[2010_06_03] smoked venison 鹿腿熏了？ - 专栏 columns - 经济学人 经济学人经济学家 - powered by discu

[2010_06_03] smoked venison 鹿腿熏了？ - 专栏 columns - 经济学人 经济学人经济学家 - powered by discu

[2010_06_03]Smokedvenison鹿腿熏了？-专栏Columns-经济学人经济学人经济学家-PoweredbyDiscu[2010.06.03]Smokedvenison楣胯吙鐔忎簡锛?-涓撴爮Columns-缁忔祹瀛︿汉缁忔祹瀛︿汉|缁忔祹瀛﹀-PoweredbyDiscuz!娉ㄥ唽鎴愪负ECOer鐧诲綍姣忓懆閫夐鏂版墜鎶ュ埌鍏憡鏍忛€氬ぉ濉斿悇鍦拌仈璋婃悳绱log榛樿blue椋庢牸jeansfashionfervorgreenwalluchome2009christmas绉佷汉娑堟伅(0)鍏叡娑堟伅(0)绯荤粺娑堟伅(0)濂藉弸娑堟伅(0)甯栧瓙娑堟伅(0)搴旂敤閫氱煡(0)搴旂敤閭€璇?(0)缁忔祹瀛︿汉禄涓撴爮Columns禄[2010.06.03]Smokedvenison楣胯吙鐔忎簡锛?鏂版墜蹇呰TE璇戞枃瑙勮寖|ECO鑻辫娌欓緳ECO鎷涜仒鍚簨璇戞枃濂栧姳璁″垝鈥滈€氬ぉ濉斺€漈E鎺堟潈澹版槑|QQ绗?0缇?鑵捐寰崥璁㈤槄TheEconomist杩斿洖鍒楄〃鍙戝笘lemon8882鍙戠煭娑堟伅鍔犱负濂藉弸lemon8882褰撳墠绂荤嚎UID66488甯栧瓙121涓婚23绮惧崕0绉垎64绉疮0鐐?鐜伴噾241GBP鍘熷垱璇戜綔46绡?鏈懆涔嬫槦0娆?濂栧姳璇戞枃0娆?鏉ユ簮鏈嬪弸鎺ㄨ崘闃呰鏉冮檺50鎬у埆濂?鏉ヨ嚜GZ鍦ㄧ嚎鏃堕棿146灏忔椂娉ㄥ唽鏃堕棿2009-6-20鏈€鍚庣櫥褰?010-6-14ECOTEAM瑙佷範璇戝憳\n甯栧瓙121绉垎64鍘熷垱璇戜綔46绡?娉ㄥ唽鏃堕棿2009-6-201妤?璺宠浆鍒?禄鍊掑簭鐪嬪笘鎵撳嵃瀛椾綋澶у皬:tT鍙戣〃浜?4澶╁墠21:51|鍙湅璇ヤ綔鑰?[Art.view][2010.06.03]Smokedvenison楣胯吙鐔忎簡锛?Art.view鑹烘湳瑙傚療Smokedvenison楣胯吙鐔忎簡锛?Cananauctionhousesuccessfullymanagealivingartist鈥檚primarymarket?鎷嶅崠琛岀┒绔熻兘鍚︾粡钀ュソ鍦ㄤ笘鐢诲鐨勪竴绾у競鍦猴紵Jun2nd2010|FromTheEconomistonlineHAUNCHofVenison鈥攁nartgalleryownedbyanauctionhouse鈥攊saweirdbeast.WhenChristie鈥檚acquiredthefirmin2007,manydoubtedthehealthofthisunconventionalallianceoftheprimaryandsecondarymarket.NowthatHaunch鈥檚founders,HarryBlainandGrahamSouthern,haveannouncedthattheyareleavingthegallery,\nskepticismmayreachanewhigh.