenthetwocomplementarycolorhue,duetoincludeallthevisiblespectrum,givepeoplepsychologicalbalancetochangesintemperature,canmeetthepsychologicalneeds,theprosperityofpleasure,itisharmonicbeauty.Onthecolorofloveisalsoapsychologicalproblem,ingeneral,likingofakindofcolordoesnotdependontheirspecifichue,anddependsonfactorssuchasareaanditsadjacentcolorificcontrast.Innumerouscolors,someoneforacertaincolortoshowthespecialpsychologicalresponse:suchastraumaexperience,forrelatedtobloodredoldspecialterror;Andsomekindofcolorissometimesproducewonderfulmemories.Colorexpressiveforcenotonlyhaveapositiveeffect,thehobbyandthesymbolofcolorandsoonwillbeinthelifeofpeopleinavarietyofeffects,theseeffectsistheaccumulationoflifeexperience,oriscolourundervariouscomplicatedfactorstoformimpressions,ideas,suchastheaccumulation,impressionandconceptwillhavegreatimpactonpeople'sbodyandmind.ColorinPeople'sDailylifeandthelifethelaborwillshowallkindsofeffects,touchtheheartofthepeople.MrWenyiduooncewrote:"givemeredwithpassion,greentodevelopforme,givemetheyellowloyalty,bluetaughtmetojiaojie,pinkhasgivenmehope,greytomewithsorrow."Aforeignanecdoteswrote:"...thereisagreatblackbridge,wheretherearealwayssomepeoplecommitsuicideeveryyear.Later,peopleputthebridgeispaintedblue,reducethesuicideoftheNationalPeople'sCongresshereearth.Peopleandpaintthebridgered,drownedherealmostextinct."Becauserefraction,darkblackdeepensdespairofpain,andlivelybrightcolor,giveafrequencyinthedeathofthemindintoalightofhope,andlitthelightoflife.Americanscientistswhodidtheexperimentmanytimes,letapersonisangryintothepinkwallsoftheroom,hisangergraduallysubside.Inthecolorpinkisamagiccoolcolors.ResearchhasshownthatinMunich,Germany,therelevantresearchunit,thepatient'sphysicalconditionandmentalstatetoaconsiderableextentrelatedtotheirroomenvironmentalcolor.Havebeenconfirmed:purplecanmakewomenfeelstability,palebluetoahighfeverofpatientswithstablemood,gradually,thebenefitsoffeverchustonehelpslowbloodpressurepatients,improvingthefunctionofbloodpressure.Sotheindoorcolorndesignshouldbethecolordesignshouldbethecombinationofscienceandart,accordingtothecharacteristicsofcolor,accurateuseofcolor,creatingbeautifulreasonableenvironmentspace.Accordingtoforeignexperience,whenthehallwalls,groundandseatsareallinreddepartment,peoplelistentomusicwillalwayskeeptheexcitementandexcitement,andnotfeelshowlong;Suchastoswitchtoabluefacilities,theaudienceintimeisabitlong,canproduceatiredofemotions,feeltheperformancetimeistoolong.Therefore,thecurrentussomefamousconcerthall,thenewinteriorisbrightredaccountedforaadvantage,thenormofacounterusedinthepastquietcolors.Indooractualisthecoloroffeelingswhicharecausedbythenatureofthedyeitself,itisnotapeople'sfeelings,buttheobjectofaffection,sothecolorshouldconformtotherequirementsoftheperson'spsychology,victory,cangiveapersonwithbeautifulenjoyment.3,colordesign,shouldconsiderproblemsuchasspace,environment,function,daylighting,andshouldalsoadapttoaperson'sage,gender,culture,tradition,andsoon.Tomakeindoorcolourbeautyconnotation.Tomeasurequalityofindoorenvironmentartisthebasicstartingpointofwhole,people'sperceptionsoftheinteriorspaceistheoverallimage,comesfrompeople'ssight,retainingsurfaceformedbythespacedimensionandfigure.Everylocalinteriorspace,whetheritisastrongsurfaceprocessing,ceiling,furnituredesign,size,shape,color,etc.,arenotoutofitintermsofthephysicalenvironmentofthegoodorbad.Butinthemodellingofmanyfactors,thecolorisaprettystrongandabletoquicklyresorttofeelingfactor,fromtheprocessofvisualperceptionobject,colourandformhavethesameimportantrole.Andcolorevenmoreeasilythantheformwasattentionbypeople.Aswhenpeopleonagreenhillsidefoundabitred,canimmediatelyproducetheimpressionof"evergreenbushisred",butnotnecessarilyimmediatelytellwhatonearthisinthe"evergreen"grassHeMu,exactlyisa"littlered"safflowerorwearingreddress.Like:indoorevaluationfromeastwestgathertogetherindifferentformandcoloroffurniture,itishardtoget.Andusecolortomakeupandconcealitsshortcomings,isthemosteasytoobtainoverallharmoniousbeautyeffect.Becauseoftheuseofeachroominthefamily,areasizeisdifferent,thechoiceofcolorisalsodifferent,suchasbedroomandtheuseofdifferentnature,itscolorisdifferent.Generalresidentialbuildingonitsusefunctioncanbedividedinto:livingroom,bedroom,study,childrenroom,diningroomandkitchen,etc.Todesignagoodroom,shouldnotonlypleasingtotheeye,feelcomfortable,toexertitsfunctionsmoreeffectively,includingcreateaccurateenvironmentatmosphere,andthecoloristhemostimportantfactorwiththecreationofthestyleofthewholeatmosphereofthe.Sincepeopleknow,thecolorofanyobjectneedstobereflectedlight.Lightalsoaffectstheenvironmentatmosphere,andatthesametimearoundthepeople'spsychologicalstatusandfunctionofvictory.Therefore,inthecolordesignforbuildinginteriorenvironment,alsomustpayenoughattentiontolightcolor.Becauseofdifferentusefunction,indoorspaceenvironmentandusers'age,gender,culture,traditionbackgrounddifferent,determinesthecontentandformofinteriordesign.Differentclasses,peopleofdifferentages,havedifferentpsychologicalcharacteristics,designandcolor,thefirstthingtounderstandallkindsofdifferentrequirementsofdifferentkindsofpeople.Usedasabedroom,askedforaboysleeprest,virtuallydeterminesthecontentofthedesignofthebedroom.Canusecommonlyboyslikeyellow,green,bluecombination,thiscombinationhasafantasy,joyandlivelyatmosphere,moregreenandfullofanger.Girlsgenerallylikepinkorclosetopink.Youngpeoplegenerallymorelikesomeboldstrongcolor,andareinfluencedbythemorefashionablefurniture,clothing.Middle-aged,especiallymiddle-aged,optimisticandenterprisinggenerallyprefertocreatethecapaciousandbrightvisualindoorenvironment,therefore,appropriatechoosestoorangeandwhitecolor.Forknowledgeworkers,adoptmoreelegantandeasytonal,suchasbrownandwhitematch,canformsimple,generous,elegantatmosphere.Beigeandlightpurplecombination,withelegantandattractivetemperament,adaptationandmiddle-agedintellectuals.Middle-agedwomenlikepurpletoneswithdreamnandlenovo,especiallyparticularlyhasdesignoflilac.Oldpeopleliketosedatecalm,appropriateisusedinthelowandhighcolorarelow.Childrenroomcanchoosemorecolorcombination,canpromotethedevelopmentofchildren'sintelligence.GermanycolormasterprofessorEdenwasonceagoodinteriorspaceforchildrenofdifferentcolormatching,awhiteandblue,onlyoneisbesmearbeautifulandcolorfulindoorenvironmentdesign,afterhalfayear,thegrowthofchildren'sintelligenceisanobviousdifference,thelatterismuchbetterthantheformer.Visible,richcolorcanimprovechildren'sIQ,imperceptiblein,promotethedevelopmentofchildren'sintelligence.Baby'sroomappropriateUSESpinkdepartment,itistherichestofallthecolorissoftandwarmcolor,forthemotherandsonaregood.Inaddition,thecoloroflenovo,thecolor,thesymbolofcolorsuchashateisbythenational,ethniccustomsandformthedifferentpsychologicalreaction.Therefore,inthecolordesign,alsoshouldconsidertothesetraditionalhabit.Suchasresplendentandmagnificentcityinourcountry,withwhitewalltilesinsouthChinacity,andguilinscenerybeautiful,spring-likeseasons,thereareobviousdifferencesinthecolourofthecity,andcharm.Inindoorcolordesign,aswellastraditionalhabitsproblem,becauseourcountryisamulti-ethniccountry,loveofcolorandtabooinallethnicgroupshaveverybigdifference,suchasthehannationality:generallovecolorssuchasred,yellowandgreen.Redsaidhappinessandfestival,usuallyforanoccasion.Yellowwithasacred,power,light,greatmeaning,moreforimperialuse.Greensymbolizesprosperityandyouth.Blackforthefuneral.Huilikeblack,white,blue,orange,red,purple,darkbrownwaitforcolor,dirtyyellow,green,whiteisanoblecolor.Uighurlovered,green,pink,rosy,amaranthine,bluishwhite,creamyellow,etc.Throughouthistorybuildingcolor,canmakeusunderstandthechangesofthebuilding,fromtheprocessofdevelopment,tofindthesourceofthemodernarchitecturecolordesign,thatis,tounderstandtheoccurrenceanddevelopmentofarchitecturalenvironmentcolour,changeprocess,foundthatavarietyofmethodsoftraditionalandmodernUSEScolor,caneffectivelyguidenow,alsocanpredictthefuturedevelopment,tomakethebuildingenvironmentcolordesigndevelopmentandinnovation.Thus,understandthefunctionsofindooreachroom,andtheusers'differentrequirement,canaccurateuseofcolortoexpressthecontentofinteriorspaceandform.Whenindoorcolordesignmustconsiderthecontentofthespace,environment,function,lightingproblem,andshouldbeadaptedtoaperson'sage,gender,culture,traditionandsoonrequest,tomakeinteriorspacehastheintegrityandcontentintheformofaunified,formindoorcolourtheimplicationofbeauty.Studieshaveshownthatinbebeingdesignedindoors,theeffectofcolourismorethanjusttheaboveseveralaspects,aslongaswefurthertocolorificpsychology,physiologyandphysicsresearch,scientificuseofindoorcolour,stepbystepfromqualitativeresearchonindoorcolourintothecombinationofqualitativeandquantitativeresearch,fromGeneralsubjectiveevaluationtorisetothecombinationofsubjectiveandscientifictestingevaluation,makeindoorcolordesignbasedonamorescientific,tofullyembodythecolorontheuseofaestheticvalue,furtherenhancestheworkingefficiencyofthepeopleintheenvironmentcomfortabledriveand,physicalandmentalhealthoftheguarantorandundoubtedlyhasimportantsignificance.Tosumup,theindoorcolourhasitsuniqueaesthetic.Third,thecolorsininteriordesignideasThereisnobadcolor,onlyabadcombination.Inthedesignofindoorcolourisnotasimplemachinestouseready-madeformula,buttogivefullplaytotheimagination,practiceconstantly,constantlyadjustthecolorchoice,willtrulyfeelthecolor'suniquecharm.A,andthenatureharmoniouscolorlevel1903NobelPrizeinphysiologyprizewinnernils?Stephenson'sfoundingmodernlighttherapy.Hisultraviolettherapyhasinspiredpeopletoresearchanduseoflightandcolor.Lightandcolorofindoorenvironmentareequallynimportant.Indoorconsistsoftwoparts,partofspaceobject,underthelightcolored;Theotherpartistheairoccupiesspace,underthelightirradiationiscolorless.Dealwiththerelationshipbetweenthetwoparts,makeindoorfullbathedinsunshineandintheair,isthefirstconditiontocreateagoodindoorcolourenvironment.Ifthereisnofurniture,indoorceiling,floor,wallcoloristheindoorenvironmentcolour;Iffilledwithfurniture,indoorlightintodonotcome,isfarfromwhatcolour.Shouldbetoreduceasfaraspossibleinthelimitedinteriorspaceoffurnituredecorate,makethedaylightingandventilatedthebestdegree.Generalindoorinnaturallighting,forthemostappropriate,duringthedaybrightglassandallkindsofcontroltheintensityofsunlightcurtain,tomeettheneedsoftheinteriortodifferentlight.Undernaturallighting,indoorallobjects,nearthelightisbright,farfromlightsourceofthedark.Tosmoothbright,backlitfacedark,theshadowoftheresultingnatureishandsomecolorlevel,thatinitselfhavegreatlyenrichedourcolourenvironment.Byreflectionorborrowsceneoutsidethewindow,sometimesalsocanaffectindoorwholeeffectandatmosphere.Protecttheecologicalenvironment,emphasizestheharmonybetweenmanandnature,isthemodernconsciousnessofenvironmentalcolor.Idealinteriorspace,shouldbemakefulluseofthesunasanenergysource,asfaraspossibleusenaturallightandgoodventilationconditions,usingnaturalbuildingmaterials,asfaraspossibleintheharmoniouscolor,createahealthyindoorclimate,amorenaturalbreathbreath.Second,duplicationandechocolorrhythmoncreativeperformanceinwasbriefandcolorful,howtousecolortorepeatandecho,howtodealwiththerhythmofthecoloristhekey.Willexpressthecolorsofthedesignconceptusedinkeyparts,whichmakethewholespacearecontrolledbythesecolour.Suchasofficefurniture,curtain,carpetdesignintothesamequality,onlyhavedifferencesonthebrillianceorpurity,andmaketheothercolorsinasubordinateposition,thewholeofficespacewillformadiverseunification,thecolourisinterconnectedspaceagain.Colorduplicationandecho,canmakeapersonthesenseofvisualcontactandmovement.Whenwillbearhythmiccolorarrangementanddecorate,alsocanproducecolorrhythmfeeling(asshowninfigure3,26).Thisrhythmisnotnecessarilyarrangedinlargearea,canbeusedinrelatedorrelativelyclosetotheobject,theareaofthecolorandquantitycanbeflexible,suchasthearrangementoffloortileandwallbrick,thescreenofofficefurnitureandfurnitureandsoonallcancreateexcellentcoloureffect,thusthecorrespondingcohesionproducesonthevision.Three,personalizedcolorcharacteristiccolourrespectandattentionmustbepaidtotheuseoftheuser'spersonalityandhobbies,chooseacoloristhekeytocreateapersonalizedcolouratmosphere.Colorsusedininteriordecoration,mainpurposeistocreateanatmosphere,reflectakindofstyle,formakindoffeeling.Indoorstylewhetherclassicalormodern;Solemnandlively;Fancyorsimple;Warmandelegant,allkindsofdifferentstylereflecteditspersonalizedfeatures.Tohaveaunifiedandharmoniouscadence,istobuyfurniture,choosingdecorativecloth,alsocannotdestroyawhole--indoorandtonal.Sometimesinordertoachievespecialeffectofspace,breaktheprojectivespaceconstraints,notsmallpox,metope,groundinterfacetodistinguishandqualified,butfreelyandarbitrarilyhighlightthecolorcompositionofsomeabstract,thusthefuzzyspaceoftheoriginalcomposition,alsocanachievepersonalizedresults.Inrecentyears,thechangeofindoorcolourcombinationisdiverse,especiallyinexpressingthefeelingof"returningtonature",thefabricsofallkindsofflowersoftextilesandwood,stone,rattanproducts,fur,metal,glass,stainlesssteelproductssuchasindooritemstogether,atthesametime,itspattern,color,especiallythequalityofamaterialofcoarseandfine,realandvirtualchange,canproducemorepersonalizedresults.Four,adjustmentofcolorchangecolourinthewholeandindoorenvironmenteffectisgreat,noinchtimeaffectsourlives.Itwithitsrichcolor,adjusttheperson'spsychologyandemotions,stimulatepeople'simagination,promotetheendeavour.Createpleasantcolournenvironment,thisisaquestionofpriorityininteriordesign.Alongwiththedevelopmentoftheera,theneedofthesociety,indoorcolordesignhasbeeninadynamicdevelopment,itisthesameasotherdesign,theinfluenceoffashioncolor,theinfluenceofthesocialideologicaltrend,influencedbyperceptionschangeconstantly.Especiallyforpublicspaceintheenvironment,suchascommercialshopping,entertainment,catering,officespace,etc.,inordertoshapeafollowthetrend,constantlyadvanceimage;Inordertoadjusttherelationsoftheoriginalcolorgivesapersonanewoutlookandconstantlyupdated,adjustindoorsomerelationshasbecomeafrequentlyusedmethod.Isthehouseholdenvironment,liveforalongtimealsocangiveapersonthing,toconsiderhowtomobilizeandmodification,somemakethebedroomlookbrand-new.Adjustedwiththechangeofcolorininteriordesignisthemosteasytoimplement,isalsothebesteffect,modernmaterialsmorediversecolorupdate.Smallpoxofinteriorspace,ground,andthecolourofmetopeisoftendeterminantsofindoorandtonal,butsometimeswithoutchangingindoorsmallpox,groundandmetopecolour,alsocanthroughthemainfurniture,display,etc,accordingtotheprincipleofcolourcollocationoftherestructuringandadjustment,inordertoachievethepurposeofgettwicetheresultwithhalftheeffort.Five,black,white,greyfoilcalledachromaticcolorblack,white,gray,red,yellowandthecolorisdifferent,theyhavenotbeenarrangedonthecolorwheel,however,black,white,ashandothercolourcollocation,theaffectionofitsexpressionisnotallowtoignore,especiallyininteriordecoration,canwelltoallkindsofcolorfoil,stabilityandstrengthentheroleoflightness,contrastcombinationbetweenitself,oftengetthewelcomeofpeople,especiallyalotofhomeappliances,suchasTV,acoustics,etcoftenwithnocolor,sohowtogooduse,tothatoftheothercolorharmonywitheachother,shouldbepayingattention.Whensomesuchlargecontrastcolorpiece,fallintotheframeworkofthegivesprioritytotonewithblackandwhite,morecanreflecteffectisverygood.Asshowninfigure3,32,officespacegivesprioritytotonewithblackandwhiteandgray,tojointhesubduedcolor,conciseandshownstrongself-confidence.Six,andindoorandotherrelationscoordinationindoorcolourexcepttoconsidertheabovefactors,considerthecoordinationofrelationshipbetweenindoorandother.Suchasthestructureoftheinteriorspace,theformationofindoorwholestyle.Whenspaceiscapacious,thelightandbright,thecolorchangesinthescopeislarger;Whentheinteriorspaceisnarrowsmall,firstpriorityistoincreasecolorspace.Whenchoosingdecoratematerial,alsowanttoknowthecolorofthematerialproperties,someofthematerialasthechangeoftimewillfadeorchangecolor,theseshouldbeattention.Colorandlightingisalsoverycloselyatthesametime,becausethelightsourceandlightingsystemwillbringthecolorofbigchange,alargeareaoflightshedlight,likethesunflower,uniformlightsourceisnatural,hadalittleeffectsonthecolouroftheindoorenvironment.Fluorescentcolourslantscold,tubelamp,droplight,slantwarmcolor,theyusedtoconsiderandcoordinationofindoorwholeatmosphere.Colourisoneofnature'sgrace,themasterpieceofnature,inthefaceofonepondwater,abunchofwildflowers,atropicalrainforest,anaturalstone,oftenmakeapersonexcited,charmed,feellifeacommotion.However,differentcolorshavedifferentinfluencesonpeople'sbodyandmind,thekeyistofullyunderstandallsortsofcolorfeatureandtoexploreitspositivesignificance.Inshort,tobeautifytheindoorenvironmentwithcolour,decorateacharacteristic,vibrant,havecontemporaryinteriorspace,themainestis:firsttohaveadetailedplanandidea.Mustbeakindofidea,thenchoosecolor,eachcolorofindoorwholeistonal,isimportantfortheformationofafeastfortheeyesoftheenvironment.Fourth,thepsychologicaleffectofcolorsenseColor,intermsofitsessence,butisadifferentwavelengthoflight,thereisnowhat"love"tospeakof.However,inthisworld,humanlifedependsonthelight,getalotofinformation.nSpring,summer,autumnandwinter,snowandrain,thebasicwaterandfire,bittersweetsaltyitchangestheeffectsonthehumanallthroughthememoryofthecolordeepimprintinpeople'shearts.So,whenpeopleseeacertaincolor(orgroup),associatedwith,ateverencounteredinlifeexperiencesrelatedtothisfeeling,thatcausepsychologicalresonance.Althoughpeople'slifeexperience,culturalaccomplishment,religiousbeliefs,etc,andthepsychologicalreactiontocolorificisdifferent,psychologistsaboutcolorvariousinferenceisbasedontheemotionaleffect."Japanfamousmovieactormomoeyamaguchiinherreport"boundlessmoment",saidshefeltaboutthecoloroftheclotheseverydayseemstoherallday.Shethinks,iswearingapurpledresspantsandthenasiftoreturntothechildhoodfeeling.Ononeoccasion,sheworeablackdresstothestudiotomakeherfeeltheatmospherearoundtheallblack,theAngleofthecamerainanyher,sheallsmilenottocomeout,thepeoplearoundherupasfaraspossible,allcan'tmoveherheartblack,makingtheresultsofthelenswithagloomymood."Banquetheldanindustrialist,readytodance,toentertainagroupofmaleandfemaleguests.......Whendistinguishedguestshappysurroundedwiththetabledelicacies,thehostintheredlightlitupthebanquethall.Meatcolorlookverytender,makepersonappetite.......Redlightintoabluelight,barbecue,thedecayappearancemustylikepotatoes.Theguestsimmediatelypouredappetite;Butyellowlight,redwineintothecastoroil,putthevisitorsareturnedintozombies,afewmoredelicateladyquicklygotupandlefttheroom,noonewanttoeatsomething.Mastersmiledandopenedthewhitelight,dinnerpartyfunsoonrecovered.Accordingtojung,kimura'sdoneatestthatwillbethesametemperatureofthehotwaterofredandbluewiththetwobeakers,letapersonseewhiledifferentbeakerusearoundmyfinger,thenletittelltheirwarmfeeling,whohaveansweredback,redhotwaterishigherthanbluehotwatertemperature.Inafactory,letworkerscarrytheblackbox,theysaidtheboxistooheavyanddeepangerlaterintheholiday,thefactoryownerstocashinonitblackallgreen,theseconddayoftheworkerssaidtheboxesmorelight,andthussuccessfullycompletethehomework.SongdynastyGuoXiloadLinQuangaotobookofmountainsandriversofthefourseasonsofcolorchangescausedbyfeelingwrites:"thetruesceneryofcloudsatfourdifferent.Spring,summerlush,autumnthinthin,winterbleak.Truelandscapeofhaze,fourdifferent,hillsYanYeandliketolaugh,summerhill,suchasgreen,brightandclean,suchasmakeup,akiyamawinterbleakandsuchassleepmountains.Therearemanysuchexamples.Involvespeople'sfood,clothing,shelter,transportation,allaspectsofthework,studyanddailylife.Inmodernsociety,theresearchofcolorpsychologicaleffecthasnotlimitedto,inafewofthepsychologists,therangeofartists,withthedevelopmentofcommercialcompetition,alsomoreandmoreentrepreneurs,business,andcostumedesign,industrialdesign,citymanagement,andotheraspects.Althoughwecan'ttakeabsolutefeelingofcoloreffect,morecan'tunderstandwhythebullringinSpainintheattack,thesightoftheredbullsseeyellowisrealreasonofretreat,butthroughalotofmaterialstoverify,tosaytheleast,peopleinpsychologicalfeelingsofcolordohavecertaincommonality.1,thecolorchangesintemperatureareso-calledcolorchangesintemperatureisthefeelingofakindofpsychologicalcapacity,andtheactualtemperature,thereisnodirectlink.Red,orange,yellow,approximatethecoloroftheflame,whenpeopleseethiskindofcolor,iseasytoimaginethatfireburning,thesunrises,suchasblood,redflowers,soofteninpsychologicalproduceakindofwarmfeeling;WhileLanQingcolorpeopleiniceandsnow,sea,air,sooftengiveapersonthesensewithcold.Thecolorchangesintemperatureisrelative.Purple,green,greyetc.,forexample,asopposedtoawarmcoloristheorange,belongtocoolcolor;AndLanQingjuxtapositionwithcoolcolorbelongstothewarmcolor.,inthesamehue,duetothedifferentpurity,lightnessandlightalsocanformcertainchangesintemperaturedifference.Oncolorsolid,thedistributionofwarmandcoolcolorsdisplayintotwohemispheresconfrontation,especiallyastheearth'spoles.Warmcolor,forthemostpureorangepolecoolcolorwiththemostpurecyanforpole.Andinthemiddleofthegreen,ngrey,purpleisthemiddletransitionzone,theysometimesina"neutral",swingorsometimesshowtheambiguityphenomenon.Colorchangesintemperaturedifferenceisthefeelingofcolorcharacteristics,oneoftheimportantmarksincolordesignandpaintingcreation,theproperuseofcolorcontrastandunityofchangesintemperature,istoimprovethecolourisapowerfulmeansofappeal.2ofcolor,theweightofhardandsoftasageneralrule,theweightofthecolorsensehasverylittletodowiththechangeofhue,andmoreandthedifferenceonthebrightness,contrast,redandyellow,forexample,redfeltheavier,themainreasonorlowlightness,redyellowtallerlightness.Ifthesecondtonetoequallightnessdifferencesaredifficulttodistinguishbetweenlightandheavy.Allkindsoflightcoloronmunsellcolorsolidwereincorporatedintoacertainlightnesscategory,asaresult,theweightofthecolorchangesoffeelingandlightnessofperception.Thelighterismorebright,brightfeeling,lightnessisdark,theheavierfeel.Formationofheavycolor,lightcolorupcentralizationdownthetwohemispheresofconfrontationarray.Colorofhardandsoftfeelingmutualwantassociatedwithheavyfeeling,softlight,heavy,hard,thisisthereallifehumanfordifferentmaterialofactualexperienceissimilar.3,thecolorofdynamicandstaticinthecolorwheel,redisthemosteye-catching,thecolourofthemostexciting.Industrialpsychologistsstudyprovesthattheworkersinthewashingroompaintedredtimelessthanwhenbesmearblue-green.Asinthelightofdifferentmakepeopleslowlydrawacircle,theresultsinthegreenlightisbetterthanworkingintheredlight,redlightissaidtomakehandtremblingviolently.Biologistsreportedthatmonkeysdon'twanttostayintheredlighthouse.Perhaps,redhastheeffectofspeedupanimal"biologicalclock"operation,thisandnottotalk,butfromtheChinesefolkcustomoftheweddingorgooddaypostedredcouplets,redhappycharacter,wearredflower,hangingredlightspectacle,reallymakespeoplefeelthecharmofred.Allbright,brightcolor,notred,isactive,relaxed,livelyandcolorfulcharacter.Onthecontrary,therearesomecolorlookmorequiet,simple,smooth,soft,suchasamediumpurityandmediumlightnessofshallowgreen,lightgray,purple,lightblue,etc.Butiftoomuchsilenceandthecolorofthelackofenergy,suchascolorstereolowerlowlightnessandlowpuritycolorgroup,oftengiveapersonakindofsad,sad,despair,feeling.ItissaidthatBritain'sontheriverThames,operatorjustandreasbridge,causedbytheblackrailings,gloomyair,andinducemanylightlivingheretosuicide.Officiallaterchangedtherailingtogreengreatlyreducedsuicide.Colorofthecharacterinpeople'spsychologicalresponsecannotbeunderestimated.Iscommonusedinhomes,hospitals,restplacesmorelivelyandsubduedcolor,makethepersonfeelscomfortable.Stimulationofgoodbright-colouredcolourcanreallyoncertainoccasionsheinspiredthepassionofpeople,meetthevisualstimulation,butimproperusewillcausecolorpollution.Asforthedarkcolourisnotwithoutuse,aswithothercolourcollocationwhen,canhavetheeffectofcomplementeachother.4,colortasteassociationinancientChineseYinandYang,fiveelementsisanalyzedthecolorandflavorofsynesthesia,thinkthetasteissour,redcyanisbitter,yellowisgrape,whiteisspicy,blackissalty.Modernpsychologistshavemadeextensiveinvestigationandtest.AnacademicsurveyofJapan,theresultis:yellow,white,peachissweet;Greenisacid,bitter,grey,blackiswhite,andblueissalty.WesternEuropeancountrieshavesimilartestreport.Colortasteassociation,thoughnotasintuitiveasthecolorchangesintemperature,andevensometimeslikewithlike,islikeconcealed,fuzzyishardtodescribe,butonsomeoccasionsrelatedcolorandtaste,someindustriesandsomeproperusecolorbutcan'tignore.Chinesecookingpaygreatattentiontothetaste,color,aroma"mutualcooperation,maketheperson'staste,vision,smellandgetbeautifulenjoyment.So-calleddelicaciesincludingmaterialandspiritualdoublemeaning,onthefoodcoloringandfoodpackaging,coloronpeople'sallure,ndirectlyaffectthedemandofdesire,andifthejuiceintobluegray,thebarbecueismadebrilliantblue,willhavewhatresults,canbeimagined.Five,thecolorofmaterialpsychologicalillusionDirectpsychologicaleffectofcolorfromthecolorofthelightphysicalstimulationtotheperson'sphysiologicaldirectimpact.Psychologistshavedonemanyexperiments.Environment,theyfoundthattheredman'spulsewillaccelerate,bloodpressurewasincreased,moodexcitedimpulse.Andintheblueenvironment,pulsewillbeslow,moodalsorelativelycalm.Somescientistshavefoundthatcolorcanaffectbrainwaves,brainwaveisresponsetoredalert,forbluereactionistorelax.Sincethemiddleofthe19thcentury,psychologyhasfromtherealmofphilosophyintoscience,psychologistspayattentiontotheexperimentsofcolorpsychologicaleffect.Manycolortheoryhavemadespecialintroduction,theseexperiencestousclearlyaffirmsthecolorpeoplepsychologicalimpact.Warmandcoolcolorsarebasedonphysicalclassificationofpsychologicalillusionofcolor,thecolorofthematerial,roughlytwocolorisproducedbythechangesintemperature.Longwavelengthredandorange,andyellowlight,itselfhasawarmfeeling,lightasaconditiontoanycolorwillhaveawarmfeeling.Onthecontrary,theshorterwavelengthsoflightpurple,bluelight,greenlight,feelcold.Summer,weturnofftheindoorincandescentlamp,fluorescentlampopen,therewillbeafeelingofvariabledouble.Pigment,too,inthecoldandcoldbeveragepackagingusecoolcolor,willcauseyourfeelingtothesefoodcold.Winter,thecurtainofthebedroomwithwarmcolor,canincreaseindoorwarmfeeling.Feelingofabovechangesintemperature,notfromthetruetemperatureonthephysical,butisrelatedtoourvisualandpsychologicalassociations.Ingeneral,peoplebothinourdailylifeneedtowarmcolor,andcoolcolor,ontheexpressionofcoloristhesame.Warmandcoolcolorsapartfromtemperaturedifferencebetweentheus,willalsobringsomeotherfeelings,suchas,weight,humidity,etc.Lightwarmcolor,forexample,layparticularstresson,coolcolorslant;Warmcolordensitystrongfeeling,coolcolorfeelthin;Bothcompare,coolcolortobemoreclear,warmcolorclearisweak;Coolcoloriswet,warmcolorsappeardry;Far,feeling,coolcolorandwarmcolorisapproaching.Generallyspeaking,inthenarrowspace,ifwanttomakeitbecomesspacious,brightcoldtoneshouldbeused.Becauseofthewarmcolorhavemovefeeling,coolcolorwithbackfeeling,canbeinthenarrowspacetwowallscoatedwithwarmcolor,neartwowallscoatedwithcoolcolor,spacewillpsychologicallyfeelmoreclosetothesquare.Getridofcold,warmcolordepartmenthasobviouspsychologicaldifferencebetweenlightnessandpurityofcolourcanalsocausephysicalimpressionofcolorillusion.Ingeneral,theweightofthecoloraremainlydependsonthecolorlightness,darkgiveapersonwithaheavyfeeling,brightcolorgivesapersonthesensewithlight.Thechangeofthepurityandlightnessgivesapersonwiththecolorofthehardandsoftimpression,suchaslightbrightcolormakepeoplefeelsoft,thepurecolorofthedarkhasastrongfeeling.Colorexpressioncoloritselfisnosoul,it'sjustaphysicalphenomenon,butpeoplecanfeelthecolorofemotion,thisisbecausepeopleliveinaworldofcolor,theaccumulationofmanyvisualexperience,oncetheperceptualexperienceandexoticcolorsstimulatecertainechooccurs,willleadtosomekindofmoodontheperson'spsychology.Regardlessofthecolorornocolorcolorcolor,hasitsownfeatures.Eachkindofcolor,thepurityandlightnesswhenitchanges,orareinadifferentcolorcollocation,colorexpressionchanges.Therefore,ifyouwanttosayallsortsofcolorexpressioncharacteristics,justwanttosaywhateachperson'spersonalitycharacteristicsasdifficultintheworld,dosomeofthetypicalcharacterdescription,however,alwaysfunandpossible.Redredisthecolorofstrong,itiswarm,thecolourofimpulse.ProfessorJohnEatondepictsthedifferentcolourisred.Hesaid:inthedark,onthebaseofredcalm,heatingoout;Ontheblue-greenbase,redlikeablazingcombustionflame;In,onayellowbackgroundredintoarashandnfoolhardyintruder,intenseandunusual;Onabaseoforange,redseemstobestasis,dullandlifeless,likeaparched.Orangeorangewavelengthafterred,soitalsohasthecharacteristicsoflongwavelengthcause:makerapidpulse,andfeelthetemperaturerise.Thegloryoftheorangeisalivelycolor,warmcolordepartmentisthemostwarmcolor,itmakesusthinkofthegoldenautumn,richfruit,soisarich,joyfulandhappycolor.Orangeweremixedwithalittleblackorwhite,willbecomeakindofsedate,implicativeandlivelywarmcolor,butwithmoreblack,becameacharredcolor,orangewilladdmorewhitewithakindofsweetgreasytaste.Thecollocationoforangeandblue,makeuptheloudest,themostcheerfulcolour.Yellowyellowisthecolorofthehighestbrightness,canmaintainthepurityofstrongundertalllightness.Yellowisbright,brilliant,withthesun'sshining,soasymbolofthelightupthedarknessofthelightofwisdom;Yellowwithgoldenlight,andasymbolofwealthandpower,therefore,itisthecolourofpride.Blackorpurplefoilcanmakeyellowtostrengththestrengthoftheinfiniteexpansion.Thecolourofwhiteisswallowedbyyellow,lightpinkcanalsolikeabeautifulgirlthisproudprinceconquestwillbeyellow.Yellowisthemostcan'tbeartheerosionofblackorwhite,aslongasthetwocolorofainfiltration,yellowinstantlylostglory.Green,brightgreen,verybeautiful,elegant,especiallywiththemoderntechnologytocreatethemostpuregreenchemicaltechnology,colorisverybeautiful.Greenisverytolerant,generous,nomatterblueoryellowinfiltration,stillverybeautiful.Yellow-greenpure,young;Turquoisecomely,magnanimous.Green,ashisakindofhalcyon,gentlecolor,likethetwilightoftheforestorinafieldthatthemorningmist.Blueblueisbroadandcolour,theskyandtheseawiththevastsceneryisblue,darkblueorlightblue,willmakeourassociatetoexpanseoftheuniverseortheflowoftheatmosphere,therefore,blueisalsothesymbolofeternity.Blueisthemostcoldcolor,makepeoplethinkofthebluetotheglacierprojection.Inthecaseofpurebluedoesnotrepresentemotionalindifference,itmerelyrepresentsacalm,rationalandpure.Real'sretreattocoldsadnessfeelingsofcolor,arethosewhogetmuddyblue.Theshortestwavelengthofvisiblelightpurpleispurplewave.Often,wefindtherearealotofpurple,becauseredplusalittleblueorblueandalittleredcanclearlyshowthepurple.Soitisdifficulttodeterminethestandardofpurple.JohnEatonhavedonesuchdescription:onthepurplepurpleisaperceptionofcolor,mysterious,impressive,sometimesgiveapersonwithoppressivefeeling,andduetothedifferenceofcontrast,sometimesthreatening,orfullofinspiring.Whenpurpleincolorgamut,maycreateobviousfearful,evenmoresowhentendtopurple.Goethesaid:"thiskindoflightontoascenery,itsuggeststhattheendoftheworldofterror."Purplehuesymbolizepiety,whenthepurpledeepenthedarkening,sometimesignorancesymbolofsuperstition.Latentcatastropheisoftenburstoutfromthedarkpurple,oncethepurpleblurred,whenlightandunderstandthelitthebenightedreligiouscolor,beautifulandlovelydemitintwillmakeourmemories.Chaos,death,andexcitedinpurpleislonelinessanddedicationinvioletredwithpurpleperformanceofdivineloveandspiritualgovernanceareas-inshort,thisissomevalueofthepurpleribbon.ProfessorEaton'sdescriptionofpurple,cangiveusenlightenmentonindeed,itseemstobethemostnegativecoloronthecolorwheel.Althoughitisnotascoldasblue,redinfiltrationmakeitappearcomplexandcontradictory.Itisinastateofdriftingaboutbetweenchangesintemperature,anditspropertiesoflowlightness,maybeconstitutedthecoloronthepsychologicalcauseofthenegativefeeling.Differentfromyellow,purplecanaccommodatemanylevelsdown,afaintpurepurple,justaddasmallamountofwhite,willbecomeakindofverybeautiful,downycolour.Alongwiththecontinuouslytojoinwhite,alsohasproducedmanylevelsoflavender,andeachleveloflavender,seemsosoftandtouching.Black,white,gray,weoncesaid,thereisnocoloronthepsychologicalandhaveacolorwiththesamevalue.Blackandwhitetocolorattheendoftheabstract,onbehalfofthecolorofcathodeandanodeoftheworld.Taijipatternisblackandwhiteanddichromaticcirculationformtoexpresstheeternalmovementoftheuniverse.Blackandwhiteofabstractexpressionandnmystery,seemedtogobeyondthedepthofanycolor.Kandinskybelievesthatblackmeansempty,likethedestructionofthesun,likethelanguageofeternalsilence,nofuture,losehope.Butthewhitesilenceisnotdeath,butthereareendlesspossibilities.Colorisblackandwhiteanddichromaticoppositeextremes,howeversometimesmakeusfeelishardtoindescribablecommonnessbetweenthem.Whiteandblackcanexpressthefearofdeathandsorrow,hasnotsurpassedfictionandtheinfinitespirit,blackandwhiteandalwaysexistineachother'sshowsitsownpower.Theyseemtobethecolouristhemasteroftheworld.Intheworldofcolour,thecolourofgreyisperhapsthemostpassive,itiscompletelyneutralcolors,relyontheadjacentcolortolife,thegreyoncenearthebright,warmcolorwillshowacoolcharacter;Ifclosetothecoolcolor,intoagentlewarmgray.Ratherthanusetheword"rest"byblack,itisbetterthantouseonthegrey,becausenomatteramixtureofblackandwhite,notcolormixing,fullcolormixing,eventuallyleadtoneutralgray.Greymeansthatallthedisappearanceofcolorcontrast,itisthemostsecurerestsonthevision.However,thehumaneyeisnotlong,wirelessexpandtogazegray,becausetheendlessrestmeansdeath.Colorexpressioninmorecasesisexpressedbycomparing,sometimescolorificcontrastcolorful,dazzlinganddazzing,glorious,sometimescontrastinthepurityofsedate,implicative,lightnessonappearplainagain.Neededtocreatewhatkindofcolortoconveyemotion,dependsentirelyonyourownfeeling,experienceandimagination,thereisnofixedformat.Colourhassixstandardcolors:redorangeyellowgreenbluepurpleinthesesixkindsofcolor,thereisanothersegment:(1)thethreeprimarycolors:redyellowblue(2)three:orange,redandyellow),green(HuangJiaqing)purple(blueandred)youcanfindthatthearrangementoftheabovesixcolor,alwaysseparatedbyathreeprimarycolours,therefore,needtomemorizethestandardcolor,forwecandistinguishbetweentheprimarycolorsandthree.Infact,therearesomecolornotincludedintheabovecolour.Gold,silver,grey,black,whiteisfivekindsofneutralcolors.Ingeneral,unlesswithacertainemotionalcolor,ourbackgroundsareusingthesethreecolorsgrey,black,white,becausegoldandsilvertoodazzling,andbecausegrey,black,whiteisaneutralcolor,iseasytomatchwithothercolours.Generalcolorbrightnessisdifferent,sothedistanceisdifferentalso.Accordingtotheorderoflightness:1yellow,2orange,red,green4,5,6purple.Wecanfindthat,intheorder16,25,34,contrastingcolorscanbecalculatedout.Bycontrast,isgoodforourdesign.Suchas:evergreenbushalittlered.Isatypicalexample.Onablackbackground,yellowrecently.Whileonawhitebackground,purplerecently.Asaresult,thedistanceisrelatively,andourbackground.Inthedesign,lightness,purityandthecomparisonofchangesintemperature,andthecolorchangesintemperatureisthemainenginesofprojectdesignproblem.Atthistimeweneedthekandinsky'slaw,themaincontent:colourintoperspective:red90degrees,orange60degrees,80degrees,huangblue190degrees,120degreespurple.TheobtuseAngle:acuteblunt,tender,coolcolor:sharp,strong,warmcolorsoyoucanmoreclearlygrasp.Let'stakealookathowtoreconcilecolor.Harmoniccolorofthebasicruleis:pagecoloreachpartmustconstituteappropriatecolorrelations.Ofthosewhouniteistonal,expresssomesentiment.Itwillonlyhavetheirownstyle.Howcanyoudoit?