浣冲＋寰楋紙Christie锛夋棗涓嬬殑楣胯吙鐢诲粖(HaunchofVenison)鏁翠釜灏辨槸涓€鍙€吔銆傛棭鍦?007骞翠匠澹緱璐緱璇ョ敾寤婃椂锛岃澶氫汉灏辫川鐤戣繖涓竴绾т笌浜岀骇甯傚満闈炰紶缁熺粨鍚堢墿鐨勫仴搴风姸鍐点€傝€岀幇鍦ㄩ箍鑵跨殑鍒涘缓鑰呭搱閲屽竷鈥㈤浄鎭╋紙HarryBlain锛夊拰鏍兼媺鏇尖€㈣惃璧烇紙GrahamSouthern锛夊凡瀹ｅ竷灏嗙寮€璇ョ敾寤婏紝杩欎笅鏇存槸闇囧緱娴佽█婊″ぉ椋炪€?Theprimarymarketoffersworkasitemergesfromartists鈥?studios鈥攖hatis,it鈥檚forsaleforthefirsttime.Thebestprimarydealersor鈥済allerists鈥?tendtobequirkymaverickswithsuchagood鈥渆ye鈥?thattheyhavetheirnamesoverthedoor.Theypaymoreattentiontosupply,soit鈥檚paramountthattheyunderstandandnurtureartists.Fewareteamplayerswithaflairforcorporatepolitics.Thesecondarymarket,bycontrast,involvestheresaleofartobjects,eitherthroughprivatedealersorauctionhouses.Thesetradersfocusondemand,andsohavelittlecontactwithartists.Moreover,unlikeprimarygallerists,tradersrarelyopttosella\nworkatalowerpricetoamuseumintheinterestsofdevelopinganartist鈥檚career.Highpricesareanendinthemselvesforanauctionhouse.鑹烘湳鍝佷氦鏄撶殑涓€绾у競鍦烘簮鑷壓鏈浠殑宸ヤ綔鍧婏紝鍗冲湪杩欓噷鑹烘湳瀹朵滑鐨勪綔鍝佺粡杩囬娆′氦鏄撱€傛渶濂界殑涓€绾т氦鏄撳晢鎴栫О鈥滅敾鍟嗏€濋€氬父鏄偅浜涚濂囧彜鎬€屽張鐗圭珛鐙鐨勪汉锛屼粬浠浜庡ソ鐨勭敾浣滄潵璇寸嫭鍏锋収鐪硷紝涔熷洜姝ゆ湁浜嗚嚜宸辩殑鐢诲粖銆傝繖浜涗汉鏇村姞娉ㄩ噸璐ф簮锛屾墍浠ヤ粬浠殑棣栬浠诲姟渚挎槸浜嗚В鐢诲鏈韩骞跺煿鑲蹭粬浠€備粬浠綋涓矞鏈夊悎缇や箣浜猴紝澶у閮藉鈥滃叕鍙告斂娌烩€濇瀬娆犲ぉ璧嬨€傝€岀浉姣斾箣涓嬶紝浜岀骇甯傚満鍒欐秹鍙婂埌閫氳繃绉佷汉浜ゆ槗鍟嗘垨鎷嶅崠琛屾笭閬撳鑹烘湳鍝佺殑杞敭鍊掑崠銆傝繖浜涗氦鏄撳晢浠垯鏇寸湅閲嶄簬璐у搧闇€姹傦紝鎵€浠ヤ粬浠篃鏋佸皯涓庤壓鏈浠墦浜ら亾銆傚彟澶栵紝涓庝竴绾х敾鍟嗕滑涓嶅悓鐨勬槸锛岃繖浜涗氦鏄撳晢鏋佸皯浼氫负浜嗚壓鏈鑷韩鑱屼笟鐢熸动鐨勫彂灞曢渶瑕佽€屼互浣庝环灏嗕綔鍝佸嚭鍞粰鍗氱墿棣嗐€傞珮浠锋湰鏉ュ氨鏄媿鍗栬鐨勬渶缁堢洰鐨勩€?SowhatoftherelationshipbetweenChristie鈥檚andHaunchofVenison?