(1)establishfailstotonethecolorrelationsofthepage.Whenthepagehasafewcolorpiece,mustgiveprioritytowithonepieceofcolor,anditsarea,lightness,positionthanothercolors.n(2)notonlytobegoodatusingtheprimarycolor,butalsoisgoodatusinggold,silver,black,whiteandgreytoalleviatetheseneutralcolors,neutralization,tohighlightthetheme.(3)increaseincommon,canmakethedesignmoreharmonious.(4)thedistance,thepurposeistoseparateprimaryandsecondary,don'tintoaheapof,othersseeallfeelhate.Canhavemethods:fromtheplane,orfromtheweakeningofthepurityandlightness.(1)twocolorsadeepshallow.(2)changetheoriginalpurityoflightness(3)contrastatthesametime,thebrightcolorandcolordim(4)atthesametimechangetheoriginalpurityandsaidthecolorbalanceproblem:visualperceptiontoimpressothers,tohaveabalancedcolors.General:(1)isaglobal(2)differentobjectsisdifferentalso.Suchas:youcanseeonthepageissomethinglikeapieceofiron,so,subconsciousthanseeagrassonthepagewillfeeldifferentweight.Thisisourlifeexperience.(3)thecolorcan'tbeaparty,otherwisewillbeweightless.Aroundthecentrehavebigcolor,suchasthepagemusthavealittlecolor,thelefthavecertainobjectsofacertainlightness,rightcannotcompletelydarkorblank,alsoshouldhavetherightamountofcolor.(4)whenitcomestoequilibrium,thepurityorlowlightnesscolorpieceandsmallareaofthebrightcolorpieceisbalancedtoexpressourhomepagestyle,itisneedtounderstandtheconceptsofcolor.Tonal,isourmaincolorofthepage.Wehavetoexpressthemoodorcharacter,willbeonthepage.Suchasdepressionwithcoolcolor,warmhappywithwarmcolor,etc.Butifyouwanttoexpressourobservationistonal,withexaggeration,refining,stressedandgeneralizationmethod.Tohighlightthekey,strengthencontrast,expressthemood,itisnecessarytoexaggerateandadjustments.Followingisthespecificmethods:(1)singlecoloristopointtouseonlyonecolor,makeanadjustmentonthelightnessandpurity,onlywithaneutralcolor.Thisway,thereisastrongindividualtendency.Ifusesinglecolor,easytoformastyle.Wemustpayattentiontotheneutralcolorsmustbeveryhavelayers,lightnesscoefficientalsowanttoopen,canachievetheresultthatwewant.(2)harmonicadjustment:adjacentcolourmatch.Thismethodistousethestandardcoloradjacentcolorsmakematchinthequeue.Butaremonotonous,mustbepayattentiontothelightnessandpurity,andpayattentiontointhelocalpictureisafewsmallpiecesofcontrastingcolorstoachievecoordinationeffect.(3)contrastadjustment:easytocausedisharmony.Mustbeneutralcolorsbereconciled.Notethatpatchsize,location,canwebalanceourlayout.Note:inaconciliatorynotewithaneutralcolor.Mustunderstandis:nearlypurebyfarashfoilMingpurefoilbythedarkgreyofpurefoilbydarkgreybodyofpurebyguestbodygrayfoil.Designcompositionstability,uniform,strangeAscale,stability,stability,stability(herefocusesonthepsychologicalandvisualimpressionofstability)patternonthecompositiongenerallyhavesymmetryandbalanced.Symmetryissolemnandserious.Balanceisvividandlively.Proportionwithcertainproportionmath,comparedwiththetypicalgolden(0.618/1),balletdancerissaidtohaveastepstoolshowthatinordertomakeyourbodyproportionsaregolden.Andthesquarerootandcuberootrectangle,giveapersonakindofverybeautifulharmoniousvisualeffects.Butdon'tbemisledbytheproportionofbondage,alotistorelyontheirfeelingstotheapplication.n2,well-density,spacethin,dense,black,white,notpureblackandwhitecolor,shade),virtual-isthecontrastrelationshipbetweensolid,flexibledensity,blackandwhitelayoutreasonably,soastoshowsomeoftheactualsituation,theformationofdifferentaestheticandartisticeffect.Arrangedinthespaceisactuallymadeupofthecompositionofrealimage,blankimage,combinationofboth.Spacecompositionprocessing,astheimagetrajectorytrackandvisualforminnerspacehierarchy.Forexample:"visionspace"ofthesite,thereisapicture:spacebackground,severaldynamiccharactersarethesamesize,Iwouldsuggest:individualcharactershrinkorexpand,canformakindofdistanceandthespace,toavoidtheoriginalveneer.3,-BiaoXin,visionisverysimple,seewhetheryou'rea"traitor"Six,colorinterpretationsexyspaceOrangeisconstantlysendingoutthefruitsofsweet,issuitableforthedomesticacttheroleofingtie-insoftnesstoemphasizethenaturalwarmth.Tomaketheroomisnottooflirtatious,hostchoosestieyisofaofblack,hornark,evendoorplankandframe,sweetatmosphereofamaturepersonality.Colourisrichfeelingsandfullofchange.Boldchoosefavoritecolortobreakinvariablewhitetomove,yourhomecanoutstandingmoving.Colouristhesouloftheindoorenvironmentdesign,indoorenvironmentcolourisrightindoordimensionalfeeling,comfort,environmentalatmosphereandefficiency,totheperson'sphysiologyandpsychologyhavegreatinfluence.Thecolourofuptotensofmillionsofhumannakedeyecandifferentiate.However,evenifonlychooseafewkindsofcolorforconfigurationofakindofcolortoletapersonpossiblyalsobeanxious.Becauseofthefeelingofcolorislightquantityandquality,texture,choosethedecorativeeffectofpaintonthesurfaceofthepaint,thevisualeffectoftheobserver,andsoonmanyfactorsandchange,consequentlythisonetaskbecomesmorecomplex.Tounderstandakindofcolorvisualeffectinspecificbedroom,bestmethodistousevitreousadhesiveplastertostickafewsampleonthewall,letthemtherekeepafewdays,tolookatanytimeifyouhaveanychangecolorduringdifferenttimesoftheday.Onelooksthewallwithyellowextensiveinearlymorning,arrivedtomayappearmorewhitemidday,andturnavioletortranslucenceagainineventidetime.Inaddition,therearesomeguidingprinciplesarealsoshouldkeepinmind.Shallowbrightcolorcancreateakindofopensense,makethebedroomappearsmorecapacious.Anddeepdarkcolourtoeachmetopeclose,makethebedroomlooksmorecompactandcomfortable.Bright-colouredcolourcanmakeapersondelightedhearten,anddarktonalsettingcancreatemelancholysensetothebedroom.PopularjewelrycolorsoftenevokeaconnotationrichEuropeanemotionalappeal.Bright-colouredcolourcanappearcommonlyinstronglightmorethriving.Warmcolorcancompensateinsufficientlight,andthuscanbeusedtogivemoregloomyandcoldornorthbedroomwithlivelyemotionalappeal;Andcoolcolorcanmakefuggybedroommorewarmandcomfortablefeeling.Thebedroomthatthelightchangesceaselessly,forinstancechaodongorfacetheroomonthewest,geteasilytheilluminateofperiodicstronglight,forthebedroom,itisbesttochoosethecolorwhiteanddensebymixingofneutralcolors.Asthechangeoflight,thiskindofcolourcanpresentdifferentlighttone,andconstantlyrefreshpeople'sperceptionsofthecolor.Thefeelingofcoolcolorgivesapersonbacktorecede,socanmakethebedroomtogetafeelingofdeepspace;Andwarmcolormakeseachplaneareonthevisionmorehastendrawsclose,becausetheygiveapersonakindoflikethefeelinginmovingforward.Trytobalancetothesamenumberofwarmcolorandcoolcolor,caneffectivegroundpromotesnpolychromaticcollocation,showingtheoveralleffect,andnotmixedanddisorderlyelementstogether.Commercialspacecolordesign(1)thecolorfunctionofcommercialspace:Asabuilding(orconstruct)environmentandspace,withoutcolor,shape,material,lightelementsinvolved.Marketspace.Businessenvironmentisthepreconditionofcommercialactivities,businessactivitiesofenvironmentatmosphereisproducedinundertheguidanceofdesignideas,createdonthebasisofmaterialspace.Whichcolourofpositioningplaysanimportantroleinthebusinessenvironment.Colourbypeople'sperceptionimpressioncorrespondstothepsychologicalimpact,aboutthespaceoftheuserviewofitsspace,atthesametimeinacertainextentaffectpeople'sactivity.(2)thecolorfeaturesinthedesignofthebusinessenvironment:(A)spacetonalatmosphere:Spacetonalatmosphereisreferstothebusinessenvironmentdesignofthespaceofcolorpsychologicalatmosphereandthefoilcolortonal,ratherthanindividualforcolorspaceonlyaspecificcontent.Itincludesenvironmentmaintenanceofbodysurfacecoloring,especiallyspatiallightsources(naturalorartificiallight)lightingprocessing.(B)thespacematerialselection:Anymaterialperformancecannotleavethecolorandlight(affectedbylightandreflection).Materialselectionandprocessingistodeterminetheenvironmentspacevisualrecognitionandthebasisofpsychologicalimpact.Thesamematerialduetodifferentcolor;Thesamecolorduetodifferentillumination;Thesamecolorthesamelightduetodifferentreflective,willcausepeopletodifferentvisualperceptionandpsychologicalinduction.Performancecandirectlychangethecoloronthematerialoftheweightofthematerialsense,hardandsoftfeeling,simpleluxuriantsense;Evenfeeling,distancefeeling,senseofmovementtothesizeofthevisualpsychologicalreflection.Nine,afamilytodecoratecolordesignColourisappliedthebasicprincipleofthematerialworldarecolorful,butnomatterhowcomplexthecolorfulcolor,aremadeofred,yellow,blue,black,andacombinationofmortar,includingthebasiccolorisred,yellow,blue,andblackandwhiteisadjusttheelementsofcolorlightandshade.Canbeconstructedbythreebasiccoloroutoftheothercolors,suchasredandHuangKecombinationintoorange,yellowandbluecanbecombinedintogreen,purple,redandbluecanbecomposedoftwobasiccolorvariegatedcoloriscalledthesecondcolor(alsocalledthree),askthecolorofthecolorisgorgeous.Thethreeprimarycolorsvariegatedcolorsiscalledcolorforthethirdtime(alsocalledaftercolor),thedifferentproportionofthreeprimarycolors,combinationofcolorisdifferent,afterthecombinationofrelativelyfullcolor.Ifaddblackincolor,canchangethecolorofpurity,makecolourbecomestable,ifaddwhite,canimprovethebrightnessofthecolor,makethecolorfulbrightagain.1.Thepsychologicalinfluenceontheclassificationofcoloraccordingtocolor,colorisdividedintotwocategories,warm,coldtonal.Humancontactwithheatsourceinourdailylife,suchasflameandsunlightaremainlyred,yellow,socalledisgivenprioritytowithred,yellowcolorwarmcolortomove.Warmcolorembodiesthesweet,warm,cheerfulatmosphere,itismainlyusedforhappyandwarmenvironment.Plants,Marineandothercoolmaterialcolorisblue,greenisgivenpriorityto,socalledtheblueandgreencolorcoolcolorntomove,embodiesthecool,moist,lightatmosphere,itismainlyusedformoodneedquietplace.2.Thecollocationofcolorasthesayinggoes:"redwithgreen,arampage",itistopointtointhesamespace,colourcollocationnotharmonious,makethepersonproducesthefeelingofdiscomfort,therefore,useavarietyofcolorsinthesamespace,youmustpayattentiontocolorchange.Ingeneral,whenallsortsofcolorcontrastisverystrong,needtobeakindofcolorwithallthecolors,makeallsortsofcolorcontainthiskindofcomposition,thusweakenthestrengthofeachcolor,achievetheenhancementpurposetotheharmonicfeeling.Decorateinthefamilyofcolordesign,moreistousewhitemediate,inordertoreducetheintensityofallsortsofcolor,increasethebrightness,makewholespaceharmoniousnaturalcolor.3.Thetransitionofcolordecorateinthefamily,makeinteriorspaceallthecolourcan'tcompletelyconsistent,therefore,inacolorfaceintoanothercolor,thecoloroftheneedtousethemiddletransition,inordertoavoidcolorchangehard,feelbad.Byred,forexample,thegroundbetweentheyellowishwall,shouldhavethecolorinthemiddleoftheskirtedgeandskirtingboard,makecolourcansmoothlyfromtheredtoyellow.Atthesameelevation,alsoneedtothecolorcontrastoftransition,suchasthepicturesonthewallofthewhitehangingblackprimarily,needpurpleandgrayframesordecorativethreadtransition,decorateinthefamily,inthedesignoftheuseofavarietyofdecorativethread,maincolortransition.4.Thechoiceofthecolourcolourhaveimportantroleinhumanpsychology,differentage,sex,customsandhabits,loveofcolorisdifferent.Fromtheanalysisonage,youngchildren'snaive,livelygoodmove,especiallylikedlivelyflybrightcolors;Youngman,beingactive,thepursuitofknowledge,energetic,preferenceandlively,comparativeandintensecolor;Theelderlycomposedimplicative,simplegoodstatic,generallylowerpuritycolour.Intheuseofcolour,shouldpayspecialattentiontothedifferentunderstandingofcolorandnationalcustomsandreligiousbeliefs.Generallyspeaking,buddhistnationandregions,likeredandyellow.AndIslamnationandregion,particularlyfondofgreenandwhite;Christiannationlikeblueandpurple.Therefore,indeterminingthedesignstyleandcoloruse,specialconsiderationshouldbegiven.Colordesignandapplyindifferentareasofthe1.Thecolourofthebedroombedroomistheplacewherepeoplesleeprest~tocolorificdemandishigher,differentagestobedroomcolourrequirementdifferences.Childrenbedroom,colourisgivenprioritytowithbrightyellow,blue,etc.Manifesttoyoungadulthood,men'sandwomen'scharacteristicsandmaleadolescentsappropriateisgivenprioritytowithcoolcolortoneoflightblue,adolescentgirlsbedroomhadbettertowaitforwarmcolorattuneisgivenprioritytowithlightpink,thecouple'sbedroomshouldusethewarmcolorofpassionandwarmth,colorthicksomedon'thinder.Thebedroomofmiddle-agedandold,shouldbeinamortar,.Mantleandtonalgivepriorityto.Inordertohelppeopletorestandsleep,thecolourofthebedroomshouldsnotbetoomuch,don'ttoointense,appropriateselectionelegant,quiet,naturalcolor.2.Thecolorofthekitchenistheplacethatmadefood,colorperformanceshouldgiveprioritytowithcleanandhealth.Becausethekitchenintheuseofeasypollution,needoftenclean,therefore,shouldbegivenprioritytowithsince,gray.Groundshouldsnotbetooshallow,canusethefoulingresistancegoodsuchasdarkgraycolor,metopeshouldbegivenprioritytowithwhite,facilitatecleaning,appropriateUSESlightgrey,yellowwaitforcoloratthetop.3.Thecoloroftherestaurantdiningroomisaspecialplacetodine,alsoisthespaceofthewholefamilytogether,onthecolourisappliedshouldbebasedontheinterestsofthefamilymembers,generallyshouldchoosewarmcolortomove,highlightthewarm,peacefulatmosphereandatthesametimetofacilitatecleaning.OverallappropriateUSESdarkcolor,butthepartialshouldmatchwithpaleyellow,whitereflectsthecolorofcleaningandhygiene,netc.Therestaurant'sgroundappropriateUSESscarlet,deeporange.Thecolorofwallcanbeamorediverse,akindofdesignisabigcontrast,reflectsthefamilypersonalityFanotherdesignisdull,giveprioritytoinordertocontrolyouremotions.Nomatterwhatkindofchoice,aslongasisgoodforthewholefamilyhealthofbodyandmind.4.Thecolourofthesittingroomlivingroomisthefamilyshowthestrongestparts,isalsothemostabundantuseofcolor,thecolorofthesittingroomtoreflectthewarmcolortoneforhospitality,andcanhavebiggerjumpsandstrongcontrastcolor,highlightthekeydecorationparts.Colorisstrong,canappearhighelegance,therefore,appropriatechoosesthegroundsuchasscarlet,blackcolor.Metopeshouldbeaccordingtothefamilyinterests,tochoosethecolorsuchasred,purple,yellowisgivenpriorityto,thetopofthecolourdependongoldenchandeliersandlightconstructsthegorgeouscoloureffect.Colorchangesofthesittingroom,toalargeextentdependonthefurniturecolourchanges,whenchoosingthesittingroomfurnituresuchassofa,cabinet,withappropriatechoicestructuredecoratecolorcontrastislarge,anditsfacingmorecolorful.Inblacklightyellowsofawasplantedontheground,forexample,clothartsofaisgivenprioritytowithgreencolorpatterns,adornmenteffectisveryoutstanding.5.Thecolourofthestudyofthestudyistolearn,calmthinkingspace,generallyshouldgiveprioritytowiththedesignoftheblue,greenwaitforcoolcolortomove,tofacilitatethelearningofcreatingaquiet,relaxedatmosphere.Thestudyofcolorcan'toverweight,alsoshouldnotstrongcontrasts,hangingdecorationsshouldbegivenprioritytowithsoftstyleofcalligraphyandpainting.GeneralgroundappropriateUSESlightyellowfloor,wallandroofareappropriatechooseslightblueorwhite.6.Isthecolorofthebathroomtoilet,wash,wash,washbathisalsoacleansanitationrequirementshigherspace,therearetwokindsofformsoncolourtochoose.Apredominantlywhitelightcolorattune,groundandwallsurfacedecorationismadewithcolorsuchaswhite,lightgrey.Anotherkindofpredominantlyblackbrunetattune,ground,metopesurfacedecorationismadewithblack,darkgrey.Twoeffectshavedifferentcharacteristics,thefirstkindofconcise,relaxed,averagehouseholdchoiceismore,thesecondissedate,style,personality,thoughtactivepeopleprefer.7.Thecolourofrecreationalareaduetothecurrentmarketmorerecreationalfacilitiesforblack,inthedesignofleisureentertainmentcolor,thisfactorshouldbeconsidered.Ifitiswiththesittingroomshouldbemainlybydesigncolortothesittingroomrequirements;Ifitisusedalonespace,shouldalsoisfundamentalkeywithdark.Specificusewhatkindofcolor,shouldtofamilymember'sinterestsandthecontentoftheregularentertainmentdecision,predominantlybluecoolcolortoneshouldbeusedincombatsexstrongproject,giveprioritytowithred,yellow,warmcolorshouldbeusedforZiYuXingstrongproject.Ten,theapplicationofcolourinthefamilydecorationTheuseofcolorininteriordesignisveryimportant,regardlessofsize,colorcanbeusedtocreateandchangethestyle.Colorcanbebuildagorgeous,elegant,relaxedandthreekindsofatmosphere.Thecenterofthevibrantcolors:redisspreadonthewhole,theredcarpetorplasticflooring,orredpaintbrush,thecurtaincanchooseblueandredcontrastrelations,walls,ceiling,withwhite.Sofawithblack,togetherformthestyleoflively.Ease,thecenterofthelightcolor:orangefloorandcurtaininorange,toformawarm,lightfeeling.Becauseorangeistoostrong,sochoosegray,ceiling,andgraysofa,makethestylebecomessoft.Metopewithivorycolor,andtheotherwiththecushionforleaningonofafewgreenfoil.Thecenterofthebeautifulcolor:rosesofawithmorethanthefloorcolorrose,thecurtainalsochoosinghaverosesprinting.Greenfoilcanbeusedtoreconcilerose,sotheprintingofthecurtainshouldbegreen,moreover,musthavethegreencushionforleaningon,nlampshades,pottedplants,etc.Romanticcentercolor:softpinkfloorinasoftpink,withthesamequalityoflampshades,cushionforleaningon,frame,andcurtain,havepinkprintingwithwhitesofa,themetopeofcream-coloredcolorfoil,addsomemorelightblue,formtheromanticstylelikeflowerbed.Inasoftpinkascentre,theothercolorwithlightcolor,itshouldbenoted,brightcolor,withasoftpink.Thecenteroftheelegantcolor:olivegreenolivegreenasthemaincolorofthebedroom,haveasenseofelegance.Floorwithbrunetattuneolivegreen,uselightcolorofolivegreenmetopeandceiling,furnitureUSESofbrown.Besuretousethecushionforleaningonofafewdarkbrowntofoil,elegantstyleisobvious.Olivegreen,alsocanusethesamecolor,butindarkandlightcolorisbetterthangood.Ifusethesamecolor,theapplicationofprintedwallpaper.Thecenteroftheluxuriouscolor:wineredwineredsofa,thecarpetwithfastenswithcolordarkbrown.Theothermediatewithsomeblackfurniturestrongatmosphere.MetopeUSESbrightcream-colored,addblue,mustardhotfoilyellowcolor,luxuriousstyleisverycharming.11,howtomasterbedroomcolour?Fullypayattentiontothecolordesigninbedroomadornmentdesign,anditisveryimportanttograsptheprocessorder.Evendesigncollocationisverybeautifulcolorplan,suchasdonotpayattentiontotherelationshipbetweenthebuildingsandpeople,donottakecaretotheresidentsofdesire,alsocan'tsaythat1,masterrequirement,andspaceTofullygrasptheresidentfamilyinadvance,suchasmembersofthefamily,career,thebasicinformationsuchasposition,income,interest,andtherelationshipbetweenfamilymembers,personality,etc.Payattentiontofamilymembersatwhatstageoflife.Choosewhatkindofwayoflife,withwhatkindoflifebelief.Graspthegeographicalenvironment,relationswithneighborsorroad,andmastertheexternalenvironment,suchaslighting,location.Graspthelimitedconditions,suchasthelimitationofthebudgetoftheinvestment,material,inspectionitemshasdecided,externalconditions,etc.Isaperfectdesign.2,colorzoningplanSeizetheresidentialstyle,largelydeterminehowmaketheresidencestyleharmonyandtheoverallcoordinationofcolorsandmaterial.Determinetoadopt,forexample,composedandquietstyleroom,colouralsowantasawholewithelegantshallowdarkbrownundertakeunity.Publicareaistodeterminethewholefamily.Soaccordingtotheabovesituationtomastertherelationshipbetweeneachroom.Personaldesignbybuildingtheuser'sinterestscanbethepriorityforarea,althougheveryonehasdifferenthobbies,butalsowantstobecoordinatedwithuniformcolor,makethewholefamilylooksasawhole.Alsowanttoconsiderthespaceoftheguestusewaterarea.Onlyforfamilyuse,shouldgiveprioritytothefamily'swillingnessandhobbies,payattentiontotheroomlayoutrelatedareawithwatercolor,alsowanttouseonecolorforunity.Forexample,becausethespaceisnarrow,sosanitarypottery,insidedecoratealsousethesamecolor,orallusethesameatmosphere,withunifiedfeeling,canmaketheroomappearscapacious.3,woodencolorselectednWoodselectionofcolorinthecolordesignofinteriordecoration,aroundtheresidentialwholeimage.4,thedecisionofeachroomFrommaterial(samples),technology,equipment,lighting,etc.Adetailedplan.5,theoveralladjustmentThecolourofeachroomplan,adjustthewholeagain.12,thebedroomcolourandwhatistherelationshipbetweenpeopleInrecentyears,scientistsandpsychologiststocolorcarriedonthethoroughcarefulresearch,andcometotheconclusionthatthe"colorcancure".Testshowedthatthecolorfullifesuppliesandfurniture,willbecomeakindofhealthynutrients,ontheotherhand,isbadforyourhealth.Expertsconcludethatapartoftheso-calledintroducesbelowthefunctionofthe"color":Red:stimulationandexcitementofthenervoussystem,increasethesecretionofepinephrineandenhancebloodcirculation.Toomuchred,butcontactwillcauseanxietyandphysicalandmentalpressure,makeeasilyfatiguepersonfeelexhausted.So,inthedormitoryorstudyshouldavoidtousetoomuchred.Orange:produceenergy,induceappetite,helptheabsorptionofcalcium,torestoreandmaintainhealth.Thiscolorisapplicabletotheplacesuchasrecreationroom,kitchen,bedroom,studyisunfavorable.Yellow:canstimulatethenervousanddigestivesystem,strengthenthelogicalthinking,butthegoldenadornmentiseasytocauseinstabilityandarbitrarybehavior.Sowithactivitiesinthebedroom,hadbetteravoidtousethegoldenfurniture.Green:gooddigestion,promotethebodybalance,andcanhavecomposedeffect,beneficialtoactiveorconstrainedofbodyandmind.Naturalgreenofsyncope,fatigue,havecertainovercomeeffectwithnegativesentiment.Blue:canadjustthebalanceinsidebody,useblueinthebedroom,caneliminateintensesentiment,canhelprelieveheadaches,fever,syncopeinsomnia.Blueenvironmentmakesthepersonfeelsquietandtastefullylaidoutandhalcyon.Purple:themotornerve,suppressthelymphaticsystemandheartsystem,canmaintainthebalanceofpotassiuminthebody,havepromotequietandthefeelingofloveandcareforothers.Indigo:canmediatemuscle,canaffectvision,hearingandsmell,canreducethebodyissensitivetopain.Thecolorisnotsuitablefordecoration,butifusedforcloth,canmakethepersonproducesasenseofsecurity.13,withcolourchangingtemperaturecolorwarmhomeWinterisholedupinthefireheatandasuitablewoolinthewarmseason.Hidetoseeinwindowafterthesnowyoutside,freezing,thereisnomoreletapersonsatisfied,comparedwithoutsideoftime,itseems,arestillintheroom.Sowewanttochangesomethingintheroom,lettheeyesandhandsbecomewarmtogether,moreletthedifferentchange,realchange.Winteristhebesttoolisneedlesstosay,thereformofclothart,thecombinationofonethousandkindsofcolorpatterntexture,canletyouputthewholehouseholdbecomeslikeawinterhadsex.Changeeverythingcanchangeclothartroom,bedcurtain,bags,carpets,sofa,bedcover,andgentledemeanorthatbigpillow.Schangefromreadytostartn1.Togiveyouwanttochangeanewenvironmenttosetthetone,thewarmtoneiscertain,suchaswineredororangeincensesetting,isasweetflatteringpowderorfinegold.Thewinterofthisyear,mustbethedifferencebetweennormalandnaturaltonextyear'swinterhomeisdifferent.2.Takealookathomecan'tchangeafterdecorating,canstimulatetheinspiration?Suchasacolorofwallpaperorapattern,canacquirenewclothartofchoiceasthebasis.Paymoreattentiontothetrend,notonlythehome,suchasclothing,cosmetics,shoesandhats,bagsareallchooseclotharttodesignandcolorisgood.3.Chooseafewyouknowagoodbrand(strength)ofaccordingtooneself,thisisnottobuyhomefoundonlycolorgood-looking,badfabricsfeelregrettoolate,writedownaftergotothescenetoseethenewproductsthisyear.Basicallyinthehouseholdbrandqualityassured,poordesigngradewillnotbetoofaraway,andwillbethisyear'snewalbumpicturesandin-kindcanreferto.4.Don'tputallthethingstobuy,maybetherewillbeabetterinspirationandsoonintheback.ScreativeclothartRedandblackarejumpingextremelypersonalityIfthereisaredcolorofthewalls,isabetteridea.Putthepiecesofbedcurtaindecorationinmetope.Patternisalittlechangeon,darkredtoacrochetedflagatopasmallroundtable,aromanticandwarmlittlecorner,ofcourse,istoodarkhuesbedchaircoverwithwhitebalancewillnotdull."Orangetonalstripefabricisalsoagoodchoice.Choosethiscolordon'talwayssowarmly,musthavesomesoftsomeshallowcolorbalance.Inaddition,orangetoneisnotsuitableforlightfabric,finetextureofcorduroytherewouldbenoobviouslightreflex.Mysteriouspurpleshowily,isquitepopularamongmaturewoman,butgoodwanttomatchthepurpleinthehomeisnoteasy.Soifyou'reafraidoftrouble,don'tuseoflargearea,asadecorationinthecorneroftheroomcanbe,ifitgivesprioritytotone,itwillcostlittle,Suggestionsforothershadesforliningandbalanceispreferred.Winterisnearawarmseason,bedding,littleofcoursenot.Pinksoftsweetnotonly,stillcanstablemoodbeforesleeping,wellintothedream.Lowdarkredisthecolorofcommonlyusedinthewinter,whenthesuncameintotherewillbeabrightoffire.Reditselfisverylowextremelypersonalityjump,verystrong,butthequalityofamaterialofsatintodefusetheconflict,ifaddsometassel,bead,presumablycouldbemoreimpressive.Itfeelsabitlikeheroicspiritanddelicateone,likethecoloroftheNationalPeople'sCongressarestraightforwardpersonalityheroismiskeptatthebottomofthegentlenessandkindness,youare?Lowaddsomeappetite,tothemansittingatthekitchentableandfoundunderthislevelcanplayplace,colourmasterwon'tletgoofanyalittledetail,sodonotworryaboutyouwillrunoutofinspiration,ideasforadditional,suchasbuiltinwithgauzemaskcomeuptochangethecolorofthelight,ortheribbononhangerspackage?SfabriccolorThecombinationofcolor,pattern,texture,thewholewinteratyourhouseholdbecomeslikeahadsexnLowdarktoneissuitableforthetexture,smoothsurfaceandstrongcolorcollocationtoreverse.Lowcentremusthavechange,butalsonotchangetoomuch,attheveryleasttokeeparoomtohaveconsistentclothartdesign.Holdgoodcolor,thesamecolorsometimesthedifferenceofcolortemperature.Iftwocolorsarelike,alsowanttosetacolordoleadingrole,doanotherkindoffoil,maynotbeasmuchastwoarea,canappearmessyintheroom.14,householdcolourchoiceThefactorsofindoorcolorisvarious,generallyspeaking,therearefurniture,textiles,wall,ground,ceiling,etc.Inordertobalancetheindoorcomplexcolorrelationsandoverallcoordination,canfromthesamecolor,adjacentcolour,contrastandcolorandwithoutcolordepartmentcoordinationconfigurationonthewaytoseekthecombinationrule.Furniturecolourfurniturecolouristhemass-toneattuneofhouseholdcolourenvironment.Therearetwotypesofcommonlyused:Onekindislightnessandhighpurity,includingbasicdoesnotcontainthepigmentcolorwoodgrain,orslantwarmcolorsuchasyellow,lightorange,thesefurnituretextureclear,naturalandpureandfresh,elegantandbeautiful,makethepersoncanfeelthenaturalbeautyofthewoodtexture,ifusethespecialfinishingprocess,suchas"jadeeye"woodtexturemoreeye-catching.Andcoverwoodgrainslantcoldcoloursuchasivorywhite,milkywhite,brightbrightness,purity,quietlyelegant,makepeopleenjoythebeautyoftechnologyofman-madematerials.ThelightcolorfurniturereflectsthedistinctstyleofTheTimes,havebecomemorecommon,moreandmorewelcomedbypeople.Thesecondcategoryisthelowlightness,purity,includingperformanceofpreciouswoodtextureandcolorannattocolor(dark)color(yellow),oak,teakcolor(tan)orchestnutshellcolor(brown),andotherwarmcolors,andpicklecolorslantscoldcoloursuchas(darkgreen).Thebrunetfurnitureshowsthedignifiedshowilynature,ofprimitivesimplicityanddignifiedandeasy.Furniturecolourtopure,hadbetterchoosecolor,ortwocolors,whichemphasizesitself,wholemodelling,easyandindoorcolourenvironmentinharmony.Ifonthesamepartsoffurnituretotakedifferentcolorcontrast,canbeusedwithoutcolorisblack,whiteorgoldandsilverinthelustercolor,suchasintervaladornment,makefurniturenaturaltransitionandcoordination,botheye-catchingbright,softandelegant.Textilecolorbedspread,sofacover,tablecloth,curtainsandothertextilecolorisalsoimportantpartofindoorcolorenvironment,generallytakethelightnessandhighpuritybright-colouredcolor,thusrenderingindoorstrong,bright,livelyandemotionalatmosphere.Withthecolorschemeofthefurnituresuchascontent,canusehuecoordination,thefurnituresuchasweakyellow,cream-coloredwalls,deservetogouporangebedspread,tablecloth,constituteawarm,brightcolor;Ofalsocanuseadjacentcolorcolorcontrast,risetoadornadornmenteffect,achievetheresultofbeautifulandpleasingtotheeye.Textilecolorchoiceshouldalsotakeintoaccountthefactorssuchasenvironmentandseason.Totheroomofthelightisenough,orinthesummer,appropriateUSESbluecurtain;Suchasinwinterorinlowlightroom,curtainappropriateUSESredseries,thedeskcanbecoldhuevestee,withlessvisualnoiseandvisualfatigue;Tablecoveredwithorangevestee,cangiveapersonthefeelingofwarm,excitedandenhanceappetite.Walls,floor,roof,color,thecolorusuallyACTSasthebackgroundcolorofindoor,tonecolor,themass-toneattuneofthefoilforfurnituresuchascontent.Walls,roof,colorgenerallyUSESoneortwoorseveralshortlightcolorfromthecolorornocolorplain,conducivetothenperformanceofindoorcolourenvironmentofmaster-slaverelationship,sympatheticandspacewhole,harmony,volumeandFuDiaoGanprofoundfeeling,.1.Thewallcolour.Generalquietroomormasterenoughlight,canbeputinthemasterbedroomandagirlsecondbedroomwallswithgreenapplegreen,pink,lakeblueslantscoldcolordecoration.Forthedarkroom,livingroom,squarehallorcharacterlivelyboy'ssecondbedroom,withcream-colored,grandmayellow,shallowvioletetcslantwarmpolychromy.Smallareaofthewalloftheroomwithfurniturecolourcanchoosecolorandbrightnessslightlydifferentcoloristie-in,itcanbecoordinated,increasethe"depth"ofthespace.Poseadjacenttolargeandmedium-sizedwallsoftheroomwithfurniturecolorhuecontrast,canmakefurniturelooksmoreoutstanding,andclearlymarked.Whenindoorcolorisvarious,metopehadbetterusegrey,whiteplainasthebackgroundcolor,itcanensuretheneutralization,balance,suchasexcessive,transformationeffect.2.Thegroundcolor.Thegroundcolorisoftenearthslantwarmcolorsuchasyellow,redbrown,purple,alsocanusethecoolcolorsuchasgreen,lightblue;Alsocanusegray,whiteplain.Thegroundcolourfoilswithfurnitureandwalls,appropriateUSESthesameoradjacentcolourcontrastofcolor,makefurnituresilhouettes,lineisclear,richstereofeeling.Suchasthefurnitureofyellow,orange,groundforredbrown;Thefurnitureofred,colorofloessgroundcan.3.Theroofcolor.Roofcantakecolordepartment,generalandwallforthesamehue,lightness,bottom-upproducedthechangeoftheshade,darkbright,lightweight,avisualsenseeffecttoenlargeaspaceheight.Morecommonlyusedwhite,strengthenthespacenotonly,andcanincreasethereflectionofthelightandbrightness.15,theadornmentofthebedroomcolortechniquesInteriordecoration,thecolorisveryimportant.Peoplethroughthelenovovisualexperience,canmakethedifferentcoloureffectproducesdifferentpsychologicalfeeling.ColorandemotionalfactorsIntheformofvisiblelightspectralcolor,canbedecomposedintored,orange,yellow,green,green,blue,violetsevencolor.Colourhasthebranchofchangesintemperature,lightandshade,pureturbidity,movedforwarmcolor,red,orange,yellow,green,blueforcoolcolortomove.Colorchangesintemperaturearenotalone,isolated,butfromacombinationofdifferentcolorcontrast.Intheabsenceofcolorinavarietyof,usuallywhite,gray,cold,andtheblackwiththesexy,butifwithblack,whitedichromaticcontrast,blackproducesthewarmfeeling.Colorhasastrongemotionalfactors.Redhot,excitement,joy,andalsoisindanger,warning,meaning.Whitesymbolizespurity,vast,quietlyelegant,pure,sometimeswithsorrow.Inrecentyears,asthechangeofcolorconcepts,extensiveusedininteriordecorationwhitealsograduallyacceptedbypeopleinthedomestic,suchaswhitepaint,tile,combinationfurniture.IndoorcolourcombinationsThecombinationofindoorcolor,therearetwowaysofmorerepresentative.Thefirstistohighlightthecolortoneandwiththeuniversal.Toachievesoftfruitycoloureffect,useanalogouscolorsormoreadjacentcolour.Designoftenchooseacolor,othercolorselaboratecollocation,andpayattentiontoformal,symmetricalandorderly.Thisisthecombinationofthetraditionalway.Anotherisemphasizingthecontrastbetweenthecolorandchange,tobuildindooractive,richatmosphere,theselectionofmorecontrastcolororcomplementarycolor.Colourcollocationbetweencasual,don'tpayattentiontothespecification,noformality.SuchasdoorsandWindowscolornotsymmetrical,thetilecolorcombinationswithoutrules,thiswayreminiscentimpressionistsmanetapaintingbyjujube"fluteboy",theprotagonistisnachildoftheflute,thisdarkcoatredpants,approximatelyflatpaintedbluegrayinthebackground.Strongcontrastcolorcontrastshowsheremotionsanddeepimpression.ColourandpracticalfunctionThecompositionofthebedroom,suchasbedroom,livingroom,livingroom,kitchen,bathroomandsoonvarioushasitsUSES.Accordingtoitsfunctiontochoosethecolor,whichisbeneficialtoproducesomekindofsymbolicaestheticfeeling.Marriageroomchoosewarmcolortogivepriorityto,forexample,toaddsweet,sweetatmosphere;Thestudychoosecoolcolortogivepriorityto,infavorofthepeaceandquietofmaintainindoor;Kitchenfireplaceandaskedforpeace,peace,itisadvisabletousecoolcolor,largepiecesofpopularcolorisominoussignforit,usuallyinsufficienttotake;Healthintercroppingwashing,associatewithwater,theauthorthetoiletinthehomewithalightbluewalltilesembeddedwithapictureofthepebblebelt;Bathcrockofwhite,thegroundcolorissimilartosedimentinthefaceofwatersapproximationwithnatureatmospherewhenbathing,consciouslydon'thaveataste.Thebeautyof16,colorcoordinatedEnteredthejurongwest65thstreet,thefivetypeofhouse,thefirstimpressionthatgivesapersonis:thisgroupwhichisacommonordinaryhousing,decorationpattern,decoration,itabsolutelycanbecomparabletoanapartment,norichesmake!Inthedesignanddecorationofcleverconception,changedecayedformagical,originally,rarelysurprisegrouphousingpattern,thechangeofthoroughlyremouldoneself,andthechangesfromthedooroflivingroomanddiningroom,toenjoyarightofprivacy,bedroom,studio,restandlockerroominoneofamasterroom,unfoldclearlyatpresent.Thesittingroomisgivenprioritytowithivorysystem,createthevisualcomfortforthewholehouseholdisdecorated,aswellasthespaciousspacefeeling,quietandelegant.Withthesamecolorofsofa,aswellasthelineisconciseandbeautifulcabinets,TVandacousticsmorelivingroomaddednobleelegantflavor.Gindaisworthmentioningthatininteriordesigncompanydesign&renovationofelaborateconception,originallyinthesittingroom,preventinganything-fromstorageroomanddugoutwasintactsecretly"collection"onawallcanpromoteopenwhitefalsedoor,alreadybeautifulpractical,iskilltwobirdswithonestone.Inadditiontothisgreatdecorativewall,stylistalsoishouseadvocatethecoupledeviceofasmallcornerofthecomfortableandenjoyablespace,canletthehomeownerneatlytocollecttheshoes,alsocanlettheirvisitorsandsitcomfortablyatthesmallcornerwearshoes,chat.Thedesigncharacteristicsofsittingroomanddiningroom,besidesembodiedindecoratingpatternandcolortodecorate,alsofullydisplayedfromthelightingdesigndecoration.Infact,thefivetypeofhouseistoapersonasifplaceoneselfapartmentwithin"illusion",andtheroomlightingdesignanddecorateuse,letapersonhaveakindofquietbeauty,noble,outoftherelationship.BedchamberworkrestroomchangeclothesthesamemasterroomMaleownersaid:"forme,thematchingofthehouseholdcolourcoordinationisoneofthemostimportant,Icannotbearmostiscolorimbalance,inamess."Itisnowonderthatheandhiswifeingroupayearagotogettheroomkey,happenedtofindseveraldesigncompanies,hopingtofindcanmeettherequirementsoftheirdesignanddecoration,andinthefinaldecisiontoletgindadesign&renovationofdesignersforhouseholddecoration.Itisunderstoodthathomeownerscouplespentatotalof30000yuanforhomedesignanddecoration,asforfurniture,hasspentabout10000yuan.nInsomanyoftheoriginalwalltapping,themostsatisfactoryistheoriginalmasterroomandtwopeopleconnectedtoanotherbedroomthroughafterbecominga,becomeonebedroom,studio,restroomsandlockerroomfourforamasterroom.Andrareis,likethelivingroom,diningroomandkitchen,theownercoupleboughtinmasterroomdecorateadesignpatternandcoloroffurniture,maketothestyleofwholehouseholdinatmosphere,tendtounification,delicateandelegant.Unifiedbeautifulsittingroomontheleftsideofthekitchen,thekitchenstylealsoisstylistelaborateoneofthegoalsofthereform.Originallythenarrowentrancetothekitchen,afterknockingspacedoubled,andthenputonanobleelegantwoodendoor,effectisprominent.Ambryofapplianceinsidethekitchen,giveprioritytowithgraysystem,unifieddesignbeautifulstyle,giveapersonakindofvisualbeautytoenjoy.