閭ｄ箞锛屼匠澹緱鍜岄箍鑵跨敾寤婁箣闂村張灏嗘槸鎬庢牱鐨勫叧绯伙紵Christie'swillretainthebrandnameandrepositionHaunchaspurelyaprimary-focusedgallery,withany\nsecondary-marketactivitiestakenoverbyChristie鈥檚post-warandcontemporarydepartment.InLondon,HaunchwillabandonitshugegalleryspacesbehindtheRoyalAcademyinBurlingtonGardenswhenitsleaseendsin18months,andreturntoHaunchofVenisonYard,itsoriginalhome,whichiscurrentlybeingrenovated.WordhasitthatHaunchNYwillalsoleaveitshigh-risepremisesinRockefellerCentre,becausetheconnotationsofthelocationare鈥渢oosecondarymarket鈥?andsetupshopalongsideotherprimarygalleriesinChelsea.浣冲＋寰楋紙Christie锛夊皢淇濈暀璇ュ搧鐗屽悕绉板苟涓斿皢楣胯吙(Haunch)閲嶆柊瀹氫綅涓虹函涓撴敞浜庝竴绾у競鍦虹殑鐢诲粖锛屽叾鎵€鏈夐潰鍚戜簩绾у競鍦虹殑娲诲姩灏嗗叏鏉冪敱浣冲＋寰楃殑鎴樺悗鍜屽綋浠ｈ壓鏈儴闂?Christie鈥檚post-warandcontemporarydepartment)鎺ョ銆備鸡鏁︾殑楣胯吙鐢诲粖灏嗗湪18鏈堝悗绉熼噾鍒版湡鏃舵惉绂诲叾浣嶄簬浼伒椤胯姳鍥?BurlingtonGardens)鐨囧瀛﹂櫌(RoyalAcademy)鍚庣殑宸ㄥ瀷鐢诲粖锛岃€屾惉鍥炲叾鍘熷潃鈥斺€旀鍦ㄧ炕鏂颁腑鐨勯箍鑵块櫌锛圚aunchofVenison\nYard锛夈€傛湁娑堟伅绉伴箍鑵跨敾寤婂湪绾界害鐨勫垎鏀敾寤婁篃灏嗘惉绂诲叾鍧愯惤鍦ㄦ礇鍏嬭彶鍕掍腑蹇冿紙RockefellerCentre锛夌殑楂樺眰妤煎畤锛屽師鍥犳槸杩欎竴鍦版鐨勫惈涔夆€滃お杩囦簩绾у競鍦哄寲鈥濅簡銆傝繖涓€鐢诲粖灏嗗湪鍒囧皵瑗匡紙Chelsea锛夌殑鍏跺畠涓€绾х敾寤婇棿閲嶆柊寮€闂ㄨ惀涓氥€?MessrsBlainandSouthernlaunchedHaunchofVenisonin2002.MrBlainhadbeenrunninghisgallery,BlainsFineArt,fortenyears.SouthernhadbeenadirectoroftheAnthonyd'OffayGalleryand,beforethat,headofChristie'spost-warandcontemporarydepartmentinBritain.Thepairwasquicktopickupwell-knownartistswholackedrepresentationinBritain,suchasBillViola,RichardLong,JorgePardo,andrecruityoungerartistsontherise,includingAntonHenningandNathanColey,aTurnerPrizenominee.Despitethesesuccesses,Haunchwasperhapsmostrespectedforitssecondary-markettrade.甯冮浄鎭?MessrsBlain)鍜岃惃璧?Southern)浜?002骞村垱寤轰簡杩欓棿楣胯吙鐢诲粖銆傚湪姝や箣鍓嶅竷闆锋仼宸茬粡钀ヨ嚜瀹剁敾寤娾€滃竷鑾辨仼缇庢湳棣?BlainsFine\nArt)鈥濋暱杈?0骞翠箣涔呫€傝€岃惃璧炰篃宸茬户浠昏亴浣冲＋寰椾鸡鏁︽垬鍚庡拰褰撲唬閮ㄩ儴闀夸箣鍚庯紝鎷呬换瀹変笢灏尖€㈡鑿茬敾寤婏紙Anthonyd'OffayGallery锛夊粖涓讳竴鑱屻€傝繖涓€浜屼汉缁勫緢蹇究鎸栧埌浜嗕竴浜涘湪鑻卞浗缂轰箯浠ｇ悊浜虹殑鍚嶅锛屽姣斿皵鈥經渚濇鎷夛紙BillViola锛夛紝鐞嗘煡鈥㈠痉鏈楋紙RichardLong锛夊拰涔旀不鈥㈠笗灏斿锛圝orgePardo锛夈€傚彟澶栬繕鑱樿浜嗕竴浜涚敾鍧涙柊璐碉紝杩欏叾涓氨鍖呮嫭浜嗗畨涓滀酣瀹侊紙AntonHenning锛変互鍙婄壒绾冲锛圱urnerPrize锛夋彁鍚嶈壓鏈鍐呮．鈥㈢鍒╋紙NathanColey锛夈€傞櫎浜嗚繖浜涗赴鍔熶紵缁╁锛岄箍鑵跨敾寤婃亹鎬曟渶搴斿彈鏁簬瀹冨湪浜岀骇甯傚満浜ゆ槗涓墍鍙栧緱鐨勫偛浜烘垬鏋溿€?Christie'sboughtHaunchinFebruary2007.Fran莽oisPinault,Christie'sownerandabigcollector,issaidtohavebeenverykeenontheacquisition,ashehadbecomeaclientandclosefriendofMrBlain.Undertheoriginaldeal,HaunchwasmeanttobethechannelforallofChristie'sprivate-clientbusinessaswellasthefocusofitsprimarytrade.Thebulkofanauctionhouse鈥檚artsalesarepublic;theworkgoesontheblockbeforeanaudience.Butauctionhousesalsobrokerthesaleofworksbehind-the-scenesinwhattheycall鈥減rivatetreaty鈥?deals.\n浣冲＋寰楀湪2007骞翠簩鏈堣喘寰楅箍鑵跨敾寤娿€備綔涓哄竷闆锋仼鐨勯【瀹㈠吋瀵嗗弸锛屼匠澹緱鐨勬嫢鏈夎€呭紬鏈楀厠鏂€㈢毊璇虹壒锛團ran莽oisPinault锛夋嵁璇村綋鍒濋潪甯哥儹琛蜂簬杩欎竴鏀惰喘妗堛€傛寜鐓ф渶鍒濈殑鍗忚瑙勫畾锛岄箍鑵跨敾寤婂簲鏄匠澹緱鐨勭浜哄鎴蜂笟鍔￠€氶亾锛屽悓鏃朵篃鏄叾绗竴甯傚満浜ゆ槗鐨勮仛闆嗗湴銆傚ぇ澶氭暟鎷嶅崠琛岀殑鑹烘湳鍝侀攢鍞繃绋嬫槸鍏紑鍖栫殑锛屽嚭鍞腑鐨勪綔鍝佷細灞曠ず鍦ㄥ叕浼楅潰鍓嶃€備絾鏄紝鎷嶅崠琛屼篃鍦ㄤ粬浠墍璋撶殑鈥滅浜轰氦鏄撯€濅腑鍏呭綋璇ョ被骞曞悗浜ゆ槗鐨勬幃瀹㈣鑹层€?TheChristie鈥檚take-overbothstrengthenedandweakenedHaunch鈥檚tradingbase.Ontheonehand,itgavetherelativelysmallstart-upaccesstoChristie鈥檚databaseandglobalclientlist.Ontheotherhand,HaunchwaskickedoutofartfairssuchasFrieze,andlostsomeartists,suchasKeithTyson,aTurnerPrizewinner,whoclaimedtobeuncomfortablebeingrepresentedbyagalleryownedbyanauctionhouse.\n浣冲＋寰楁帴鏀朵簡鎵€鏈夐箍鑵跨敾寤婄殑鎵€鏈夎锤鏄撴嵁鐐癸紝鏃犺鍏剁洓琛颁笌鍚︺€傝繖鏍风殑璇濓紝浠庝竴鏂归潰锛屽畠鏃㈤檺鍒朵簡楣胯吙瀵逛匠澹緱鏁版嵁搴撳拰鍏ㄧ悆瀹㈡埛鍚嶅崟鐨勪娇鐢ㄦ潈銆傝€屽彟涓€鏂归潰锛岄箍鑵垮張琚揩閫€鍑轰簡寮楅噷鍏癸紙Frieze锛変箣绫荤殑鑹烘湳鍗氳浼氾紝骞朵笖涔熷け鍘讳簡璇稿鐗圭撼濂栬幏寰楄€呭嚡鏂€㈡嘲妫瓑鑹烘湳瀹躲€傚嚡鏂€㈡嘲妫浘澹扮О瀵逛簬鐢变竴鎷嶅崠琛屾棗涓嬬殑鐢诲粖鍑轰换鍏朵唬鐞嗕竴浜嬭〃绀轰笉閫傘€?HaunchofVenisonmayhavesufferedmorethansomeothergalleriesduringthedownturn.In2007,Haunch'srevenueinBritain,itsbiggestmarketbyfar,was拢66m($105.6m)andprofitwas拢1.6m.In2008thecrashinsalesandasubsequentwrite-downinthevalueoftheirartinventorymeanta拢1.8mlossinayearwhenMrBlainwaspaid拢1.2m.In2009Haunchpaida拢2mdownpaymentforthethree-yearleaseofitsgrandBurlingtonGardensspace.Thetotalrentalfeewas拢4.25m,awhoppingprice,consideringthattheRoyalAcademyboughtthebuildingin2001foramere拢5m.\n鍦ㄥ叾杩愯惀钀ф潯鏈熼棿锛岄箍鑵跨敾寤婄粷姣旇捣鍏朵粬鐢诲粖鏉ヨ缁濇槸楗辩粡椋庨湝鐨勩€?007骞达紝楣胯吙鍦ㄨ嫳鍥界殑鎬昏储鏀挎敹鍏ヤ负鍏崈鍏櫨涓囪嫳闀戯紙绾︿竴浜夸簲鐧惧叚鍗佷竾缇庡厓锛夛紝鐩堝埄涓€鐧惧叚鍗佷竾鑻遍晳銆傜洰鍓嶈嫳鍥芥槸楣胯吙鏈€澶х殑甯傚満銆?008骞达紝閿€鍞笟缁╃殑鏆磋穼浠ュ強鎺ヤ笅鏉ュ叾鑹烘湳鍝佸簱瀛樿处闈㈡儏鍐电殑钃勬剰闄嶄綆閮芥剰鍛崇潃璇ュ勾涓€鐧惧叓鍗佷竾鑻遍晳鐨勬崯澶憋紝鑰屽竷鑾辨仼鏈汉鐨勫伐璧勬姤閰氨鏈変竴鐧句簩鍗佷竾鑻遍晳銆?009骞达紝楣胯吙涓哄叾浣嶄簬鏌忔灄椤胯姳鍥簽澶ц壓鏈┖闂寸殑绉熺敤鏀粯浜嗕袱鐧句竾鑻遍晳鐨勯浠樺畾閲戙€傛€荤鐢ㄩ噾棰濋珮杈惧洓鐧句簩鍗佷簲涓囪嫳闀戯紝鑰冭檻鍒扮殗瀹惰壓鏈櫌鍦?001骞存敹璐鏍嬫ゼ鎵€鐢ㄤ粎浜旂櫨涓囪嫳闀戯紝杩欎竴楂橀绉熼噾缁濆宸叉槸澶╀环浜嗐€?Insidersvariouslycitecompanypolitics,turfwarsandinformationwithholding鈥攔atherthanoverspending鈥攆orthedivorceofMessrsBlainandSouthernfromChristie's.Tellingly,Haunch'snewdirectorshavebeenrecruitedfromwithinthecompany.InBritainMatthewCarey-Williamswillbecomethegallery'sdirector,havingpreviouslyleftHaunchforChristie's.InAmericaEmilioSteinberger,whorecentlybroughttheTomWesselmanestatetothegallery,andBarrettWhite,formerlyofL&MArtsInc,willtakethemostseniorroles.BenTufnell,whojoinedHaunchofVenisonfromTatein2006,willcontinueasdirectorofexhibitions.闅忕潃甯冭幈鎭╁拰钀ㄨ禐涓や汉浜庝匠澹緱鍒嗗锛岄箍鑵垮唴閮ㄨ鍏徃鏀挎不銆佸湴鐩樹簤澶烘垬銆侀殣鐬掍俊鎭€岄潪鍏变韩鎵€鍏呮枼鐫€銆傛棤鐤戯紝楣胯吙鐨勪俊浠讳富绠″彧鑳戒粠浣冲＋寰楀叕鍙稿唴閫夊彇銆傞┈淇嚡閲?濞佸粔濮嗘柉锛圡atthew\nCarey-Williams锛夊皢鎴愪负楣胯吙鐢诲粖鑻卞浗鍖虹殑涓荤銆備粬鍦ㄦ涔嬪墠鏇剧寮€楣胯吙浠昏亴浜庝匠澹緱銆傝€岀編鍥藉尯鐨勬渶楂樿亴鍔″皢鐢卞焹绫冲埄濂モ€㈡柉鍧︿集鏍硷紙EmilioSteinberger锛夊拰L&M鑹烘湳鍏徃鍓嶉珮绾т富绠″反闆风壒鈥㈡€€鐗癸紙BarrettWhite锛夊嚭浠汇€傛渶杩戯紝鍩冪背鍒╁ゥ鈥㈡柉鍧︿集鏍煎垰淇冩垚浜嗕竴璧锋堡濮嗗濞佸灏旀浖鍦颁骇鍏徃锛圱omWesselman锛変笌楣胯吙鐨勫悎浣滄銆傛湰鈥㈠澶唴灏旓紙BenTufnell锛夋浘浜?006骞撮€€鍑烘嘲鐗圭敾寤婏紙Tate锛夎€屽姞鐩熼箍鑵匡紝浠栧皢缁х画鎷呬换鐢诲睍鎬荤洃涓€鑱屻€?Sotheby'sandChristie'shavetakenverydifferentapproachestotheprimarymarket.WhileChristie'sacquiredHaunch,Sotheby'swentpublicwiththeone-offprimaryauction,鈥淏eautifulInsideMyHeadForever鈥?whichsoldworkbyDamienHirststraightoutofhisstudio(someofitnotevenfinished)forrecord-breakingpricesinSeptember2008,justasLehmanBrotherswentunderandthefinancialcrisisgotgoinginearnest.Thoughthesalemadeheadlines,manywonderhowmuchmoneySotheby鈥檚actuallymadefromit.SomespeculatethatMrHirstenjoyedacutofthebuyer鈥檚premium(in\nadditiontothehammerprice).Theauctionhousealsoofferedsuchfavourablepaymenttermsthatsomebuyersmaystillbepayingforthework.AseniorSotheby鈥檚specialistadmitsthattheauctionwasexceedinglyhighrisk.Indeed,itmightnothavebeenasuccessifithadtakenplaceaweeklater.鑻忓瘜姣旓紙Sotheby's锛夊拰浣冲＋寰楋紙Christie's锛夌悍绾峰湪涓€绾у競鍦轰笂鍚勬湁鍔ㄤ綔銆?008骞翠節鏈堬紝褰撲匠澹緱姝ｆ敹璐箍鑵挎椂锛岃嫃瀵屾瘮浠ュ悕涓衡€滅編鍦ㄦ案椹绘垜澶粹€濓紙鈥淏eautifulInsideMyHeadForever鈥濓級鐨勪竴娆℃€ф媿鍗栦細闇囨儕鍥涘骇銆傚湪姝ゆ鎷嶅崠浼氫笂锛岃揪鏄庡畨鈥㈣但鏂壒锛圖amienHirst锛夌殑鐢讳綔浠ョ┖鍓嶉珮浠锋媿琚崠鍑猴紝杩欎簺鐢讳綔鏇存槸鐩存帴鍦ㄤ粬鐨勭敾瀹ゅ氨琚拱璧颁簡锛岀敋鑷冲叾涓殑鏌愪簺閮借繕娌＄敾瀹屻€傝€屽綋鏃舵鍊奸浄鏇煎厔寮熺牬浜с€侀噾铻嶅嵄鏈哄浜庨鍙ｆ氮灏栦箣闄呫€傚敖绠″悇澶ф姤绾哥悍绾峰ご鏉℃姤瀵艰繖涓€鎷嶅崠浼氾紝浣嗚澶氫汉浠嶇劧鎬€鐤戣嫃瀵屾瘮绌剁珶鍦ㄨ繖涓€绗斾笂鎹炰簡澶氬皯閲戙€傛湁浜烘帹娴嬭但鏂壒鐑》浜庡墛鍑忎拱鏂规孩浠凤紙闄や簡鎷嶅崠鎴愪氦浠锋牸锛夈€傚彟澶栵紝鎷嶅崠琛岃繕鎻愪緵浜嗗姝や紭瓒婄殑浠樻鏂瑰紡锛屼互鑷充竴浜涚敾鍟嗕粛鐒朵細涓鸿繖涓€浜ゆ槗鍩嬪崟銆備竴鍚嶈嫃瀵屾瘮鐨勯珮绾т笓瀹朵篃鎵胯锛岃繖鍦烘媿鍗栦細纭疄鏄啋鐫€鏋佸ぇ鐨勯闄╃殑銆備簨瀹炰笂锛屽鏋滃畠浠呮櫄涓€鏄熸湡涓捐鐨勮瘽锛屽畠閮芥槸涓嶅彲鑳借幏寰楁垚鍔熺殑銆?WhileHaunchofVenisonhasneverofficially\nrepresentedMrHirstinLondon,thegalleryhasdoneastrongbehind-the-scenestradeinhiswork.ThisbusinessculminatedintherecentopeningofanexhibitionbyMrHirstandMichaelJoo,anAmericanartist,inHaunch'sBerlinspace(picturedabove).TheBerlinspaceisarelativelyminoroutpostoftheHaunchbrandwhosedestinyisstillupintheair.灏界楣胯吙鐢诲粖浠庢湭鍑轰换杩囪但鏂壒鍦ㄤ鸡鏁︾殑瀹樻柟浠ｇ悊锛屼絾楣胯吙杩樻槸涓哄叾鐢讳綔鍋氫簡澶х瑪骞曞悗浜ゆ槗銆傝€岃繖涓€浜ゆ槗鏇存槸浠ヨ但鏂壒鍜岀編鍥界敾瀹惰繄鍏嬪皵锛圡ichaelJoo锛夋渶杩戝湪楣胯吙鐢诲粖鏌忔灄棣嗭紙涓婂浘锛変妇鍔炵殑鍙屼汉灞曢棶榧庛€傛煆鏋楅鏄墍鏈夐箍鑵跨敾寤婂湪鍚勫湴灞曢涓浉瀵硅緝灏忎笖鍋忚繙鐨勫湴鏂广€傝€岃繖涓€鍒嗘敮鐢诲粖鐨勫懡閫旂┒绔熶綍鍘讳綍浠庝粛鏄湭鐭ユ暟銆?鈥淎uctionhouseshavebeenaroundforalongtime,butitseemsliketheyarestrugglingtoknowexactlywhattheirroleshouldbe,鈥?observedMrHirstinaninterviewwithTheEconomistattheopening.WhenaskedspecificallyabouttherelationshipbetweenChristie'sandHaunchofVenison,hereplied,鈥淭heyseem\ntogetoneachothersnerves.Ican'tseethattherea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